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Published By Edinburgh University Press

1749-6306, 0590-8876

Costume ◽  
2021 ◽  
Vol 55 (2) ◽  
pp. 161-162
Author(s):  
Alexandra Kim ◽  
Christine Stevens

Costume ◽  
2021 ◽  
Vol 55 (2) ◽  
pp. 281-285
Author(s):  
Zillah Irene Mary Halls

Costume ◽  
2021 ◽  
Vol 55 (2) ◽  
pp. 186-211
Author(s):  
Carolyn Dowdell

This article details eighteenth-century English dressmaking through an in-depth, object-oriented exploration of garment construction practices and techniques from a maker's perspective. Building upon prior scholarship of women's work and aspects of pre-industrial English garment trades, this article employs primary and secondary source materials in conjunction with extensive object-based research of extant garments. The research findings outline exactly how pre-industrial English dressmakers’ skills were nuanced, sophisticated and adaptive to making and remaking, as well as the personal, haptic connections they cultivated with their work.


Costume ◽  
2021 ◽  
Vol 55 (2) ◽  
pp. 274-275
Author(s):  
Milly Westbrook

Costume ◽  
2021 ◽  
Vol 55 (2) ◽  
pp. 266-270
Author(s):  
Anna Buruma

Costume ◽  
2021 ◽  
Vol 55 (2) ◽  
pp. 163-185
Author(s):  
Valerio Zanetti

This article discusses the wearing of bifurcated equestrian garments for women in early modern Europe. Considering visual representations as well as documentary sources, the first section examines the fashion for red riding breeches between the late sixteenth and seventeenth centuries. Worn for their comfort and functionality in the saddle, these garments were also invested with powerful symbolic and affective meaning. The second section provides new insights about female equestrian outfits in late seventeenth-century France. Through the close reading of two written accounts, the author sheds light on the use of breeches as undergarments in the saddle and discusses the appearance of a hybrid riding uniform that incorporated knee-length culottes. By presenting horsewomen who wore bifurcated garments in the pursuit of leisure rather than transgression, this study revises historical narratives that cast the breeched woman exclusively as a symbol of gender upheaval.


Costume ◽  
2021 ◽  
Vol 55 (2) ◽  
pp. 276-277
Author(s):  
Alice Mackrell

Costume ◽  
2021 ◽  
Vol 55 (2) ◽  
pp. 240-265
Author(s):  
Tyler Rudd Putman ◽  
Matthew Brenckle

This article examines the historical and material context of a rare sailor's jacket, c. 1804, probably produced in England and worn by a Japanese castaway named Tajuro (among the first Japanese men to circumnavigate the globe) during a Russian expedition to Japan. We place Tajuro's jacket in the longer history of garments worn by sailors and labourers. Because it is the only surviving example definitively used at sea by an identified seaman on a particular voyage, from the long eighteenth century, Tajuro's jacket provides a glimpse into what European, Russian, and American sailors wore in this era. It is an invaluable addition to the scanty material archive of common sailors’ clothing with a story that shows the global possibilities of early modern travel.


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