On the validity of virtual reality-based auditory experiments: a case study about ratings of the overall listening experience

2015 ◽  
Vol 19 (3-4) ◽  
pp. 181-200 ◽  
Author(s):  
Michael Schoeffler ◽  
Jan Lukas Gernert ◽  
Maximilian Neumayer ◽  
Susanne Westphal ◽  
Jürgen Herre
Keyword(s):  
Virtual Reality ◽  
Listening Experience ◽  
Overall Listening Experience

Virtual Reality Treatment for Agoraphobia: A Mexican Case Study

2006 ◽  
Author(s):  
Georgina Cardenas-Lopez ◽  
Sandra Munoz ◽  
Maribel Gonzalez ◽  
Carmen Ramos
Keyword(s):  
Virtual Reality

Amateurs and Auditors

2018 ◽  
Author(s):  
Charles Edward McGuire
Keyword(s):  
Middle Classes ◽  
Educational Structures ◽  
Listening Experience ◽  
The Creation ◽  
Linguistic Structures ◽  
Diverse Audience ◽  
Early Manifestation

Between 1810 and 1835 the British musical audience expanded from the nobility and the gentry to include members of the middle classes. Using the contemporary musical festival as a case study, this chapter examines how the accommodation of this larger, more intellectually diverse audience led to an early manifestation of the modern concert-listener. This development is explored in terms of factors that aided in the creation of a physical or intellectual “listening space.” These aspects include physical structures (stages, galleries), educational structures (histories of musical festivals, commentaries for training listeners), and linguistic structures (new terms to describe listening processes). As this chapter reveals, these structures solidified a common listening experience for the larger audience, while reinforcing class distinctions within it.

Virtual reality in vocal training: a case study

2021 ◽  
pp. 1-11
Author(s):  
Sati Doganyigit ◽  
Omer Faruk Islim
Keyword(s):  
Virtual Reality ◽  
Vocal Training
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