Analogy (in Medieval Theology)

2021 ◽  
pp. 1-3
Author(s):  
Kevin Flannery
Keyword(s):  
Author(s):  
Simon Gilson

This chapter provides an overview and assessment of Dante’s use of medieval visual theories in his writings. It first surveys his use of the medieval Aristotelian tradition of visual theory in the Convivio, and discusses his reliance on other models of vision in the Vita nova and Rime, including those found both in medical writings and in the works of other poets. The chapter then discusses how, in the Commedia, Dante incorporates a variety of other late medieval discourses about vision into his narrative. Dante does this—it is argued—in carefully structured and stratified ways that often reveal his characteristic syncretism. The poet continues to use neo-Aristotelian theory but also draws upon a rich body of material on seeing found in medieval theology, contemplation, and Biblical exegesis. Particular attention is paid to how these multiple traditions inform the presentation of Dante-character’s own visual experiences throughout the poem.


Author(s):  
Simon Francis Gaine

Historical research has confirmed that there can be no doubt of the importance of Jesus Christ to Aquinas’ faith, devotion, and theological enterprise. This scholarship has exposed the faults of unsympathetic portrayals of his Christology as docetic or Monophysite, and presented his doctrine of the incarnation afresh, particularly by manifesting its distinctiveness in context and its maturation over time. In this way Aquinas’ Christology has been made available for reception in contemporary Christology in a way that goes beyond the recounting of the history of medieval theology. For those who share his confession of faith, the tasks of contemporary Christology can benefit from the enduring worth of many of his conclusions, the arguments employed, and his organization of material. Such a reception can retrieve a sense of fundamental continuity in Christology, of how Christ is unlike as well as like us, and of the bearing this has on our salvation.


Author(s):  
Amos Funkenstein

This chapter explores how eternal truths are created in a radical sense of the word; even mathematical theorems are contingent upon God’s will. What the most radical defenders of divine omnipotence in the Middle Ages hardly ever asserted, Descartes did without hesitation: that God could invalidate the most basic mathematical operations. Meanwhile, Spinoza argued that divine omnipotence and necessity of nature are one and the same, since all that is really possible in the world is also as necessary as any mathematical truth. The chapter shows how medieval theology introduced the distinction between the two aspects of God’s power so as to enlarge as far as possible the horizon of that which is possible to God without violating reason.


Author(s):  
Juliana Dresvina

Chapter 9 attempts to redirect the focus of attention from virginity as a sexually appealing category and from the saint’s corporeality as an inevitable reason for the saint’s sexual temptation. It suggests that in the early Latin passiones Margaret regards her embodiment as of secondary importance compared to her spirituality and inner self. The chapter then focuses on the nuptial rhetoric of the legend, which is closely linked with virginity in medieval theology and liturgy.


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