Hallowed Ground: The Gothic New England of Sarah Orne Jewett and Mary Wilkins Freeman

Author(s):  
Daniel Mrozowski
Anafora ◽  
2019 ◽  
Vol 6 (2) ◽  
pp. 443-468
Author(s):  
Jelena Šesnić

The text examines the well-known late-nineteenth century novel The Country of the Pointed Firs (1896) by Sarah Orne Jewett and the early twenty-first century novel Olive Kitteridge (2008) by Elizabeth Strout, and sets them in several distinct but intersecting contexts within a larger argument about the reading methodology motivated by age studies and their growing appreciation in the humanities. This argument is then extended in the sections focusing on pastoralism and the way it incorporates, or evades, the question of age and ageing. The next section takes up the possibilities opened up by the pastoral mode and links them to another strain of fiction to which both texts belong despite the temporal distance, that of regionalism and its long tradition specifically in New England fiction examined from the vantage point of age. Finally, the last section of the argument adds further considerations not only of the parallels but also of telling differences between the two texts due to the different temporal and cultural context in which they strive to represent age and ageing. By focusing on emotions and their display as part of the narrative of ageing, both texts (Olive Kitteridge in particular) meaningfully illustrate the issue of age with its many ramifications for the contemporary Western societies. The two texts thus show a transition in American culture in the representations of age and ageing from its pre-scientific phase (in Jewett’s text) to the current medicalized and scientific view of age and its consequences (in Strout’s text).


2019 ◽  
pp. 43-74
Author(s):  
Dana Seitler

This chapter analyzes the short stories of Sarah Orne Jewett and Mary Wilkins Freeman and their emphasis on home craft (including sewing, quilting, and frame making) in their relation to an aesthetics of small collectivity.


Author(s):  
Sari Edelstein

The fourth chapter reads New England regionalism as a response to this pathologization of old age. The old maids, spinsters, and widowers that populate the short fiction of Mary Wilkins Freeman and Sarah Orne Jewett stage a subversive dialogue with the scientific and cultural denigration of the elderly, particularly elderly women, and resist the homogenizing effects of this discourse. While much scholarship acknowledges the prevalence of elderly people in regionalism, linking old age to the passing of old modes of living, this chapter urges us to see the elderly characters in this genre not as metaphors for dying ways of life but as representations of elderly bodies and subjectivities in their own right. These authors force us to question the celebration of independence and autonomy imbricated in fantasies of adulthood and in American identity itself.


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