Iconic Faces of Ukrainian Television (50-70s of the Twentith Century)

The purpose of the research is to analyze the first steps of the television formation in Ukraine, to determine the factors of the television influence's growth on the viewer audience. The research methodology consists of the following methods: historical – analysis of sources about the first steps and development of television in Ukraine in the 50–the 70s of the twentieth century; theoretical – the factors’ study of the increasing television influence on the audience. The scientific novelty of the research is the investigation of the main stages of the television space development of Ukraine in the first decades from the beginning of regular broadcasting, as well as the works of researchers of the history of Ukrainian television, have been thoroughly analyzed, the facts about the first announcers of UT have been systematized for the first time. Conclusions. In the course of the article, we proved that the technical and technological development of television in Ukraine, the growth of its influence on viewers, would have been impossible without prominent figures, representatives of various television professions who took part in the process of organizing and providing television broadcasting. The audience saw some of them on the screens, but many iconic names remained behind the scenes. The task of researchers is to identify the personas and roles of all pioneers and to preserve these names for history, for future generations.

Emotional Dynamics, Dialogue, And Organizational Innovativeness Of Indonesian Private Tv Stations

Currently, researchers tend to suggest a socially based approach to address the challenge of innovation rather than an economic approach which often fails to address the challenge. This study examines the relationship between emotional dynamics as an independent variable, organizational innovativeness as the dependent variable, and dialogue as a mediator in Indonesian private television broadcasting institutions. Data is collected from 132 respondents who are creative workers at Indonesian private tv stations. Prior to hypotheses testing, this study conducted a factor analysis to check the construct validity of all variables under study. This study used multiple regression analysis to examine direct relationships and two-step hierarchical regression to examine mediating effect. The results show that emotional dynamics have a significant effect on organizational innovativeness and dialogue. The results also show that dialogue partially mediates the relationship between emotional dynamics and organizational innovativeness. This study found that organizational innovativeness can be achieved by those who apply: an open culture, a climate of discussion about new ideas, and a climate of mutual respect. The study also reveals that dialogue is a very important tool that mediates the relationship between open culture and organizational innovativeness. This study proposes that organizational age and the influence of national culture need to be considered for further research on social-based innovation. Keywords: emotional dynamics, dialogue, organizational innovativeness, Indonesian private tv stations

Conclusion

This concluding chapter uses British free-to-air television broadcasting network Channel 4’s “Superhumans Return” advertising campaign for its coverage of the 2016 Paralympic Games as a case study with which to explore the overlaps between nineteenth-century and contemporary cultural representations of prosthesis users. It highlights the way that contemporary sources, including Channel 4’s campaign, interrogate a privileging of normalcy while remaining encoded by ableist inclinations. The chapter draws together the various strands of the book’s argument to make the case that the literary history of prosthesis is rich, complicated, and conflicted.

The Problems of Media Strategy Transformation of Russian Regional Television Broadcasting Companies in the Context of the Crisis of Traditional Media

The article deals with the problems faced by the regional television market in the context of the growing popularity of new media and the transition of Russia to a digital broadcasting format. Regional and municipal television broadcasting, having lost traditional platforms for promoting their content, faced the necessity to develop new platforms in a short time. The new media environment required regional TV companies to review the promotion concepts. The author of the article is the developer of one of such concepts of rebranding and relaunching a regional television studio in a new format, and, based on practical experience, analyzes the factors and difficulties of transformation of media strategies of regional TV companies. Five blocks of problems were identified as a result of testing of the concept of a new regional broadcasting. They include: project management, its staffing and financial support, analysis and interpretation of modern media measurements, transition to new video content formats adapted to digital platforms.

PODCASTS AND JOURNALISM

The application of new technologies in journalism contributes to the development of new forms of journalistic content. Podcasts that present content posted online and allow online users to access them whenever and however many times they want are experiencing continued success around the world (Newman, 2021). This development has also led to a variety in the content of podcasts, and the approach to topics is journalistic in some podcast series. Podcast authors can be journalists, as well as other people, Internet users and sometimes celebrities. For example, it is predicted that this year there will be a “battle for the stars” between the platforms and the media. The aim of this paper is mapping the use of podcasts in Serbia, starting, above all, from podcasts as journalism technology. A few years ago, the traditional mainstream media in Serbia tried to keep pace with the innovators in the online environment and increase attendance at their online editions. The results of this research show that the podcast develops in two ways when it comes to journalism: as part of the online media and as an individual endeavor of the author. It can be concluded that the podcast that is the individual endeavor of the author, considering that it is realized outside the media institution, is a freer form of expression and is often very popular. Finally, since the podcast technology is cheaper than radio or television broadcasting and that this broadcasting does not require the permission of the regulatory body, it is run by other companies, not just media companies.

