scholarly journals SICHÜBERLIEFERUNG: RE-MOVING THE HISTORY OF BEING AS PRESENCE

2021 ◽  
Vol 10 (1) ◽  
pp. 61-76
Author(s):  
KIMIYO MURATA-SORACI ◽  
Keyword(s):  
The Self ◽  
The Other ◽  
Being And Time ◽  
Middle Voice ◽  
Rational Animal ◽  
History Of ◽  
Metaphysics Of Presence ◽  
Magnum Opus ◽  
Human Animal ◽  
The One

How are we to responsively belong to tradition? This paper retrieves the concept of self-tradition (Sichüberlieferung) in Heidegger’s magnum opus Being and Time (1927). We will take as a guiding light Heidegger’s designation of a mode of his phenomenology as “phenomenology of the inapparent” expressed in the 1973 Zähringen Seminar. We will pay special heed to the function of the middle voice, neutrality of Da-sein, and tautology in the question of Being and history and bring to light the relation between authentic temporality and authentic historicity in a tautological turning of the selfsame. We will make a remark on the delay of Da-sein’s authentic historicity in the light of the “self-tradition” which marks Heidegger’s non-metaphysical response to the heritage of metaphysics of presence. In the wake of the phenomenology of the inapparent, we will turn to Derrida’s 2008 text The Animal that Therefore I Am to explore Derrida’s different approach to free the “I am” from that of Heidegger’s Dasein whose being is set in Jeweilig-Jemeinigkeit. We will show how Derrida’s invention of animot enables him and us to speak with the voices of our non-human animal others and enables us to free ourselves from the fixities of presence of the present in our thought, language, and sensitivity. In a relay of the two philosophers’ reading of us and their ways of self-overcoming of man as rational animal, we will learn to be in question and to learn to relate to one another without reducing one to the other and other to the one.

Let the Witness Speak: From Archi-writing to the Community to come

Derrida Today ◽  
2009 ◽  
Vol 2 (2) ◽  
pp. 260-270
Author(s):  
Francesco Vitale
Keyword(s):  
The Self ◽  
The Other ◽  
Political Tradition ◽  
Metaphysics Of Presence ◽  
The Absolute ◽  
To Come ◽  
The One ◽  
The Sacrifice

The paper aims to present a reading of the question of Testimony rising in Derrida's later works (from Faith and Knowledge to Poetics and Politics of Witnessing): the experience of Testimony as the irreducible condition of the relation to the Other, of every possible link among living human singularities and, thus, of the thinking of a community to come. This thinking is able to divert the community from the economy grounding and structuring it within our political tradition governed by the metaphysics of presence, which demands the sacrifice of the Other in its multiple theoretical and practical forms. We intend to read this proposal and to point out its rich perspectives by bringing it into the articulation of an ethical-political archi-writing. So we suggest going back to Derrida's early analyses of phenomenology and to De la grammatologie in order to present a reading of archi-writing as the irreducible condition of the relation to otherness and, thus, of the experience through which a living human singularity constitutes itself, a singularity different from the one our tradition compels us to think of within the pattern of the absolute presence to the self, free from the relation to the other.

Historical Research on the Self and Emotions

2009 ◽  
Vol 1 (4) ◽  
pp. 302-315 ◽  
Author(s):  
William M. Reddy
Keyword(s):  
North America ◽  
The Self ◽  
Historical Research ◽  
The Other ◽  
Distinctive Features ◽  
History Of Emotions ◽  
History Of ◽  
The One

Research on this topic in Europe and North America has reached a new stage. Prior to 1970, historians told a story of progress in which modern individuals gradually gained mastery of emotions. After 1970 this older approach was put into doubt. Since 1990 research into the history of emotions has increasingly relied on a new methodology, based on the assumption that emotion is a domain of effort, and that it is possible to document variance between emotional standards, on the one hand, and the greater or lesser success of individuals in conforming to them, on the other. Emotional standards are now assumed to display a history that is not progressive, but reflects distinctive features of each period.

