scholarly journals Optimality of winner-take-all contests: the role of attitudes toward risk

Author(s):  
Liqun Liu ◽  
Nicolas Treich
Keyword(s):  
2019 ◽  
Author(s):  
John Sullivan

This article explores the role of digital platforms in podcasting (both past and present) and their impacts on the emergent podcast industry structure, content, and governance. Nieborg and Poell’s (2018) theoretical framework for understanding the impacts of platformization on culture is leveraged here to better understand the changes underway in podcasting. Like other forms of media, podcasting is being profoundly re-shaped by platformization, though these transformations are distinct from other media in several key ways. Because podcasting emerged as a technology at the beginning of the 21st Century before the advent of social media and the cloud, its decentralized architecture is structured around RSS, also known as “Really Simple Syndication.” When Apple added RSS aggregation into their iTunes Music Store in 2005, their market dominance in digital audio sales shaped early popular conceptions for the medium. I then outline how platformization is reshaping podcasting today by exploring how the three primary functions of media-related platform services – storage, discovery, and consumption – are shaping producers’ and audience experiences. Market imperatives for audience consumption data, as well as the structural features of platforms, are currently fueling industry consolidation. Even though podcasting is built upon the open architecture of RSS, commercial pressures and the desire of market players to capitalize on the “winner-take-all” features of platforms are shaping the trajectory of the medium’s current development.


Author(s):  
Kendra Strauss

This chapter examines the concept of precariousness in work in relation to income and labour market polarization. Although there is growing interest in the separate but related notion of precarity in human geography, economic and labour geographers have engaged less with the literature on precarious work and the decline of the standard employment relation. This chapter provides a brief overview of how precarious employment is understood, before turning to focus on two particular dimensions: the role of labour market intermediaries, and the challenges of regulation in an era of flexible work.


2019 ◽  
Vol 5 (4) ◽  
pp. 205630511988000 ◽  
Author(s):  
John L. Sullivan

This article explores the role of digital platforms in podcasting (both past and present) and their impacts on the emergent podcast industry structure, content, and governance. Nieborg and Poell’s theoretical framework for understanding the impacts of platformization on culture is leveraged here to better understand the changes underway in podcasting. Like other forms of media, podcasting is being profoundly reshaped by platformization, though these transformations are distinct from other media in several key ways. Because podcasting emerged as a technology at the beginning of the 21st century before the advent of social media and the cloud, its decentralized architecture is structured around RSS, also known as “Really Simple Syndication.” When Apple added RSS aggregation into their iTunes Music Store in 2005, their market dominance in digital audio sales shaped early popular conceptions for the medium. I then outline how platformization is reshaping podcasting today by exploring how the three primary functions of media-related platform services—storage, discovery, and consumption—are shaping producers’ and audience experiences. Market imperatives for audience consumption data, as well as the structural features of platforms, are currently fueling industry consolidation. Even though podcasting is built upon the open architecture of RSS, commercial pressures and the desire of market players to capitalize on the “winner-take-all” features of platforms are shaping the trajectory of the medium’s current development.


2017 ◽  
Author(s):  
Alison Gerber ◽  
Clayton Childress

What role does arts education play in artistic activity and income? In light of the rise of university arts education and its effects, especially the changing role of teaching in artistic careers, this paper questions key assumptions of both winner-take-all and economic-world-reversed analyses of artistic careers. While almost all studies of remuneration in the creative arts find that income is highly skewed, these dominant perspectives take an object-oriented view of artistic life that neglects the vast majority of activities that underpin and compose contemporary arts practices. Looking at arts practices more holistically and using the changing status of art teaching as an exemplar of the expanded field of artistic practice, we document the challenges that the rise of arts education present to traditional analyses of artistic careers, income, and success.


Author(s):  
Jeffrey M. Berry

The relationships between interest groups, political parties, and elections have always been dynamic, but in recent years change has accelerated in ways that have favored some interests over others. This chapter considers these developments as the result of a variety of factors, the most critical of which are the growth of polarization, a new legal landscape for campaign finance, and new organizational forms. The chapter goes on to suggest, that as bipartisanship has ebbed, elections have become winner-take-all affairs and interest groups are pushed to choose sides. The chapter further suggests that the rise of super PACs is especially notable as wealthy individuals have become increasingly important, single sources of campaign money, supplanting in part traditional interest groups, especially conventional PACs. It concludes that even as sums spent by super PACs and other interest groups have skyrocketed, the impact of their direct spending on persuading voters remains uncertain.


2011 ◽  
Vol 9 (3) ◽  
pp. 659-662 ◽  
Author(s):  
Brian Waddell

Jacob S. Hacker and Paul Pierson's Winner-Take-All Politics: How Washington Made the Rich Richer—And Turned Its Back on the Middle Class is both a work of political science and a contribution to broad public discussion of distributive politics. Its topic could not be more relevant to a US polity wracked by bitter partisan disagreements about taxes, social spending, financial regulation, social insecurity, and inequality. The political power of “the rich” is a theme of widespread public attention. The headline on the cover of the January–February 2011 issue of The American Interest—“Inequality and Democracy: Are Plutocrats Drowning Our Republic?”—is indicative. Francis Fukuyama's lead essay, entitled “Left Out,” clarifies that by “plutocracy,” the journal means “not just rule by the rich, but rule by and for the rich. We mean, in other words, a state of affairs in which the rich influence government in such a way as to protect and expand their own wealth and influence, often at the expense of others.” Fukuyama makes clear that he believes that this state of affairs obtains in the United States today.Readers of Perspectives on Politics will know that the topic has garnered increasing attention from political scientists in general and in our journal in particular. In March 2009, we featured a symposium on Larry Bartels's Unequal Democracy: The Political Economy of the New Gilded Age. And in December 2009, our lead article, by Jeffrey A. Winters and Benjamin I. Page, starkly posed the question “Oligarchy in the United States?” and answered it with an equally stark “yes.” Winner-Take-All Politics thus engages a broader scholarly discussion within US political science, at the same time that it both draws upon and echoes many “classic themes” of US political science from the work of Charles Beard and E. E. Schattschneider to Ted Lowi and Charles Lindblom.In this symposium, we have brought together a group of important scholars and commentators who offer a range of perspectives on the book and on the broader themes it engages. While most of our discussants are specialists on “American politics,” we have also sought out scholars beyond this subfield. Our charge to the discussants is to evaluate the book's central claims and evidence, with a focus on three related questions: 1) How compelling is its analysis of the “how” and “why” of recent US public policy and its “turn” in favor of “the rich” and against “the middle class”? 2) How compelling is its critique of the subfield of “American politics” for its focus on the voter–politician linkage and on “politics as spectacle” at the expense of an analysis of “politics as organized combat”? 3) And do you agree with its argument that recent changes in US politics necessitate a different, more comparative, and more political economy–centered approach to the study of US politics?—Jeffrey C. Isaac, Editor


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