scholarly journals Does gesture strengthen sensorimotor knowledge of objects? The case of the size-weight illusion

2018 ◽  
Vol 84 (4) ◽  
pp. 966-980 ◽  
Author(s):  
Wim Pouw ◽  
Stephanie I. Wassenburg ◽  
Autumn B. Hostetter ◽  
Bjorn B. de Koning ◽  
Fred Paas
2018 ◽  
Author(s):  
Wim T. J. L. Pouw ◽  
Stephanie I. Wassenburg ◽  
Autumn Hostetter ◽  
Bjorn de Koning ◽  
Fred Paas

Co-speech gestures have been proposed to strengthen sensorimotor knowledge related to objects’ weight and manipulability. In this pre-registered study (N =159) designed to provide a robust, direct, and detailed test of this proposal, participants practiced a problem-solving task with small and large objects that were designed to induce a size-weight illusion (i.e., objects weigh the same but are experienced as different in weight). Participants then explained the task with or without co-speech gesture, or completed a control task. Afterwards, participants judged the heaviness of objects from memory and then while holding them. Confirmatory analyses revealed that gesturing did not affect heaviness ratings. However, exploratory analyses revealed reliable correlations between participants’ heaviness judgments from memory and a) the amount of gestures produced that simulated actions, and b) the kinematics of the lifting phases of those gestures. These findings suggest that gestures emerge as sensorimotor imaginings that are governed by the agent’s history of sensorimotor interactions with the environment.


2008 ◽  
Vol 35 (S 01) ◽  
Author(s):  
Y Li ◽  
J Randerath ◽  
G Goldenberg ◽  
J Hermsdörfer

Author(s):  
Akihiro Maehigashi ◽  
Akira Sasada ◽  
Miki Matsumuro ◽  
Fumihisa Shibata ◽  
Asako Kimura ◽  
...  

2021 ◽  
Author(s):  
Nina Rohrbach ◽  
Joachim Hermsdörfer ◽  
Lisa-Marie Huber ◽  
Annika Thierfelder ◽  
Gavin Buckingham

AbstractAugmented reality, whereby computer-generated images are overlaid onto the physical environment, is becoming significant part of the world of education and training. Little is known, however, about how these external images are treated by the sensorimotor system of the user – are they fully integrated into the external environmental cues, or largely ignored by low-level perceptual and motor processes? Here, we examined this question in the context of the size–weight illusion (SWI). Thirty-two participants repeatedly lifted and reported the heaviness of two cubes of unequal volume but equal mass in alternation. Half of the participants saw semi-transparent equally sized holographic cubes superimposed onto the physical cubes through a head-mounted display. Fingertip force rates were measured prior to lift-off to determine how the holograms influenced sensorimotor prediction, while verbal reports of heaviness after each lift indicated how the holographic size cues influenced the SWI. As expected, participants who lifted without augmented visual cues lifted the large object at a higher rate of force than the small object on early lifts and experienced a robust SWI across all trials. In contrast, participants who lifted the (apparently equal-sized) augmented cubes used similar force rates for each object. Furthermore, they experienced no SWI during the first lifts of the objects, with a SWI developing over repeated trials. These results indicate that holographic cues initially dominate physical cues and cognitive knowledge, but are dismissed when conflicting with cues from other senses.


Author(s):  
Wanying Jiang ◽  
Yajie Liu ◽  
Yuqing Bi ◽  
Kunlin Wei

Exposure to task-irrelevant feedback leads to perceptual learning, but its effect on motor learning has been understudied. Here we asked human participants to reach a visual target with a hand-controlled cursor while observing another cursor moving independently in a different direction. While the task-irrelevant feedback did not change the main task's performance, it elicited robust savings in subsequent adaptation to classical visuomotor rotation perturbation. We demonstrated that the saving effect resulted from a faster formation of strategic learning through a series of experiments, not from gains in the implicit learning process. Furthermore, the saving effect was robust against drastic changes in stimulus features (i.e., rotation size or direction) or task types (i.e., for motor adaptation and skill learning). However, the effect was absent when the task-irrelevant feedback did not carry the visuomotor relationship embedded in visuomotor rotation. Thus, though previous research on perceptual learning has related task-irrelevant feedback to changes in early sensory processes, our findings support its role in acquiring abstract sensorimotor knowledge during motor learning. Motor learning studies have traditionally focused on task-relevant feedback, but our study extends the scope of feedback processes and sheds new light on the dichotomy of explicit and implicit learning in motor adaptation as well as motor structure learning.


2019 ◽  
Vol 184 ◽  
pp. 48-64 ◽  
Author(s):  
Philippe A. Chouinard ◽  
Kezia G. Matheson ◽  
Kayla A. Royals ◽  
Oriane Landry ◽  
Gavin Buckingham ◽  
...  

2006 ◽  
Vol 37 (1) ◽  
pp. 9-23 ◽  
Author(s):  
Daniel A. Schmicking

Some facets of making music are explored by combining arguments of Raffman's cognitivist explanation of ineffability with Merleau-Ponty's view of embodied perception. Behnke's approach to a phenomenology of playing a musical instrument serves as a further source. Focusing on the skilled performer-listener, several types of ineffable knowledge of performing music are identified: gesture feeling ineffability—the performer's sensorimotor knowledge of the gestures necessary to produce instrumental sounds is not exhaustively communicable via language; gesture nuance ineffability—the performer is aware of nuances of instrumental gestures, e.g., micro-variations of intensity or duration of musical gestures, but cannot perceptually, and consequently conceptually, categorize those fine-grained variations; and ineffabilities of inter-subjectivity—the non-verbal interaction between performers that makes a performance a vibrant dialogue is similarly incommunicable. An attempt to identify some of the ineffable dimensions of this dialogue is proposed. Further ineffabilities relating the acoustical embedding of performing are identified.


PLoS ONE ◽  
2020 ◽  
Vol 15 (8) ◽  
pp. e0237421 ◽  
Author(s):  
Manja M. Engel ◽  
Karlien van Denderen ◽  
Anne-Richtje Bakker ◽  
Andrew W. Corcoran ◽  
Anouk Keizer ◽  
...  

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