Hajo Holborn'sHistory of Modern Germany

1970 ◽  
Vol 3 (1-2) ◽  
pp. 140-156
Author(s):  
Hans Kohn
Keyword(s):  
Eighteenth Century ◽  
The United States ◽  
The Other ◽  
Wilhelm Dilthey ◽  
The Third ◽  
Modern Germany ◽  
Late Eighteenth Century ◽  
History Of ◽  
Magnum Opus ◽  
The One

A few hours before his sudden death last year in Bonn, Hajo Holborn remarked that in spite of the ill health of his last years his life had been a happy one. He had an unusually successful career in his beloved profession, first as a young man in Germany, then as a leading scholar in his field in the United States; and he was able to finish his magnum opus,A History of Modern Germany, before his death. Its first volume appeared in 1959; its third and last, in 1969. As a disciple of Wilhelm Dilthey and of Friedrich Meinecke, Holborn gave special attention to the “realm of ideas,” to the religious, intellectual, and artistic achievements of Germany. While he wrote primarily political history and succeeded in ordering the mass of information which he provides into a meaningful narrative which holds the reader's interest, the high points are his discussion of the thinkers and poets from Germany's rapid cultural rise in the late eighteenth century to its decline after the mid-nineteenth century. One of the best of these subchapters is the one on Marx and Engels, a masterpiece of objectivity. It is to be found in the second volume of theHistory, though chronologically Marx and Engels belong in the third volume, which covers the period from 1840 to 1945. (After all, the two young men met and their public activity began only after 1840 and their thought and dedicated life began to exercise their impact only decades later.) By 1945, when Holborn's History ends, Marx had become the most widely known German, whose influence shaped history on a worldwide scale and to a degree surpassing by far that of the other great German with whom Holborn starts hisHistory, Martin Luther.

Stories and the Self

2020 ◽  
Vol 32 (2) ◽  
pp. 47-58 ◽  
Author(s):  
Stefan Krause ◽  
Markus Appel
Keyword(s):  
Meta Analysis ◽  
The Self ◽  
The Other ◽  
Lower Degree ◽  
Contrast Effects ◽  
Self Perception ◽  
Self Perceptions ◽  
Other Hand ◽  
The One ◽  
Implicit And Explicit

Abstract. Two experiments examined the influence of stories on recipients’ self-perceptions. Extending prior theory and research, our focus was on assimilation effects (i.e., changes in self-perception in line with a protagonist’s traits) as well as on contrast effects (i.e., changes in self-perception in contrast to a protagonist’s traits). In Experiment 1 ( N = 113), implicit and explicit conscientiousness were assessed after participants read a story about either a diligent or a negligent student. Moderation analyses showed that highly transported participants and participants with lower counterarguing scores assimilate the depicted traits of a story protagonist, as indicated by explicit, self-reported conscientiousness ratings. Participants, who were more critical toward a story (i.e., higher counterarguing) and with a lower degree of transportation, showed contrast effects. In Experiment 2 ( N = 103), we manipulated transportation and counterarguing, but we could not identify an effect on participants’ self-ascribed level of conscientiousness. A mini meta-analysis across both experiments revealed significant positive overall associations between transportation and counterarguing on the one hand and story-consistent self-reported conscientiousness on the other hand.

Theodor W. Adorno

2018 ◽  
Author(s):  
Colby Dickinson
Keyword(s):  
The Other ◽  
History Of Thought ◽  
History Of ◽  
The One

In his somewhat controversial book Remnants of Auschwitz, Agamben makes brief reference to Theodor Adorno’s apparently contradictory remarks on perceptions of death post-Auschwitz, positions that Adorno had taken concerning Nazi genocidal actions that had seemed also to reflect something horribly errant in the history of thought itself. There was within such murderous acts, he had claimed, a particular degradation of death itself, a perpetration of our humanity bound in some way to affect our perception of reason itself. The contradictions regarding Auschwitz that Agamben senses to be latent within Adorno’s remarks involve the intuition ‘on the one hand, of having realized the unconditional triumph of death against life; on the other, of having degraded and debased death. Neither of these charges – perhaps like every charge, which is always a genuinely legal gesture – succeed in exhausting Auschwitz’s offense, in defining its case in point’ (RA 81). And this is the stance that Agamben wishes to hammer home quite emphatically vis-à-vis Adorno’s limitations, ones that, I would only add, seem to linger within Agamben’s own formulations in ways that he has still not come to reckon with entirely: ‘This oscillation’, he affirms, ‘betrays reason’s incapacity to identify the specific crime of Auschwitz with certainty’ (RA 81).

