Southeast Asian Agricultural Growth: 1930–2010

Author(s):  
Anne Booth
2020 ◽  
Vol 12 (12) ◽  
pp. 4981 ◽  
Author(s):  
Jianxu Liu ◽  
Mengjiao Wang ◽  
Li Yang ◽  
Sanzidur Rahman ◽  
Songsak Sriboonchitta

Improving agricultural productivity is a priority concern in promoting the sustainable development of agriculture in developing countries. In this study, we first apply stochastic frontier analysis (SFA) to analyze the growth of agricultural total factor productivity (TFP) and its three components (technical change—TC, technical efficiency change—TEC and scale change—SC) in 15 south and southeast Asian countries covering the period 2002 to 2016. Then, the determinants of agricultural TFP growth are identified using dynamic panel data models. The results reveal that the south and southeast Asian countries witnessed an overall decline in agricultural productivity during the sample period, thereby creating concerns over sustaining future agricultural growth. Technical progress was the major source of TFP growth, but its contribution has slowed in recent years. On the other hand, declining scale change and technical efficiency change resulted in the deterioration of productivity over time. Variable levels of productivity performances were observed for individual countries, mainly driven by technological progress. Overall, southeast Asia achieved a more stable and sustained agricultural growth as compared to south Asia. Among the determinants, human capital, level of urbanization, and development flow to agriculture positively influenced agricultural TFP growth, while the level of economic development and agricultural import were negatively associated with TFP growth. Policy recommendations include the suggestions that south and southeast Asian countries should increase investment in human capital, focus on technological innovation and make use of financial assistance and development flow to agriculture to increase and sustain agricultural productivity. In addition, frontier countries of the two regions (e.g., India and Indonesia) should take the lead on regional agricultural development ventures by enhancing cooperation with neighboring countries on technological innovations, and countries facing diseconomies of scale (i.e., Afghanistan and Iran) should consider the rational reallocation of agricultural inputs.


2018 ◽  
Vol 77 (2) ◽  
pp. 69-82 ◽  
Author(s):  
Robin Wollast ◽  
Elisa Puvia ◽  
Philippe Bernard ◽  
Passagorn Tevichapong ◽  
Olivier Klein

Abstract. Ever since Fredrickson and Roberts (1997) proposed objectification theory, research on self-objectification and – by extension – other-objectification has experienced a considerable expansion. However, most of the studies on sexual objectification have been conducted solely in Western populations. This study investigates whether the effect of target sexualization on social perception differs as a function of culture (Western vs. Eastern). Specifically, we asked a Western sample (Belgian, N = 62) and a Southeast Asian sample (Thai, N = 98) to rate sexualized versus nonsexualized targets. We found that sexual objectification results in dehumanization in both Western (Belgium) and Eastern (Thailand) cultures. Specifically, participants from both countries attributed less competence and less agency to sexualized than to nonsexualized targets, and they reported that they would administer more intense pain to sexualized than to nonsexualized targets. Thus, building on past research, this study suggests that the effect of target sexualization on dehumanization is a more general rather than a culture-specific phenomenon.


2011 ◽  
Author(s):  
Alefiyah Z. Pishori ◽  
Michelle Williams ◽  
Bede Agocha ◽  
Seth J. Schwartz

Author(s):  
Enrique Ajuria Ibarra

The Eye (Gin Gwai, 2002) and its two sequels (2004, 2005) deal with pan-Asian film production, gender, and identity. The films seem to embrace a transnational outlook that that fits a shared Southeast Asian cinematic and cultural agenda. Instead, they disclose tensions about Hong Kong’s identity, its relationship with other countries in the region, and its mixture of Western and Eastern traditions (Knee, 2009). As horror films, The Eye series feature transpositional hauntings framed by a visual preference for understanding reality and the supernatural that is complicated by the ghostly perceptions of their female protagonists. Thus, the issues explored in this film series rely on a haunting that presents textual manifestations of transposition, imposition, and alienation that further evidence its complicated pan-Asian look. This chapter examines the films’ privilege of vision as catalyst of a transnational, Asian Gothic horror aesthetic that addresses concepts of identity, gender, and subjectivity.


Asian Survey ◽  
1970 ◽  
Vol 10 (3) ◽  
pp. 244-255 ◽  
Author(s):  
Vincent K. Pollard

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