Racial Uplift and the Literature of the New Negro

Author(s):  
Marlon B. Ross
Keyword(s):  
1988 ◽  
Vol 24 (1) ◽  
pp. 129-155 ◽  
Author(s):  
Henry Louis Gates, Jr.
Keyword(s):  

2021 ◽  
Vol 61 (1) ◽  
pp. 4-34
Author(s):  
Michael Fultz

This paper explores trends in summer and intermittent teaching practices among African American students in the post-Civil War South, focusing on student activities in the field, the institutions they attended, and the communities they served. Transitioning out of the restrictions and impoverishment of slavery while simultaneously seeking to support themselves and others was an arduous and tenuous process. How could African American youth and young adults obtain the advanced education they sought while sustaining themselves in the process? Individual and family resources were limited for most, while ambitions, both personal and racial, loomed large. Teaching, widely recognized as a means to racial uplift, was the future occupation of choice for many of these students.


2017 ◽  
Vol 52 (1) ◽  
pp. 187-189
Author(s):  
Davarian L Baldwin
Keyword(s):  
Jim Crow ◽  

2018 ◽  
Vol 52 (2) ◽  
pp. 390-417
Author(s):  
ELISABETH ENGEL

This article traces and analyzes the missionary photography of the African Methodist Episcopal Church (AME), the most important independent black American institution that began to operate in colonial South Africa at the onset of the politics of racial segregation in the 1890s. It argues that AME missionary photography presents a neglected archive, from which a history of black photographic encounters and a subaltern perspective on the dominant visual cultures of European imperialism and Christian missions in Africa can be retrieved. Focussing in particular on how AME missionaries deployed tropes of the culturally refined “New Negro” and the US South in their visual description of South Africa, this article demonstrates that photography was an important tool for black subjects to define their image beyond the representations of black inferiority that established visual traditions constructed.


1988 ◽  
Vol 24 ◽  
pp. 129-155 ◽  
Author(s):  
Henry Louis Gates,
Keyword(s):  

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