Generating Interactive Television Programs in the PANIVE architecture

2001 ◽  
pp. 117-126
Author(s):  
Chris Flerackers ◽  
Chris Raymaekers ◽  
Gert Vansichem ◽  
Frank Van Reeth
2020 ◽  
pp. 152747642095977
Author(s):  
Anthony Enns

The term “interactive television” initially referred to the idea that television might facilitate two-way communication between viewers. In the 1980s, this term was also used to refer to television’s ability to provide access to interactive menus and electronic services, and in the 1990s, it was used to refer to the idea that viewers could potentially alter the content of television programs. This new definition has now become possible due to the rise of streaming and on-demand services, and the sudden resurgence of interest in interactive television demands a revaluation and reassessment of its complicated history. While some critics celebrate interactivity as empowering and liberating, for example, others argue that it enables ever more virulent forms of control and manipulation. This article will examine the history of this controversial term and its most recent manifestations in order to address the significance of its meaning and ideological function.


2012 ◽  
Vol 3 (2) ◽  
pp. 163-211
Author(s):  
Bernard Doherty

Beginning in 2005 the tiny Christian sect then known as the Exclusive Brethren suddenly underwent a media transformation from a virtually unknown or ignored group of quirky and old-fashioned Protestant sectarians to being touted as “Australia’s biggest cult” by tabloid television programs. This explosion of controversy came on the heels of media revelations about the involvement of Brethren members in providing financial donations to conservative political causes across the globe and a snowballing effect in response which brought forth a number of ex-members eager to expose their former group. This article looks at how this media transformation has been received by the wider Australian public. By studying the hitherto little utilized data contained in readers’ letters to Australia’s three mainstream broadsheet newspapers this article identifies which events or undertakings had the most impact on public perceptions of the Exclusive Brethren and which specific articles and issues struck the most responsive chord with readers. This content analysis found that Australian public opinion toward the Exclusive Brethren, while on the whole negative, was more indicative of their political involvement than their beliefs. The study also found that prior to what I call “The Brethren Controversy” the Exclusive Brethren had maintained a high degree of “sectarian tension” in Australia for almost four decades with little public outcry or media vilification.


2017 ◽  
Author(s):  
Jason Chin

The CSI Effect posits that exposure to television programs that portray forensic science (e.g., CSI: Crime Scene Investigation) can change the way jurors evaluate forensic evidence. The most commonly researched hypothesis under the CSI Effect suggests that shows like CSI depict an unrealistically high standard of forensic science and thus unreasonably inflate the expectations of jurors. Jurors are thus more likely to vote to acquit, and prosecutors face higher burden of proof. We review (1) the theory behind the CSI Effect, (2) the perception of the effect among legal actors, (3) the academic treatment of the effect, and (4) how courts have dealt with the effect. We demonstrate that while legal actors do see the CSI Effect as a serious issue, there is virtually no empirical evidence suggesting it is a real phenomenon. Moreover, many of the remedies employed by courts may do no more than introduce bias into juror decision making or even trigger the CSI Effect when it would not normally occur (i.e., the self-fulfilling prophesy). We end with suggestions for the proper treatment of the CSI Effect in courts, and directions for future scholarly work.


Cultura ◽  
2019 ◽  
Vol 16 (1) ◽  
pp. 145-163
Author(s):  
Soochul KIM ◽  
Kyung Han YOU

This study examines the dynamics of cultural politics in reality television shows featuring North Korean resettlers (NKR2) in South Korea. As existing studies focus on the role of media representation reproducing a dominant ideology for the resettlers, this paper focuses on the specific media rituals of NKR2 programs, which can be seen as a product of the neoliberalist localization process of the global media industry. In doing so, this paper demonstrates how NKR2 programs interrupt the current dynamics of emotions in regard to North Korean resettlers in South Korea. We argue that in shaping civic identity as an effect of the NKR2 show, cultural politics of citizenship in South Korea on North Korean resettlers serve the formation of relatively conservative and sexist civic identity.


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