On Considering the Role of Art Therapy in Treating Depression

2015 ◽  
pp. 350-360
Author(s):  
Stephanie Wise
Keyword(s):  
2016 ◽  
pp. 85-87
Author(s):  
Galina Nikolaevna Evtushenko ◽  
◽  
Elena Anatolyevna Belova ◽  

2021 ◽  
Vol 12 ◽  
Author(s):  
Inbal Gazit ◽  
Sharon Snir ◽  
Dafna Regev ◽  
Michal Bat Or

In art therapy, art-making plays an important role in the therapeutic relationship. To better understand the triangular relationship between the art therapist, the client and the artwork, this study investigated the association between the therapeutic alliance and reactions to artistic experiences with art materials in an art therapy simulation. The simulation consisted of a series of 6–8 sessions in which art therapy students were divided into teams composed of a permanent observer (art therapist) and creator (client). The client's role was to self-explore through art- making, and the art therapist's role was to accompany the client. Thirty-four students, all women, who played the art therapist role, and 37 students (one male) who played the client participated in the study. Of these participants, there were 24 pairs where both participants filled out all the questionnaires. A short version of the Working Alliance Inventory (WAI) was completed by the clients and the art therapists on the second session (T1) and on the penultimate session (T2). The clients also completed the Art-Based Intervention Questionnaire (ABI) at T2. Significant positive correlations were found between indices of the WAI for the art therapist and the client and the clients' reactions to the artistic experience with art materials on the ABI. The evaluation of the emotional bond between the art therapist and the client at the start of the simulation significantly predicted the client's reactions to the artistic experience with art materials at the end of the simulation and explained 45.4% of the variance for this variable. These findings highlight factors related to the development and influence of the therapeutic alliance, as well as the role of the artistic experience in art therapy and lay the groundwork for further research.


2009 ◽  
pp. 463-490
Author(s):  
Valeria P. Babini

- Valeria P. Babini's book Liberi tutti. Italia e psichiatria nel Novecento [Free Everybody. Italy and Psychiatry in the XX Century] (Bologna: Il Mulino, 2009) are pre-published. In the first one ("Miss Helen") the important role of Morselli for Italian psychiatry in the 1930s is exemplified with the description of a case of dissociative disorder that he treated following Jaspers' e Minkowski's phenomenological approach. In the second one ("Regarding the The Snake Pit") the debate on mental asylums of the late 1940s is reconstructed, with the reactions to a well known movie that stirred up the interest of journalists and psychiatrists. The third one ("Revisited themes, pioneers, vanguards") focuses on a pivotal period of Italian psychiatry when in the late 1950s new approaches appeared (such as art therapy) and some young psychiatrists migrated to France, Switzerland, Germany, England, and USA in order to learn new therapeutic techniques.


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