Transparent colors for glass decoration

1990 ◽  
Vol 47 (11) ◽  
pp. 435-436 ◽  
Author(s):  
V. M. Ivanova ◽  
L. S. Shirokova ◽  
Z. M. Khasanova ◽  
Yu. P. Gorshkova
Keyword(s):  
Glass Decoration

THE PAINTED GLASS DECORATION OF THE MAUSOLEUM OF AHMAD IBN SULAYMAN AL-RIFA‘I IN CAIRO

2003 ◽  
Vol 20 (1) ◽  
pp. 61-83
Author(s):  
Stefano Carboni
Keyword(s):  
Glass Decoration

Glass Decoration Elements – History and Technology

2008 ◽  
Vol 39-40 ◽  
pp. 505-510 ◽  
Author(s):  
E. Greiner-Wronowa
Keyword(s):  
Cultural Heritage ◽  
Science And Technology ◽  
Glass Production ◽  
Glass Beads ◽  
Good Shape ◽  
Production Development ◽  
Historical Objects ◽  
Non Destructive ◽  
Non Destructive Techniques ◽  
Glass Decoration

Glass decoration elements have been known for centuries. Many of them are preserved in a good shape. Actually the glass production development was started from tiny pieces called glass beads. Some of these products belong to very important historical objects which undergoing conservator activity to preserve our cultural heritage. To realize such enterprise very detailed research should be done. This paper is about testing of different glass decoration elements which belong to historical objects, in order to get information about their history and technology production. This research was carried out on small pieces of glass borrowed from historical objects in partnership between AGH - Technical University of Science and Technology and four different conservator groups. Testing made use of non-destructive techniques, like: EDS, FTIR, AFM.

scholarly journals Tinjauan Estetika Hiasan Kaca Patri Pada Gereja Katolik Inkulturatif Paroki Santo Fransiskus Asisi Berastagi Berdasarkan Prinsip Seni Rupa

2021 ◽  
Vol 4 (2) ◽  
pp. 660-670
Author(s):  
Samuel Joan Parasian Siregar
Keyword(s):  
Catholic Church ◽  
Fine Arts ◽  
Sampling Technique ◽  
Stained Glass ◽  
Aesthetic Quality ◽  
Color Selection ◽  
The Aesthetic ◽  
Glass Decoration ◽  
The Catholic Church

This study aims to describe the aesthetic quality of the stained glass decoration work at the Catholic Church of St. Francis of Asisi Berastagi based on the principles of fine arts, especially in the aspects of unity, balance, rhythm, proportion, composition, and center of interest. This study used descriptive qualitative method. The subjects in this study were part of the stained glass in the Catholic Church of St. Francis of Asisi, which is also a sample in this study, amounting to five samples. The sampling technique used was total sampling. The results of this study explain that the visual quality of the stained glass works in the Catholic Church of St. Francis, if viewed based on the principles of art, shows some deficiencies in these works can be seen from the number of works that only get points below three (<3), wrong the only thing is that there are still most of the works that have shortcomings in terms of composition and there is no balance in them, this is due to the color selection and placement of objects that are not quite right, plus there are still some deficiencies in the objects that are formed that are not proportional. However, even so, there are still some works that have sufficient to excellent quality, where these works are able to get points above three (> 3).

scholarly journals Omprok Gandrung Banyuwangi

2018 ◽  
Vol 7 (2) ◽  
pp. 27
Author(s):  
Mirza Prastyo . ◽  
Dr. Drs. I Ketut Supir, M.Hum. . ◽  
I Gusti Made Budiarta, S.Pd., M.Pd. .
Keyword(s):  
Social Norms ◽  
Main Ingredient ◽  
Descriptive Research ◽  
Qualitative Descriptive ◽  
The Subject ◽  
Glass Decoration