Policy analysis and complexity – a non-equilibrium approach for integrated water management

1995 ◽  
Vol 31 (8) ◽  
pp. 301-309 ◽  
Author(s):  
Govert D. Geldof
Keyword(s):  
Water Management ◽  
Control System ◽  
Planning Process ◽  
The Other ◽  
Integrated Water Management ◽  
Equilibrium Approach ◽  
History Of ◽  
The One ◽  
Groundwater Policy ◽  
Non Equilibrium

In integrated water management, the issues are often complex by nature, they are capable of subjective interpretation, are difficult to express in standards and exhibit many uncertainties. For such issues, an equilibrium approach is not appropriate. A non-equilibrium approach has to be applied. This implies that the processes to which the integrated issue pertains, are regarded as “alive”’. Instead of applying a control system as the model for tackling the issue, a network is used as the model. In this network, several “agents”’ are involved in the modification, revision and rearrangement of structures. It is therefore an on-going renewal process (perpetual novelty). In the planning process for the development of a groundwater policy for the municipality of Amsterdam, a non-equilibrium approach was adopted. In order to do justice to the integrated character of groundwater management, an approach was taken, containing the following features: (1) working from global to detailed, (2) taking account of the history of the system, (3) giving attention to communication, (4) building flexibility into the establishing of standards, and (5) combining reason and emotions. A middle course was sought, between static, rigid but reliable on the one hand; dynamic, flexible but vague on the other hand.

On the nature of chemistry

2018 ◽  
Vol 10 (2) ◽  
pp. 74 ◽  
Author(s):  
Eric R. Scerri
Keyword(s):  
19Th Century ◽  
The Other ◽  
Recent History ◽  
History Of Chemistry ◽  
History Of ◽  
The One ◽  
Fundamental Unity ◽  
The 19Th Century

<span>The very nature of chemistry presents us with a tension. A tension between the exhilaration of diversity of substances and forms on the one hand and the safety of fundamental unity on the other. Even just the recent history of chemistry has been al1 about this tension, from the debates about Prout's hypothesis as to whether there is a primary matter in the 19th century to the more recent speculations as to whether computers will enable us to virtually dispense with experimental chemistry.</span>

Introduction

2017 ◽  
Author(s):  
Anh Q. Tran
Keyword(s):  
Eighteenth Century ◽  
The Other ◽  
Pragmatic Approach ◽  
History Of ◽  
The One ◽  
Vietnamese Studies

The Introduction gives the background of the significance of translating and study of the text Errors of the Three Religions. The history of the development of Confucianism, Buddhism, and Daoism in Vietnam from their beginning until the eighteenth century is narrated. Particular attention is given to the different manners in which the Three Religions were taken up by nobles and literati, on the one hand, and commoners, on the other. The chapter also presents the pragmatic approach to religion taken by the Vietnamese, which was in part responsible for the receptivity of the Vietnamese to Christianity. The significance of the discovery of Errors and its impact on Vietnamese studies are also discussed.

Multicultural and Transnational Novels

2018 ◽  
Author(s):  
James Meffan
Keyword(s):  
National Identity ◽  
New Zealand ◽  
The Other ◽  
Colonial History ◽  
History Of ◽  
Return Home ◽  
Access Rights ◽  
The One

This chapter discusses the history of multicultural and transnational novels in New Zealand. A novel set in New Zealand will have to deal with questions about cultural access rights on the one hand and cultural coverage on the other. The term ‘transnational novel’ gains its relevance from questions about cultural and national identity, questions that have particularly exercised nations formed from colonial history. The chapter considers novels that demonstrate and respond to perceived deficiencies in wider discourses of cultural and national identity by way of comparison between New Zealand and somewhere else. These include Amelia Batistich's Another Mountain, Another Song (1981), Albert Wendt's Sons for the Return Home (1973) and Black Rainbow (1992), James McNeish's Penelope's Island (1990), Stephanie Johnson's The Heart's Wild Surf (2003), and Lloyd Jones's Mister Pip (2006).

Keeping Company with Sondheim’s Women

2014 ◽  
Author(s):  
Stacy Wolf
Keyword(s):  
Musical Theater ◽  
Married Couples ◽  
Feminist Perspective ◽  
The Self ◽  
The Other ◽  
Female Characters ◽  
Other Hand ◽  
The One

This chapter examines the eight female characters inCompany, what they do in the musical, and how they function in the show’s dramaturgy, and argues that they elicit the quintessential challenge of analyzing musical theater from a feminist perspective. On the one hand, the women tend to be stereotypically, even msogynistically portrayed. On the other hand, each character offers the actor a tremendous performance opportunity in portraying a complicated psychology, primarily communicated through richly expressive music and sophisticated lyrics. In this groundbreaking 1970 ensemble musical about a bachelor’s encounters with five married couples and three girlfriends, Sondheim’s female characters occupy a striking range of types within one show. From the bitter, acerbic, thrice-married Joanne to the reluctant bride-to-be Amy, and from the self-described “dumb” “stewardess” April to the free-spirited Marta,Company’s eight women are distillations of femininity, precisely sketched in the short, singular scenes in which they appear.

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