The Object of Design History

2019 ◽  
pp. 260-283 ◽  
Author(s):  
Kjetil Fallan
Keyword(s):  
Design History

Editorial

2017 ◽  
pp. 2-3
Author(s):  
Peter Hoar
Keyword(s):  
New Zealand ◽  
New Technologies ◽  
Editorial Team ◽  
Local Market ◽  
Design History ◽  
Recorded Sound ◽  
The Arts ◽  
The World ◽  
1960S And 1970S ◽  
New Zealanders

Kia ora and welcome to the second issue of BackStory. The members of the Backstory Editorial Team were gratified by the encouraging response to the first issue of the journal. We hope that our currentreaders enjoy our new issue and that it will bring others to share our interest in and enjoyment of the surprisingly varied backstories of New Zealand’s art, media, and design history. This issue takes in a wide variety of topics. Imogen Van Pierce explores the controversy around the Hundertwasser Art Centre and Wairau Māori Art Gallery to be developed in Whangarei. This project has generated debate about the role of the arts and civic architecture at both the local and national levels. This is about how much New Zealanders are prepared to invest in the arts. The value of the artist in New Zealand is also examined by Mark Stocker in his article about the sculptor Margaret Butler and the local reception of her work during the late 1930s. The cultural cringe has a long genealogy. New Zealand has been photographed since the 1840s. Alan Cocker analyses the many roles that photography played in the development of local tourism during the nineteenth century. These images challenged notions of the ‘real’ and the ‘artificial’ and how new technologies mediated the world of lived experience. Recorded sound was another such technology that changed how humans experienced the world. The rise of recorded sound from the 1890s affected lives in many ways and Lewis Tennant’s contribution captures a significant tipping point in this medium’s history in New Zealand as the transition from analogue to digital sound transformed social, commercial and acoustic worlds. The New Zealand Woman’s Weekly celebrates its 85th anniversary this year but when it was launched in 1932 it seemed tohave very little chance of success. Its rival, the Mirror, had dominated the local market since its launch in 1922. Gavin Ellis investigates the Depression-era context of the Woman’s Weekly and how its founders identified a gap in the market that the Mirror was failing to fill. The work of the photographer Marti Friedlander (1908-2016) is familiar to most New Zealanders. Friedlander’s 50 year career and huge range of subjects defy easy summary. She captured New Zealanders, their lives, and their surroundings across all social and cultural borders. In the journal’s profile commentary Linda Yang celebrates Freidlander’s remarkable life and work. Linda also discusses some recent images by Friedlander and connects these with themes present in the photographer’s work from the 1960s and 1970s. The Backstory editors hope that our readers enjoy this stimulating and varied collection of work that illuminate some not so well known aspects of New Zealand’s art, media, and design history. There are many such stories yet to be told and we look forward to bringing them to you.

Harsdörffers Geschirr

2019 ◽  
Vol 10 (1) ◽  
pp. 23-37
Author(s):  
Natalie Binczek
Keyword(s):  
Design History ◽  
History Of ◽  
The Difference

Der deutsche Barockdichter Georg Philipp Harsdörffer skizziert eine Theorie der Emblematik, die vor allem dessen Anwendungsvielfalt hervorhebt. Er hebt dabei besonders den Unterschied zwischen buchinterner und buchexterner Verwendung auf, indem er sich nicht nur für die Aufnahme der Embleme in Büchern, sondern auch auf Geschirr und Tapeten ausspricht. Der Beitrag liest Harsdörffers extensive Überlegungen nicht nur als Beiträge zur Theorie und Geschichte der Embleme als ›Sinn-Bilder‹, sondern auch als Beitrag zur Designgeschichte. German Baroque poet Georg Philipp Harsdörffer delineates a theory of emblematics that clearly sets itself apart from other contemporary theories, especially by its versatility. In particular, the author negates the difference between internal and external usage of emblems in books not only by promoting the incorporation of emblems into printed works but also by supporting their depiction on dishes and tapestries. This article strives to read Harsdörffer’s extensive thoughts on the matter of emblems not simply as another work on the theory and history of emblematics but rather as a contribution to design history as well

