Elizabeth I and the Dancing Stuart Queens: Female Agency and Subjectivity in Early Modern English Court Drama

Author(s):  
Catherine Clifford
2009 ◽  
Vol 41 (3) ◽  
pp. 440-457 ◽  
Author(s):  
Barbara Kryk-Kastovsky

Author(s):  
Bernadette Andrea

This chapter examines four ‘time-spaces’ to situate the lives of individuals from the Islamic world in early modern England and their impact on its literary imagination: 1) the presence of Tartars, Chaldeans, and scattered ‘Others’ from the Islamic world in England from the 1550s to the 1570s; 2) the letters Queen Elizabeth I issued to various Muslim sovereigns from the 1580s to the 1590s; 3) Moroccan and Persian embassies at the English court through the 1680s; and 4) Muslim converts and captives in England through the 1690s. This history of the marginal presence of individuals from the Islamic world in England prior to the eighteenth century and their disproportionate resonance in the literature of the era thus becomes one of the facilitating conditions for the emerging anglocentric discourse of empire on a global scale.


2006 ◽  
Vol 7 (2) ◽  
pp. 213-243 ◽  
Author(s):  
Barbara Kryk-Kastovsky

The paper investigates whether the notion of impoliteness worked out for synchronic pragmatics is also applicable in diachronic pragmatics. An analysis of two Early Modern English court trial records demonstrates that the answer is positive provided some new dimensions are added. My model of impoliteness cuts across the following axes: structural, semantic, and pragmatic. Structural impoliteness ranges from words and phrases to portions of texts, thus the syntactic dimension cuts across the complexity dimension. The semantic/pragmatic dimension includes numerous non-literal meanings of impoliteness. An utterance can be judged as impolite on the basis of its surface representations (“overt impoliteness”), or the impoliteness of an expression has to be inferred and takes the form of an implicature (“covert impoliteness”). Thus, the final interpretation would depend both on the speaker’s intention when producing an utterance, its (perlocutionary) effect(s) on the addressee, and the overall context. Finally, all these variables cut across the socio-historical dimension.


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