Visual Perception of the Street Façade of a Historic Town: Case Study of the Walled City of Jaipur, India

2019 ◽  
pp. 377-389 ◽  
Author(s):  
Somya Mishra ◽  
Saptarshi Kolay
Keyword(s):  
Visual Perception

scholarly journals VISUAL PERCEPTION OF PRIMARY DISPLAY PANEL OF COFFEE PACKAGING

2020 ◽  
Vol 22 (1) ◽  
pp. 73-79
Author(s):  
Wirania Swasty ◽  
Arry Mustikawan ◽  
Fariha Eridani Naufalina
Keyword(s):  
Visual Perception ◽  
Data Collection ◽  
Quantitative Approach ◽  
Literature Study ◽  
Visual Elements ◽  
Primary Display ◽  
Color Combinations ◽  
Product Perception ◽  
Is Design

Previous research only discussed the perception of color combinations for the primary display panel. This study is not only focused on color;  but also on other visual elements. This research aims to know the primary display panel that is more desirable to consumers and uncover the linkage between product perception and preference by using quantitative approach. As for the method used is the case study of brand Puntang Coffee. Data collection was done by conducting literature study, redesign experiment and questionnaires, whereas data analyze by using the ANOVA test. From data, it was revealed that the highest valuation of respondents of all three designs displayed is design C;  which proposed by the designer team, that are perceived better by respondents.

Bilingual representation of distance in visual-verbal sign systems: A case study of Guo Xi’s Early Spring

Semiotica ◽  
2018 ◽  
Vol 2018 (222) ◽  
pp. 47-80
Author(s):  
Chengzhi Jiang
Keyword(s):  
Visual Perception ◽  
Functional Model ◽  
Early Spring ◽  
Semantic Approach ◽  
Virtual Museums ◽  
Sign Systems ◽  
Perception Theory ◽  
Cognitive Semantic ◽  
Analytical Tools

AbstractThe purely cognitive semantic approach to verbal distance representation has recently been enriched from the perspective of visual perception theory. Focusing on visual pragmatic effects, the present paper will use distance cues as a set of analytical tools and adopt the cognitive-functional model proposed elsewhere to further explore the issue of visual-verbal coherence through Guo Xi’s Early Spring and the bilingual museum catalogue entries attached to it, in physical exhibitions or virtual museums, with a particular view to explaining how a linguistics- or stylistics-based analysis endorses the interpretation of a specific artwork on discursive and cultural levels.

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