Music Theory and its Methods
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Published By Peter Lang

9783631616598, 9783653029062

Latest Documents Most Cited Documents Contributed Authors Related Sources Related Keywords

Simon Perry: Pitch-Notational Analysis: A Basis for an Approach to Understanding Harmonic Thinking in Common-Practice and Post Common-Practice Tonality

Music Theory and its Methods ◽

10.3726/978-3-653-02906-2/12 ◽

2016 ◽

Keyword(s):

Notational Analysis

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Elizabeth Lee: Music, Imagery, Meaning, and Emotion in Hugo Wolf’s “An eine Äolsharfe:” An Analytical Triangulation via Schenkerian Analysis, the Theory of Musical Forces, and Cognitive Metaphor Theory

Music Theory and its Methods ◽

10.3726/978-3-653-02906-2/11 ◽

2016 ◽

Keyword(s):

Schenkerian Analysis ◽

Cognitive Metaphor ◽

Metaphor Theory ◽

Musical Forces

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Luca Bruno: A Methodological Approach Toward the Harmony of Sixteenth-Century Secular Polyphony

Music Theory and its Methods ◽

10.3726/978-3-653-02906-2/5 ◽

2016 ◽

Keyword(s):

Sixteenth Century ◽

Methodological Approach

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Rebekah Woodward: Towards New Editing Methods for Transcribing the Polyphonic Notre Dame Conductus Repertory

Music Theory and its Methods ◽

10.3726/978-3-653-02906-2/4 ◽

2016 ◽

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Preface

Music Theory and its Methods ◽

10.3726/978-3-653-02906-2/3 ◽

2016 ◽

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Music Theory and its Methods ◽

10.3726/978-3-653-02906-2/2 ◽

2016 ◽

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Dennis Cole: Incorporating Transcriptions and Notation: Pedagogical Issues for the World Music Ensemble

Music Theory and its Methods ◽

10.3726/978-3-653-02906-2/10 ◽

2016 ◽

Keyword(s):

World Music ◽

Pedagogical Issues ◽

The World ◽

Music Ensemble

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Cover

Music Theory and its Methods ◽

10.3726/978-3-653-02906-2/1 ◽

2016 ◽

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Byron Almén: Toward a Pluralism of Musical Cognitive Processes

Music Theory and its Methods ◽

10.3726/978-3-653-02906-2/7 ◽

2016 ◽

Keyword(s):

Cognitive Processes

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Leon Stefanija: Levers of Satire in Twentieth-Century Music

Music Theory and its Methods ◽

10.3726/978-3-653-02906-2/14 ◽

2016 ◽

Keyword(s):

Twentieth Century ◽

Twentieth Century Music

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Music Theory and its Methods
Latest Publications

TOTAL DOCUMENTS

H-INDEX

Published By Peter Lang

Simon Perry: Pitch-Notational Analysis: A Basis for an Approach to Understanding Harmonic Thinking in Common-Practice and Post Common-Practice Tonality

Elizabeth Lee: Music, Imagery, Meaning, and Emotion in Hugo Wolf’s “An eine Äolsharfe:” An Analytical Triangulation via Schenkerian Analysis, the Theory of Musical Forces, and Cognitive Metaphor Theory

Luca Bruno: A Methodological Approach Toward the Harmony of Sixteenth-Century Secular Polyphony

Rebekah Woodward: Towards New Editing Methods for Transcribing the Polyphonic Notre Dame Conductus Repertory

Preface

Contents

Dennis Cole: Incorporating Transcriptions and Notation: Pedagogical Issues for the World Music Ensemble

Cover

Byron Almén: Toward a Pluralism of Musical Cognitive Processes

Leon Stefanija: Levers of Satire in Twentieth-Century Music

Export Citation Format

Music Theory and its MethodsLatest Publications

TOTAL DOCUMENTS

H-INDEX

Published By Peter Lang

Simon Perry: Pitch-Notational Analysis: A Basis for an Approach to Understanding Harmonic Thinking in Common-Practice and Post Common-Practice Tonality

Elizabeth Lee: Music, Imagery, Meaning, and Emotion in Hugo Wolf’s “An eine Äolsharfe:” An Analytical Triangulation via Schenkerian Analysis, the Theory of Musical Forces, and Cognitive Metaphor Theory

Luca Bruno: A Methodological Approach Toward the Harmony of Sixteenth-Century Secular Polyphony

Rebekah Woodward: Towards New Editing Methods for Transcribing the Polyphonic Notre Dame Conductus Repertory

Preface

Contents

Dennis Cole: Incorporating Transcriptions and Notation: Pedagogical Issues for the World Music Ensemble

Cover

Byron Almén: Toward a Pluralism of Musical Cognitive Processes

Leon Stefanija: Levers of Satire in Twentieth-Century Music

Music Theory and its Methods
Latest Publications