This paper aims at analyzing how the trauma inflicted by the First World War is described by Vera Brittain in her autobiographical novel Testament of Youth (1933). The author, who shares many features in common with Virginia Woolf – regarding witnessing and writing about trauma – also lost her loved ones to the War: her fiancé, Roland Leighton, her brother, Edward Brittain, and her friend, Victor Richardson.For Vera Brittain and some of her contemporaries, nursing became a woman‟s experience of taking part in the male-dominated realm of the First War. From treating wounds to listening to injured soldiers‟ talks, First War nurses grasped the geographies of men‟s bodies and minds, something regarded as “improper” by most parents whose daughters were born between the late Victorian and early Edwardian ages. Nursing was the closest a woman could get to the battleground in those days; in Brittain‟s case, for instance, the only safe way to see Roland again. V.A.D. nursing also allowed many women to evolve from tactile experience to the subjective activity of writing about the War, and Brittain‟s Testament of Youth may be regarded as one of its best examples.What may account for the title Testament of Youth is the thought Brittain kept that writing about the distress she and her contemporaries felt due to war would probably have an impact on coming generations. She leaves a “testament” of a terrible incident that would more likely recede; yet, she acknowledges that, whatever may happen, it would never surpass the impact that the First War had on her generation of young women, who were deprived of the innocence of their youth.
‘Khaki Fever’ during the First World War: A Historical Case Study of Social Work's Approach towards Young Women, Sex and Moral Danger