Proof of a heuristic principle in additive problems with primes

1975 ◽  
Vol 17 (4) ◽  
pp. 390-395 ◽  
Author(s):  
B. M. Bredikhin ◽  
N. A. Yakovleva
Keyword(s):  
Heuristic Principle

Fast heuristic principle for spare capacity placement in mesh-restorable SONET / SDH transport networks

1997 ◽  
Vol 33 (3) ◽  
pp. 195 ◽  
Author(s):  
W.D. Grover ◽  
V. Rawat ◽  
M.H. MacGregor
Keyword(s):  
Transport Networks ◽  
Spare Capacity ◽  
Heuristic Principle

scholarly journals Bulk-edge correspondence in the adiabatic heuristic principle

2021 ◽  
Vol 104 (24) ◽  
Author(s):  
Koji Kudo ◽  
Yoshihito Kuno ◽  
Yasuhiro Hatsugai
Keyword(s):  
Heuristic Principle

scholarly journals Europe – Africa – Asia: The Complementary Relation Between the World Cultures

MANUSYA ◽  
2003 ◽  
Vol 6 (2) ◽  
pp. 1-30
Author(s):  
Heinrich Beck
Keyword(s):  
Living Organism ◽  
World Peace ◽  
Complementary Relation ◽  
Heuristic Principle ◽  
The World

In this paper Heinrich Beck outlines his theory about the relations among the world cultures and their contribution toward what he calls' creative peace'. Three of the world's cultures, namely that of Europe, Africa and Asia, are seen as much as members of a living organism, which is taken to be a 'Heuristic principle of possible understanding' whereby the integration and mutual reception of these three world cultures can be effected. The European tendency toward rationality and analysis is complemented by the Afro-Asiatic tendency toward holism and synthesis. And there is still further division between the African and the Asian mind. Though both emphasize unity and harmony, the African mind is predicated upon the immediately unity of nature and spirit, whereas the Asian one is characterized by traquility of conciousness. This, in turn, is contrasted by the European mind which is based upon the separation between mind and matter. These contrasts present themselves, according to Beck, as an occasion for a triadic and dialectical ontological structure, from which emerges a dynamic unity out of the contrasting unities. Thus a way is shown for world peace, which is not a static kind, but a dynamic and creative one.

The Song Is Still a ‘Weapon’: The Portuguese Identity in Times of Crises

Young ◽  
2019 ◽  
Vol 28 (1) ◽  
pp. 14-31
Author(s):  
Paula Guerra
Keyword(s):  
Social Change ◽  
Popular Music ◽  
Collective Identity ◽  
Social Problems ◽  
Social Reality ◽  
Social Intervention ◽  
Heuristic Principle

This article examines a set of Portuguese songs that ‘sing’ the economic, financial and social crises in Portugal in the post-2008 period. This work underlies a heuristic principle: to demonstrate how artistic manifestations—in this case, the songs in several (sub-)genres of popular music—are themselves a means and an object of social intervention, demarcating a specific, defined space in the acknowledgment and revelation of social problems, and in the contestation, deconstruction and accusation of problems that deal with social reality. We demonstrate that these songs seek to denounce and sometimes incite social change with the aim of creating transformation. They are therefore signs of a specific space—identity producers—and not just an echo of social reality. Insurgent songs instigate readings, narratives and deconstructions of reality, and they are simultaneously significant elements of a collective identity.

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