The Right to Language and its Contemporary Significance for New Zealand

<p>The right of linguistic minorities to speak their own language in community with other members of their group (the right to language) is deserving of specific attention for two reasons. Firstly, language is the currency of communication and one of the key indicia of cultural identity; and secondly, ensuring minorities have a secure place within a State is pivotal to promoting peace and stability within a nation. There are three sources of the right to language in New Zealand : the International Covenant on Civil and Political rights, the New Zealand Bill of Rights Act 1990, and the Treaty of Waitangi (for the Maori and Moriori languages). The right to language protects against both direct action by the State to limit linguistic minorities' use of their language. and State neglect of a minority language. This paper explores the right to language in the New Zealand context including the sources and elements of the right to language; the application of the right to the Maori language (and what lessons can be learned from this experience for the Moriori language); and two modes of revitalisation of minority languages: official recognition and television broadcasting. The paper observes that while the steps to improve language acquisition and use of the Maori language are admirable and need to continue to secure a meaningful place for that language in New Zealand, the Moriori language is in serious jeopardy and in need of urgent attention. Finally, the paper examines whether the principles of the Treaty of Waitangi may provide sound guidance for the consideration of the place of minority languages in policy and law making in New Zealand.</p>

The Right to Language and its Contemporary Significance for New Zealand

<p>The right of linguistic minorities to speak their own language in community with other members of their group (the right to language) is deserving of specific attention for two reasons. Firstly, language is the currency of communication and one of the key indicia of cultural identity; and secondly, ensuring minorities have a secure place within a State is pivotal to promoting peace and stability within a nation. There are three sources of the right to language in New Zealand : the International Covenant on Civil and Political rights, the New Zealand Bill of Rights Act 1990, and the Treaty of Waitangi (for the Maori and Moriori languages). The right to language protects against both direct action by the State to limit linguistic minorities' use of their language. and State neglect of a minority language. This paper explores the right to language in the New Zealand context including the sources and elements of the right to language; the application of the right to the Maori language (and what lessons can be learned from this experience for the Moriori language); and two modes of revitalisation of minority languages: official recognition and television broadcasting. The paper observes that while the steps to improve language acquisition and use of the Maori language are admirable and need to continue to secure a meaningful place for that language in New Zealand, the Moriori language is in serious jeopardy and in need of urgent attention. Finally, the paper examines whether the principles of the Treaty of Waitangi may provide sound guidance for the consideration of the place of minority languages in policy and law making in New Zealand.</p>

Digital Archiving Practices in Audiovisual Archives: An Exploration of the Use of Media Asset Management Systems in Television Broadcasting Organizations

<p>Research Problem: Over the last decade television audiovisual archives have undergone major changes in response to the introduction of digital media and digital production systems, particularly in relation to television news. While there is significant research into how the use of digital technology affects other user groups within the television broadcasting sector, such as journalists, there is very little that focuses on the work of audiovisual archivists. Methodology: Semi-structured interviews were used to explore the experiences of television audiovisual archivists who have been involved with the implementation and use of digital media management systems. Questions focused on three main areas: selection and appraisal, cataloguing, and search and retrieval. Results: Interview data provided detailed descriptions of the processes and actions that audiovisual archivists employ in the course of their daily work. Qualitative analysis of the data is used to identify the problems that audiovisual archivists experience and the methods they use to address these problems. It also provides insight into the ways archivists incorporate media management tasks into their routines. Implications: Television archives are very much still in a transition phase which is characterized by the use of multiple systems that enable access to both analogue and digital content. One area that remains problematic for some archivists is the lack of ability to incorporate quality and authority control into descriptive metadata that is created using digital media management systems. Archivists are taking on more media management responsibilities and working closer with production staff in a number of ways.</p>