Stereographic projection techniques in structural geology

1996 ◽  
Vol 22 (4) ◽  
pp. 625
Author(s):  
S. Goodman
2018 ◽  
Vol 14 (1) ◽  
pp. 15-26
Author(s):  
Celso Dal Ré Carneiro ◽  
Giovanni Amaral Guimarães ◽  
João Paulo da Ponte Souza ◽  
Gisele Francelino Miguel

Studies and applied works of structural analysis depend on specialized softwares and resources for 3D modeling. This article presents the results of a research that aimed to evaluate the effectiveness of version 2.1 of the Ester stereographic projection system for Structural Geology. The evaluation of the software involved tests with structural data of different geological contexts, submitted to graphic treatment in packages such as Stereonet, Stereonet9, QuickPlot, Dips, OpenStereo and other softwares accessible at low cost. The study privileged the truly free (open) softwares. One advance was the inclusion of the Tangent Polar Diagram into the Ester package. The tool helps to differentiate, in folded regions, conical folds from cylindrical folds. In the comparative evaluation, it was observed that diagrams produced by Ester 2.1 are similar to those generated by other programs. The advantage relates to resources that are not available in the other softwares analyzed. It is concluded that, in addition to resources heretofore unavailable, the tests showed good functionality. The experience signals new directions in the search for educational alternatives for teaching-learning in Structural Geology. 


2020 ◽  
pp. 272-283
Author(s):  
Nicholas Mee

Chapter 25 explains the construction and use of the astrolabe with reference to Geoffrey Chaucer’s A Treatise on the Astrolabe. The astrolabe is a rotating map of the heavens constructed using a stereographic projection of the celestial sphere. The projection techniques required to create this map is reminiscent of the projections used by artists to show perspective, and it is closely related to the techniques of cartographers. The most familiar world maps are produced using the Mercator projection devised by Gerardus Mercator in the sixteenth century. Johannes Vermeer included maps in many of his paintings, most notably The Geographer and The Astronomer, and the figure in these painting might be the great microscopist Antonie van Leeuwenhoek. The architect Philip Steadman made an in-depth study of whether Vermeer employed a camera obscura when painting.


1960 ◽  
Vol 126 (3) ◽  
pp. 356
Author(s):  
J. V. Harrison ◽  
F. C. Phillips

Sign in / Sign up

Export Citation Format

Share Document