Wirtschaftswandel als Kulturwandel? Die Gemeinwohl-Ökonomie als möglicher Wegbereiter für eine Kultur wechselseitiger Verbundenheit

The article analyzes the development of new post-capitalist practices with their possible effects on the transformation of self-images and self-conceptions using the example of the economy for the common good. To this end, the connection between the current subject order, the present social crises and the complex entanglement of the prevailing mode of production and life is explained. A socio-ecological transformation would therefore also have to be linked to the emergence of an alternative subject culture which is oriented towards cooperation and community. The Association of Common Good Economy (Verein der Gemeinwohl-Oekonomie) and common good-oriented companies are used in this research as a space to observe social-cultural practices and new forms and conventions of cooperation in their acceptance and dissemination. On the one hand, it shows that these companies, with their values based on cooperation, social and global justice and ecological responsibility, and with their participatory organizational structures, offer opportunities for countercultural practices and make utopias tangible, so that social change and self-change are being made possible on a small scale. On the other hand, by means of detailed examples the inconsistencies of social-cultural practices and the hybrid mixture of subject forms become clear and comprehensible in their specific context.

Zwischen Naturgeschichte, Statistik und Gesellschaftsroman. Soziographische Wissensordnungen im Kontext einer europäischen Publizistik im 19. Jahrhundert

During the first half of the nineteenth century, the rise of market-oriented periodical publishing correlated with an increasing desire to inspect the modernizing societies. The journalistic pursuit of examining the social world is in a unique way reflected in countless periodical contributions that, especially from the 1830s onwards, depicted social types and behaviours, new professions and technologies, institutions, and cultural routines. By analysing how these “sociographic sketches” proceeded to document and to interpret the manifold manifestations of the social world, this article discusses the interrelationships between epistemic and political shifts, new forms of medialization and the systematization of social research. It thereby focuses on three main areas: the creative appropriation of narratives and motifs of moralistic essayism, the uses of description and contextualization as modes of knowledge, and the adaptation of empirical methods and a scientific terminology. To consider nineteenth-century sociographic journalism as a format between entertainment, art, and science provokes us to narrate intermedial, transnational and interdisciplinary tales of the history of social knowledge production.