Penelitian ini bertujuan untuk mendeskripsikan: (1) Alat dan bahan dalam pembuatan Omprok Gandrung Banyuwangi (2) Proses pembuatan Omprok Gandrung Banyuwangi (3) Ornamen Omprok Gandrung Banyuwangi (4) Makna Ornamen Omprok Gandrung Banyuwangi. penelitian ini merupakan penelitian deskriptif kualitatif. Sasaran adalah Omprok (Mahkota) Penari Gandrung dengan memilih Sutrisno, Suwari, Eko Susanto dan Sayun Sisiyanto sebagai narasumbernya. Pengumpulan data dalam penelitian ini dilakukan dengan teknik (1) Observasi, (2) wawancara, (3) Dokumentasi, dan (4)Triangulasi, serta menggunakan Analisis Taksonomi Domain. Hasil temuan dalam penelitian ini adalah: (1) alat dalam pembuatan Omprok Gandrung Banyuwangi dibagi menjadi dua kelompok, yaitu alat pokok berupa pahat, kuas, jarum, pisau, tindhih dan alat bantu pensil, batu asahan, penggaris. Bahan utama yang digunakan kulit sapi, spon matras. (2) Tahapan proses pembuatan Omprok Gandrung Banyuwangi, yaitu proses pemahatan, proses pewarnaan, proses pembuatan Kuluk, dan proses pembuatan hiasan yang terdiri dari Kembang Goyang, hiasan Gombyok, hiasan Pilis Stenlis, dan hiasan kaca. (3) Ornamen yang ada pada Omprok Gandrung Banyuwangi, yaitu Ornamen pilisan yang terdiri dari bidang pola pilis depan, pilis tengah dan pilis atas, Ornamen wayang Gatutkaca, Ornamen Gajah Uling, Ornamen Tebokan yang terdiri dari pola gunungan dan sabuk gombyok. (4) Makna dari Hiasan dan Ornamen Omprok Gandrung Banyuwangi yaitu bahwa pemimpin dan masyarakat yang mempunyai norma-norma sosial untuk bekerjasama mengatur wilayah Banyuwangi sebagai bentuk puji syukur kepada mahabesar akan anugrah yang diberikan.Kata Kunci : Kata kunci: Omprok, Gandrung, Banyuwangi. The research aimed to describe about, (1) the tools and materials in making Omprok Gandrung Banyuwangi, (2) the process of making Omprok Gandrung Banyuwangi, (3) ornament of Omprok Gandrung Banyuwangi, and (4) the meaning of Omprok Ornament Gandrung Banyuwangi. This study used a qualitative descriptive research. The subject of this study was Suwari, Eko Susanto, and Sayun Sisiyanto as the resource person to know making Omprok (crown) of Gandrung dancer. The collection of data in this study was performed with the techniques of: (1) observation, (2) interview, (3) documentation of (4) triangulation, and use the analysis domain taxonomi. The results of this study were (1) the tool of making Omprok Gandrung Banyuwangi divided into two groups a staple tool in the from of the chisel, brushes, needles, knives, tindhih and pencil tools, grindtones, stones, of a ruler. the main ingredient use cow leather, sponge mattresses. (2) The stages of making Omprok Gandrung Banyuwangi process which were the process of carving, coloring process, Kuluk making process, and decoration process consisting of Kembang Goyang, Gombyok ornament, Pilis Stenlis ornament, and glass decoration. (3) Ornaments in exist of Omprok Gandrung Banyuwangi were the pilisan ornament that was consisting of the pattern of front pilis, middle pilis and upper pilis, Gatut kaca ornaments, Ornament Gajah Uling, Ornament Tebokan consisting of gunungan and belt gombyok. (4) The meaning of embellishment and Omprok Gandrung Banyuwangi ornaments, namely the leaders and communities who had social norms to cooperate regulating the Banyuwangi region as a form of praise to the enormous as the grace given to us.keyword : Omprok, Gandrung, Banyuwangi.

scholarly journals Preparation and characterization of a stable nano-sized Zn x Co1–x Al2O4 ink for glass decoration by ink-jet printing

2017 ◽  
Vol 43 (3) ◽  
pp. 246-256 ◽  
Author(s):  
Xiaojin Peng ◽  
Qi Zhang ◽  
Jinshu Cheng ◽  
Jian Yuan ◽  
Ya Wu ◽  
...  
Keyword(s):  
Ink Jet Printing ◽  
Ink Jet ◽  
Jet Printing ◽  
Glass Decoration

scholarly journals The X-ray diffraction beamline MCX at Elettra: a case study of non-destructive analysis on stained glass

ACTA IMEKO ◽  
2017 ◽  
Vol 6 (3) ◽  
pp. 71 ◽  
Author(s):  
Jasper Rikkert Plaisier ◽  
Luca Nodari ◽  
Lara Gigli ◽  
Elena Paz Rebollo San Miguel ◽  
Renzo Bertoncello ◽  
...  
Keyword(s):  
General Purpose ◽  
Stained Glass ◽  
X Ray Diffraction ◽  
X Ray ◽  
Complex Processes ◽  
Non Destructive ◽  
Glass Decoration ◽  
Comprehensive Study

<p class="Abstract"><span lang="EN-US">The MCX beamline at the synchrotron Elettra is the general purpose diffraction beamline that is well suited for non-destructive and innovative X-ray diffraction (XRD) experiments in the field of cultural heritage. The experimental station houses a large number of instruments facilitating a range of different types of analysis. Recently, a comprehensive study of the alteration products in grisaille paints was performed at the beamline. This type of analysis is very important to understand the complex processes involved in the deterioration of this type of glass decoration. An exhaustive characterization of these products and so a full understanding of the mechanism of their formation may lead to the development of new protective materials for conservation and restoration. XRD experiments at the MCX beamline allowed us to recognize the alteration products on the grisailles surface and to propose a mechanism for the formation of alteration patina. Here we present the beamline, its instrumentation and its capabilities by showing an example of the study on grisaille paints. </span></p>

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