‘Public-House Confidence’: The Indispensability of Sound Patterns

2010 ◽  
pp. 133-142 ◽  
Author(s):  
Tom Barney
Keyword(s):  
2008 ◽  
Vol 63 (2) ◽  
pp. 197-222 ◽  
Author(s):  
Katherine Mullin

Abstract This essay argues that the complex political resonances of Henry James's The Princess Casamassima (1886) can be further elucidated through closer critical attention to one of its more marginal characters, the shop-girl Millicent Henning. Ebullient, assertive, and, for many early reviewers, the novel's sole redeeming feature, Millicent supplies the novel with far more than local color. Instead, James seizes on a sexual persona already well established within literary naturalism and popular culture alike to explore a rival mode of insurrection to that more obviously offered elsewhere. While the modes of revolution contemplated by Hyacinth Robinson and his comrades in the Sun and Moon public house are revealed to be anachronistic and ineffectual, Millicent's canny manipulation of her sexuality supplies her with an alternative, effective, and unmistakably modern mode of transformation. The novel's portrait of ““revolutionary politics of a hole-and-corner sort”” is thus set against Millicent's brand of quotidian yet inexorable social change.


2003 ◽  
Vol 29 (1) ◽  
pp. 37-52 ◽  
Author(s):  
Eduardo Mercado ◽  
Louis M. Herman ◽  
Adam A. Pack

2013 ◽  
Vol 1 (1) ◽  
pp. 175-194 ◽  
Author(s):  
Maurizio Bettini

Abstract Analysis of a large number of texts from the archaic period of Roman culture shows that the authoritative character of a solemn utterance (a prophecy, the formula uttered by a praetor, a religious praefatio) was based principally on specific sound patterns. From these utterances’ use of parallelisms, phonic echoes and syllabic repetitions there emerged a sort of ‘resultant voice’, which made their exceptional character immediately apparent. From the perspective of their intended hearers, the sound-construction of these pronouncements had the capacity to arouse what the Romans called delectatio: that is, the disposition to believe in the truth and validity of what they were hearing. That the Romans included all these acoustic phenomena within a single perceptual domain is demonstrated by the fact that music, too, had the power to produce delectatio—and by the fact that the verb cano and its derivatives refer as much to musical as to poetic expression.


2004 ◽  
Vol 2 (1) ◽  
pp. **-**
Author(s):  
Beat Kümin
Keyword(s):  

1979 ◽  
Vol 20 (2) ◽  
pp. 1-14
Author(s):  
David D. Mays
Keyword(s):  

On Monday, June 10, at the Public House of the above Inn, will be Delivered a Series of MORAL DIALOGUES, IN FIVE PARTS, depicting the evil effects of jealousy and other bad passions, and proving that happiness can only spring from the pursuit of virtue.MR. DOUGLAS will represent a noble and magnanimous Moor named Othello, who loves a young lady named Desdemona, and after he has married her, harbors (as in too many cases) the dreadful passion of jealousy.


2018 ◽  
Vol 4 (s2) ◽  
Author(s):  
Jason Shaw ◽  
Shigeto Kawahara

AbstractMany papers in this special issue grew out of the talks given at the Symposium “The role of predictability in shaping human language sound patterns,” held at Western Sydney University (Dec. 10–11, 2016). Some papers were submitted in response to an open call; others were invited contributions. This introduction aims to contextualize the papers in the special issue within a broader theoretical context, focusing on what it means for phonological theory to incorporate gradient predictability, what questions arise as a consequence, and how the papers in this issue address these questions.


1992 ◽  
Author(s):  
Reuven Tsur
Keyword(s):  

2018 ◽  
Vol 4 (s2) ◽  
Author(s):  
Shigeto Kawahara ◽  
Seunghun J. Lee

AbstractThis paper analyzes the vocative truncation pattern in Korean from the viewpoint of Message-Oriented Phonology (MOP), which capitalizes on the idea that sound patterns are governed by a principle that makes message transfer effective. In the traditional naming pattern, Korean first names consist of a generation marker and a unique portion, and the order between these two elements alternates between generations. To derive vocative forms, the generation marker is truncated, and the suffixal [(j)a] is attached to the unique portion. We argue that MOP naturally predicts this type of truncation. As the generation marker is shared by all the members of the same generation, the generation marker is highly predictable and hence does not reduce uncertainty about the intended message. To achieve effective communication, predictable portions are deleted. Our analysis implies that MOP is relevant not only to phonetic implementation patterns, but also to morphophonological patterns. It also provides support for MOP based on data from a non-Indo-European language. Finally, we aim to integrate insights of MOP with a more formal proposal like Optimality Theory, by relating the predictability of a contrast to the ranking of the faithfulness constraint that it protects, following the spirit of the P-map hypothesis.


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