History of the mass media

2010 ◽  
pp. 5-13
Author(s):  
David Giles
Keyword(s):  
1988 ◽  
Vol 5 (3) ◽  
pp. 179-180
Author(s):  
Frank J. Krompak

Author(s):  
Eda Kranakis

Scientific knowledge is essential to understand problems confronting society, and the mass media have become the main source of this knowledge for most people. However, the mass media filter scientific information, leading sometimes to what has been termed “the construction of ignorance.” This article offers a case study of this process. It explains how Canada’s leading newspaper, the Globe and Mail, has depicted oil depletion theory (or “peak oil” theory). By contrasting the history of oil depletion theory with its representation in the Globe and Mail since the turn of the millennium, the article reveals the contours of this constructed ignorance. Comparison with coverage of meteorological and climate change science further refines the analysis. Finally, the article investigates the underlying causes for the Globe and Mail’s treatment of peak oil theory and how it relates to the Canadian context.


2017 ◽  
Vol 4 (2) ◽  
pp. 149
Author(s):  
Alberto Ruiz Colmenar

<p>Architecture critique has historically used specialised publications as a dissemination channel. These publications, written by and for architects, have been of seminal importance in the creation of architectural culture in Spain. Nevertheless, this type of publication leaves out the non-specialised public, mistakenly considering them alien to these matters. In this case, the mass media has filled this space, carrying out a very important educational role. Its task has not been that of a mere dissemination of contents, but it has also provided a platform for criticism and analysis of some of the main events in Spanish architecture over the course of the 20th Century. In this study we analyse the years preceding and following the Spanish Civil War. A review of the issues that the main papers addressed—ABC and La Vanguardia—allows us to grasp what the general reader perceived during a key period in our history of architecture.</p>


1982 ◽  
Vol 11 (5) ◽  
pp. 19-23
Author(s):  
Duŝan Havliĉek

For a very short time in the spring of 1968, the Czechoslovak press and other media enjoyed a considerable measure of freedom hitherto unthinkable in a Soviet-style Communist dictatorship. With the ‘normalisation that followed the Soviet intervention in August of that year, the media returned safely into the hands of the Party, the supervision of the printed word as well as of radio and television being as rigorous today as it was in the Stalinist fifties. In a recently completed 164-page study. The Experience of Prague Spring 1968, the author — himself a Czech journalist now living in exile in Switzerland — analyses the role of the mass media in Czechoslovakia, showing how the ruling Communist Party controls them, and at the same time how that control was weakened and finally almost abolished during the period of liberalisation. This is an edited extract from his study. Dusan Havlicek was born in 1923 and joined the Communist Party of Czechoslovakia in 1942, during the Nazi occupation. Imprisoned for his underground work two years later, he took up journalism after the war and worked in the Institute of Theory and History of the Mass Media at Prague's Charles University. In 1968 he was appointed head of the press, radio and television department of the CP Central Committee. In 1969 he was sent as a CTK (Czechoslovak News Agency) correspondent to Geneva, where he asked for political asylum. He is the author of a number of works on the mass media.


1977 ◽  
Vol 6 (1) ◽  
pp. 116 ◽  
Author(s):  
Nathan Weinberg ◽  
Les Daniels ◽  
Dennis Howitt ◽  
Guy Cumberbatch
Keyword(s):  

Sign in / Sign up

Export Citation Format

Share Document