scholarly journals Climbing the “Ladder of Participation”: Engaging Experiential Youth in a Participatory Research Project

2012 ◽  
Vol 103 (4) ◽  
pp. e288-e292 ◽  
Author(s):  
Anna Funk ◽  
Natasha Van Borek ◽  
Darlene Taylor ◽  
Puneet Grewal ◽  
Despina Tzemis ◽  
...  
Author(s):  
Liesbeth De Donder ◽  
Nico De Witte ◽  
Dominique Verté ◽  
Sarah Drury ◽  
Tine Buffel ◽  
...  

2018 ◽  
Vol 35 (1) ◽  
pp. 84-100 ◽  
Author(s):  
Benno van den Toren ◽  
Klaas L. Bom

Abstract This article explores the importance of “action research” and “participatory research” (ar and pr) for intercultural theology. After introducing these research strategies, it provides a theological rationale for their use in intercultural theology: (1) they move beyond false dichotomies between theoretical and practical theology; (2) they understand professional theologians as part of communities of believers; and (3) they allow for intercultural encounters which approach “the other” as partners in research rather than merely objects of research. Using the example of a research project which studies attitudes to the interface between science and Christian faith among African university students and academics, the article considers three crucial issues for the value and use of ar and pr in intercultural theology: (1) the intrinsic motivation of the partners for intercultural research projects, (2) the role of shared visions of change and (3) the question of truth implied in visions of human flourishing.1


Author(s):  
Elke Zobl ◽  
Laila Huber

How can we open participatory spaces playfully and critically? Our article raises this question in the context of a research project at the intersection of participatory and interventionist art, critical art education and participatory research. In the project “Making Art – Taking Part!” (www.takingpart.at), which the authors, along with additional team members, conducted with students aged 14–16 in Salzburg, Austria, an artistic intervention in public space was developed based on the ideas, experiences, and desires of the students. In a collaborative process, we explored strategies for self-empowerment, deconstruction of established knowledge and power relations, and appropriation by artistic and art mediation means around the topic of “living together”. In this paper, we argue that by employing such strategies, a liminal space can be opened – in a playful, yet critical way – in which the meaning of participation is collaboratively negotiated.


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