ACO Women in the Second Half of the Twentieth Century: Transitions and Persisting Patterns

After the independence of Syria and Lebanon Protestant missionary work in the Middle East changed dramatically. The women missionaries who worked in the service of the ACO had to come to terms with new realities such as the social and political turmoil of decolonisation, missiological shifts, and partnership agreements with the local churches. Drawing on written memoirs and oral history sources, this article explores their female agency and leadership in a changing context. It also analyses the perception of these missionaries by local agents.

Victorian Women's Travel Writing on Meiji Japan

Victorian Women’s Travel Writing on Meiji Japan: Hospitable Friendship explores real-life instances and literary manifestations of cross-cultural friendship between Victorian female travellers and Meiji Japanese, examining its ethico-political significance against the backdrop of British ‘New Imperialism’. Shifting critical focus from the individualist model of subjectivity to affective relationality, Tomoe Kumojima conceptualizes the female travellers’ open subjectivity as hospitable friendship and argues that femininity proves to be an asset in their praxis of more equitable cross-cultural contact in non-colonial Japan. Political affordances of literature are the book’s overarching thread. Kumojima opens new archives of unpublished correspondence and typescripts and introduces contemporary Japanese literature hitherto unavailable in English, shedding a refreshing light on the works of Isabella Bird, Mary Crawford Fraser, and Marie Stopes. The book traverses the themes of identity fluidity, literary afterlife, international female solidarity, literary diplomacy, cross-racial heterosexual intimacy, and cross-gender friendship. It traces the shifts in the representation of Japan in Victorian discourses prompted by Britain’s colonial management, Japan’s successful modernization, the Anglo-Japanese bilateral relationship, and global geopolitics, demonstrating how the women travellers complicated and challenged Oriental stereotypes and imperial binaries by creating counter-discourses through their literary activities. Kumojima also offers parallel narratives of three Meiji female pioneers in Britain and burgeoning transnational feminist alliances. The book addresses the absence of Japan in discussions of the British Empire in the field of literary studies and that of women and female agency in the male-dominated historiography of the Anglo-Japanese relationship.

Gendered Technologies: Youth, Gender and Mobile Phones in Chennai City

This article explores the role of mobile phones in the lives of the youth in the city of Chennai, South India. Drawing on field research, the article argues that the social life of the mobile phone is gendered. The article curates three narratives to make this argument. The first engages with young men and mobile phones and claims that the technology is instrumental in the construction of normative ideas of masculinity. The second explores the ways in which the technology has empowered young women, enabled mobility, and reconstituted female agency. The third examines the regulation and disciplining of women’s use of and access to the technology through the discourse of maanam. The aim of articulating these three narratives is to demonstrate that the mobile phone is a gendered technology.

Inner-city possibilities: using place and space to facilitate inter-ethnic dating and romance in 1960s–1980s Leicester

Applying a spatial lens to the oral histories of heterosexual women who had intercultural romantic relationships in Leicester from the 1960s to the 1980s provides an alternative perspective on their experiences. This article examines these women's movements into and around the inner city, eliciting discussion about the concept of ‘safe’ places and spaces and the factors that determined the transient nature of these spaces. It illustrates opportunities created for intercultural mixing, away from familial gaze and public hostility. Utilizing such spaces to develop and sustain their relationships reveals a previously unacknowledged female agency that also enabled an ‘everyday multiculturalism’ in the British city.

"I'm quite regardless what the world can say!": Marriage, Media, Agency and the New Female Coterie in the Late Eighteenth Century

<p>The New Female Coterie was a group of disgraced upper-class women in the late eighteenth century traditionally dismissed as ‘scandalous’, ‘fallen’ or victims. This thesis re-evaluates these women, exploring the ways in which they utilised their agency to navigate divorce and separation proceedings which were designed for the benefit of men. It also investigates the constraints, such as family or wealth, that restricted their agency. The thesis further considers the ways in which the women were empowered by combining as a collective. This thesis utilises under-examined sources such as satirical cartoons, pamphlets, and The Rambler’s Magazine to show that media itself could constrain women either by side-lining women’s agency or by portraying it as a negative and dangerous thing. Media representations of the New Female Coterie provide evidence of the sex panics which, historians argue, reached their apex in the 1790s. This thesis posits instead that anxieties regarding women’s sexual behaviour originated earlier than is often suggested. By examining the under-explored women of the New Female Coterie, this thesis contributes to scholarship on female agency in the Georgian period.</p>

"I'm quite regardless what the world can say!": Marriage, Media, Agency and the New Female Coterie in the Late Eighteenth Century

<p>The New Female Coterie was a group of disgraced upper-class women in the late eighteenth century traditionally dismissed as ‘scandalous’, ‘fallen’ or victims. This thesis re-evaluates these women, exploring the ways in which they utilised their agency to navigate divorce and separation proceedings which were designed for the benefit of men. It also investigates the constraints, such as family or wealth, that restricted their agency. The thesis further considers the ways in which the women were empowered by combining as a collective. This thesis utilises under-examined sources such as satirical cartoons, pamphlets, and The Rambler’s Magazine to show that media itself could constrain women either by side-lining women’s agency or by portraying it as a negative and dangerous thing. Media representations of the New Female Coterie provide evidence of the sex panics which, historians argue, reached their apex in the 1790s. This thesis posits instead that anxieties regarding women’s sexual behaviour originated earlier than is often suggested. By examining the under-explored women of the New Female Coterie, this thesis contributes to scholarship on female agency in the Georgian period.</p>