Design analysis and design history

1981 ◽  
Vol 3 (1) ◽  
pp. 23-29
Author(s):  
Pauline Madge
Keyword(s):  
Design Analysis ◽  
Design History ◽  
Analysis And Design

Concurrent Designing of Airframes: State of the Art and Trends

1994 ◽  
Author(s):  
Christian Petiau
Keyword(s):  
Concurrent Engineering ◽  
Design Methodology ◽  
Mathematical Optimization ◽  
Multidisciplinary Optimization ◽  
Design History ◽  
Future Evolution ◽  
Whole Process ◽  
Engineering Organizations ◽  
Final Design ◽  
Parametric Cad

Abstract We will first recall that the organization of airframe designing stands in direct relation to the performance capabilities of available tools, which is, in fact, what determines the number and the nature of project iterations. We then present and analyze an organization type which can nowadays be recommended in view of the currently available CAD, computation and mathematical optimization means. This leads to a first design which is followed by experimental verification, with a key role for flight tests. The final design is checked with the aid of computation models that have been calibrated with the results of the performed tests. We will then examine new tools, since they are factors in the future evolution of the design methodology, including: • availability of the “design history”, as a set of all data of the whole process, • structure optimization with parametric CAD and multidisciplinary optimization • “feature” modeling • enhancement of the computation methods As a conclusion, we show that significant gains in terms of productivity and quality can be expected from these new products, both at design and at production level. What remains, however, to be found, are the most appropriate concurrent engineering organizations that are best suited to these new tools.

Modernization and multipurpose arenas: providing context for tomorrow

2021 ◽  
Vol ahead-of-print (ahead-of-print) ◽  
Author(s):  
Benjamin Joseph Downs ◽  
Chad Stephen Seifried
Keyword(s):  
Sport Management ◽  
New Technologies ◽  
Modernization Theory ◽  
Design History ◽  
Managerial Decision ◽  
Content Type ◽  
Historical Factors ◽  
History Of ◽  
Corporate Customers ◽  
Design And Construction

PurposeThe purpose of this paper is to identify the historical factors that influenced the design and construction of modern National Hockey League and National Basketball Association arenas between 1990 and 2018. Additionally, this paper seeks to index the characteristics of those modern arenas while forwarding reasonable, informed propositions for future multipurpose arena design.Design/methodology/approachThe historical methodology was applied to the design and construction of modern multipurpose arenas between 1990 and 2018. Modernization theory was utilized as an organizing construct to understand the intentional managerial actions to capitalize on consumer expectations by responding to economic and technological changes.FindingsSport managers responded to decreased median family incomes during the period of the study by building arenas with increasingly commodified spaces and amenities targeting wealthy and corporate customers. New technologies were adopted within facilities to meet the needs and expectations of in-venue and remote consumers.Practical implicationsIn addition to demonstrating the practical utility of modernization theory and applied history for sport management scholars and practitioners, particularly in the Western context, the present study provides a series of propositions for future sport managers to consider to maintain or establish institutional advantage in the arena marketplace.Originality/valueThe paper contributes to the sport management literature by demonstrating the utility of modernization theory and applied history for sport management. In examining the design history of modern multipurpose arenas, the paper identifies the characteristics of modern multipurpose arenas while demonstrating the importance of understanding context and intentionality in managerial decision making.

scholarly journals Let There Be a Firmament in the Midst of the Waters

2016 ◽  
Vol 6 (1) ◽  
pp. 130-136
Author(s):  
Brock Winstead
Keyword(s):  
International Relations ◽  
San Francisco ◽  
San Francisco Bay ◽  
World's Fair ◽  
Golden Gate ◽  
Design History ◽  
International Exposition ◽  
History Of ◽  
The Creation ◽  
Treasure Island

Treasure Island in San Francisco Bay was created to host the Golden Gate International Exposition, a World’s Fair, in 1939-40. The fair was an expression of an idealized order of both design and international relations. Neither survived much longer than the fair itself. The author considers the creation and re-creation of Treasure Island and the problem of building for an uncertain, ultimately unknowable future. This article is a critical appreciation of Andrew Shanken’s Into the Void Pacific, a design history of the fair.

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