The Middle Voice in Being and Time

Author(s):  
Charles E. Scott
Keyword(s):  
Author(s):  
KIMIYO MURATA-SORACI ◽  

How are we to responsively belong to tradition? This paper retrieves the concept of self-tradition (Sichüberlieferung) in Heidegger’s magnum opus Being and Time (1927). We will take as a guiding light Heidegger’s designation of a mode of his phenomenology as “phenomenology of the inapparent” expressed in the 1973 Zähringen Seminar. We will pay special heed to the function of the middle voice, neutrality of Da-sein, and tautology in the question of Being and history and bring to light the relation between authentic temporality and authentic historicity in a tautological turning of the selfsame. We will make a remark on the delay of Da-sein’s authentic historicity in the light of the “self-tradition” which marks Heidegger’s non-metaphysical response to the heritage of metaphysics of presence. In the wake of the phenomenology of the inapparent, we will turn to Derrida’s 2008 text The Animal that Therefore I Am to explore Derrida’s different approach to free the “I am” from that of Heidegger’s Dasein whose being is set in Jeweilig-Jemeinigkeit. We will show how Derrida’s invention of animot enables him and us to speak with the voices of our non-human animal others and enables us to free ourselves from the fixities of presence of the present in our thought, language, and sensitivity. In a relay of the two philosophers’ reading of us and their ways of self-overcoming of man as rational animal, we will learn to be in question and to learn to relate to one another without reducing one to the other and other to the one.


Author(s):  
Ingrid Diran

Agamben describes his posture as a reader as one of seeking a text’s Entwicklungsfähigkeit, or capacity for elaboration.1 In examining Agamben’s practices of reading, we can attend to the opposite phenomenon: the counter-elaboration that a text, in having being read by the philosopher, performs upon Agamben’s own thought. This reciprocal elaboration might constitute a paradigm for Agamben’s use of reading, according to his own idiosyncratic definition of use as an event in the middle voice, in which (according to a definition of Benveniste) the subject ‘effects an action only in affecting itself (il effectue en s’affectant)’ (UB 28). With this definition in mind, we could say that Agamben effects a text (he writes) only to the extent that he is also affected by another text (he reads). This is why Agamben’s position as a reader proves particularly important to any assessment of his work, quite aside from the problem of influence or intellectual genealogy. For this same reason, however, assessing Agamben’s relation to Antonio Negri – a figure with whom, by most measures, he is at odds – poses an unexpected challenge: how can Agamben’s thought be a use of Negri? Answering this question means not only assessing the critical distance between the two thinkers, but also taking this distance as a measure, in the Spinozan sense, of mutual affection.


2010 ◽  
Vol 2010 (1) ◽  
pp. 101-116
Author(s):  
Ales Novak

During the philosophical pathway of Martin Heidegger the 30s of the 20th century are a crucial period in respect of his effort to point out the temporal meaning of the notion of being. After the failure of his project of Being and Time he turned his attention towards pondering upon the (Hi)Story of being (Seinsgeschichte or Geschichte des Seins), leading him to the thought of the oblivion of being as well as of the forsakenness by the being. Within the eschatological perspectives after the end of metaphysics Heidegger arrives at the notion of Anlage, in which he means to articulate the temporal features of being corresponding to the mentioned epochal situation. The notion Anlage sums up the temporal features of setting, perpetuity, and presence, which according to Heidegger are notoriously associated with the notion of being within the metaphysics. Nonetheless, even this conceptual effort acts as a taking- off towards a far more radical phenomenology of world conceived as the fourfold of heaven and earth, the divine and the mortals.


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