African American Vernacular English, Hip-Hop and ‘Keepin’ It Real’

Author(s):  
Sender Dovchin
2011 ◽  
Vol 32 (1) ◽  
pp. 1-23 ◽  
Author(s):  
Jamie Shinhee Lee

This study examines crossing (Bucholtz 1999; Cutler 1999; Rampton 1995) in Korean hip hop Blinglish as a case study of globalization of African American Vernacular English (AAVE) in popular culture. Blinglish in Korean hip hop can be understood as a prime example of “English from below” (Preisler 1999) to informally express subcultural identity and style. The findings of the study suggest that AAVE features appear at different linguistic levels including lexis, phonology, and morpho-syntax in Korean hip hop Blinglish but do not demonstrate the same degree of AAVE penetration, with a frequency-related hierarchy emerging among these linguistic components. The area of Korean hip hop Blinglish with the heaviest crossing influence from AAVE is found to be lexis followed by phonology. The presence of AAVE syntactic features is somewhat restricted in type and occurrence, indicating that the verbal markers in AAVE are considerably varied and intricate, and syntactic elements are not as easily crossed by non-AAVE speakers as lexical items.


2001 ◽  
Vol 4 (1) ◽  
pp. 67-85 ◽  
Author(s):  
Warren Olivo

This paper focuses on the spelling conventions used in a corpus of written rap music lyrics intended for public consumption. The non-standard spellings evident in this corpus are used deliberately for various purposes, one of which is to graphically represent the phonological and syntactic features of African American Vernacular English (AAVE). This use of non-standard orthography can be seen as a way for the writer to demonstrate a positive evaluation of the non-standard speech forms that characterize rap music performances. Other non-standard spellings bear no relation to the grammar or phonology of AAVE. However, through the use of processes such as “inversion”, these non-standard spellings invoke alternative meanings while simultaneously calling attention to the arbitrariness of dominant spelling conventions. It is argued that, overall, the non-standard spelling conventions employed in rap music lyrics function to create and sustain hip-hop culture as an “anti-society”.


1997 ◽  
Vol 9 (1) ◽  
pp. 57-79 ◽  
Author(s):  
Renée Blake

ABSTRACTEver since Labov, Cohen, Robbins, and Lewis's (1968) pioneering study, it has been commonplace to set aside certain tokens in analyzing variability in the English copula as “don't count” (DC) forms. These cases are most often occurrences of the copula that exhibit categorical behavior (as with the full copula in clause-final position), as well as those that are ambiguous or indeterminate. In this article, I propose a set of copula forms that should be set aside from variable analysis as instances of DC forms to allow for systematic comparisons among studies. I review the major alternative descriptions of DC copula cases in the literature and analyze the behavior of the traditional DC categories. New data are presented to support the exclusion of particular DC cases from analyses of copula variability. Among the conclusions are that [was], [thas], and [is] should be excluded from quantitative analyses of variation in the copula because of their invariant status, and that a number of tokens commonly included (e.g., questions) should be excluded on various grounds.


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