A Study in Elderly Fashion and Zero Waste Clothing Design

Author(s):  
Feng-Tzu Chiu
Keyword(s):  
2021 ◽  
Vol 327 ◽  
pp. 03005
Author(s):  
Boryana Georgieva-Gushtanova

The trends in the society regarding environment protection and more optimized production are reason for the research of the author in this direction. The technology of the item connect with the stamina of the product. Within the report, there is an author’s development for series of clothing presented in the context of the steady design. Using zero-waste technology aims the improvement of the functional characteristics, as it is being experiment with different textile materials like artificial leather, cotton, wool, spandex and others. The design through transformation of square into other figure through cutting connect with the Chinese tangram game. Problems are included, such as construction, functional, and aesthetic character, as well social and ecological aspect.


2021 ◽  
Vol 13 (1) ◽  
pp. 35-47
Author(s):  
Siti Shukhaila Shaharuddin ◽  
Marzie Hatef Jalil

The purpose of this study was to develop the design of multifunctional children’s clothing that supports sustainability goals. This paper proposes multifunctional clothing that can be recycled and decomposed at the end of the clothing’s lifespan. In particular, the Eco-fashion design model was adopted in this project. After analyzing fashion consumption and problems in children’s product design, four items of multifunctional children’s clothing were developed. Multifunctional children’s clothing design focuses on material selection, zero-waste techniques, design for disassembly and children’s health. Thus, the minimization of material diversity as well as the application of zero-waste design techniques and multifunctional design guidelines for children’s clothing design can be implemented towards sustainability in order to preserve the environment by selecting recyclable materials, promoting profit and human health concerning multifunctional purposes and international standards for children’s clothing design. The findings can be used in various apparel products to help mitigate problems related to environmental pollution and resource depletion in the apparel industry.


Panggung ◽  
2014 ◽  
Vol 24 (1) ◽  
Author(s):  
Deni Setiawan ◽  
Timbul Haryono ◽  
M. Agus Burhan

ABSTRACTCostume, dress code, animation, comics, legends, and manga, are inseparable parts of the cosplay costume. Those parts give fantasy and digital world discourse through costume style. Its spiritual domain stands on Japanese culture by being cultured through clothing. One of them, cosplay ideo- logy, reflects the self-imaging through social communities, as an e?ort for group and self-existence. Cosplay entity bridges fantasy and real world, presents designers’ expressions through the costume designs to show. This writing will be analyzed by using the main theories based on Dewitt H. Parker point of view, in The Principles of Aesthetics, which divides principles of aesthetics into three, they are: Principle of Organic Unity, Principle of Dominant Element, and Principle of Balance. Principle of organic unity indicates that cosplay clothing is an accumulation of design elements, to refer and mark a figure. Principle of dominant element, is accentuation, or the center of interest of a cosplay clothing design. Principle of balance, see placement and setting ornamentation applied to cosplay clothing.Keywords: cosplay clothing, principles of aesthetics, costume style, YogyakartaABSTRAKPakaian, dress code, animasi, dan manga, merupakan unsur yang tidak terpisahkan dalam pakaian cosplay. Unsur-unsur tersebut merupakan wacana dunia digital dan fantasi pada dunia pakaian. Ranah spiritualnya berp?ak pada kebudayaan Jepang yang dibudayakan melalui pakaian. Ideologi cosplay salah satunya menggambarkan pencitraan diri komuni- tas sosial, sebagai usaha untuk aktualisasi diri. Entitas cosplay mampu menjembatani du- nia fantasi dan realita, yang membelenggu keinginan manusia untuk bergaya. Tulisan ini akan dianalisis dengan teori pokok berdasarkan pandangan Dewitt H. Parker, dalam The Principles of Aesthetics, yang membagi prinsip estetika menjadi tiga, yaitu: prinsip kesatu- an organik, prinsip unsur dominan, dan prinsip keseimbangan. Prinsip kesatuan organik menunjukkan, bahwa pakaian cosplay merupakan akumulasi dari unsur-unsur desain, un- tuk merujuk dan menandai tokoh. Prinsip unsur dominan, merupakan aksentuasi, atau pusat perhatian dari sebuah desain pakaian cosplay. Prinsip keseimbangan, melihat penem- patan dan pengaturan ornamentasi yang diaplikasikan pada pakaian cosplay.Kata kunci: pakaian cosplay, prinsip estetika, gaya pakaian, Yogyakarta


2021 ◽  
Vol 295 ◽  
pp. 126358
Author(s):  
Binxian Gu ◽  
Xinyi Tang ◽  
Lingxuan Liu ◽  
Yuanyuan Li ◽  
Takeshi Fujiwara ◽  
...  

Author(s):  
Venkata Sai Gargeya Vunnava ◽  
Shweta Singh

Sustainable transition to low carbon and zero waste economy requires a macroscopic evaluation of opportunities and impact of adopting emerging technologies in a region. However, a full assessment of current...


2021 ◽  
Vol 121 ◽  
pp. 343-353
Author(s):  
Weisheng Lu ◽  
Zhikang Bao ◽  
Wendy M.W. Lee ◽  
Bin Chi ◽  
Jiayuan Wang

Author(s):  
Madiha Ansari ◽  
Urooj Zafar ◽  
Uroosa Ejaz ◽  
Muhammad Sohail ◽  
Aiman Pirzada ◽  
...  
Keyword(s):  

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