A feminist critical discourse analysis of sexual harassment in the Japanese political and media worlds

2019 ◽  
Vol 77 ◽  
pp. 102276 ◽  
Author(s):  
Emma Dalton
Author(s):  
Shah Mir ◽  
Saima Jahangir

Reassessment and interpretation of gender dynamics in the current social order has been prevalent theme within gender discourses. The yoke of subordination borne by women as readers, writers or fictional characters in the patriarchal pyramid occupies a central space across the whole spectrum of debates. This study utilizes a qualitative mode of inquiry which is centered on textual analysis. The present study evaluates the instances of gender subjectivity and patterns of subjugation within the textual arena invested with hegemonic ideologies as depicted in the novel The Portrait of a Lady by Henry James. The paper employs feminist critical discourse analysis as a tool to analyze The Portrait of a Lady by Henry James in order to dissect the underlying ideologies present in the Victorian time period and investigates discourses of subjectivity. The findings of the study demonstrate that notwithstanding temporal advancements, gender power structures remain intact, and women continue to suffer under patriarchal power structures. <p> </p><p><strong> Article visualizations:</strong></p><p><img src="/-counters-/edu_01/0874/a.php" alt="Hit counter" /></p>


2020 ◽  
Vol V (III) ◽  
pp. 275-287
Author(s):  
Muhammad Asaf Amir ◽  
Sajid Ali ◽  
Farheen Akhter

This paper brings out the Feminist Critique of Ali's Novel The Stone Woman by applying Critical Discourse Analysis (henceforth CDA). The study employs a corpus-driven technique. Lazar's (2007) feminist CDA model has been used to study how women are kept out of the social circle, and the ideology of the superiority of men has been institutionalized and naturalized. This, in turn, gives power and hegemony to man as a social class. It has been concluded that the place and status of women in society have been gendered, and they are victims of social and economic discrimination. Men are supported by social institutions like family and marriage to make their discourse privileged, preferred and justified.


2021 ◽  
Vol VI (II) ◽  
pp. 78-84
Author(s):  
Mashhood Anjum ◽  
Iftikhar Baig ◽  
Abdul Hameed

In contemporary and postmodern literary discourses, feminism has introduced a paradigm change in the sex debates. The plan of feminist critical discourse analysis is to explore different discourses from a feminist viewpoint. The planned study conforms to this field of feminist discourse that will attempt to analyze Kamila Shamsie's selected work, Broken Verses. She, being a famous feminist, has produced discourses in which structural and thematic samples absorb sex debates. Her feminist tendency has established clear expression in all the aspects of her works: body, voice and characterization. The current study shows how she has used feminist discourse strategies in conventionality with her feminist literary position. This research extensively improves the perceptive of Kamila Shamsie's work and pictures how the feministic arrangement and feminist critical discourse analysis have been inventively infused in her famous works.


Feminismo/s ◽  
2021 ◽  
pp. 231
Author(s):  
María Martínez-Delgado Veiga

This study delves into the main discourses found in five sexual abuse judgments, in different Spanish Courts. The analysis employs Feminist Critical Discourse Analysis in order to explore the topic of sexual violence, its understanding, and the dominant discourses revealed in these judgments of sexual abuse, and to investigate the way rape cases are treated discursively in Court from a feminist perspective. The dominant discourses found have been those of sexuality; inaction of the survivor; and lack of violence and/or intimidation. Unravelling these hidden ideologies and relationships of power is crucial to give us a better awareness of the dominant ideas surrounding violence against women.


2020 ◽  
Vol 6 (3) ◽  
pp. 52-78
Author(s):  
Lauren E. Wilks

Through the lens of women's tennis legend Serena Williams, this article examines the roles of masculinization and feminization as they relate to Black womanhood in sport. Over the course of much of her career, Williams was characterized as “aggressive,” someone who “bludgeoned her way” to success. But after the 2016 and 2017 announcements of her engagement and pregnancy, respectively, media characterizations shifted toward narratives traditionally aligned with femininity. Throughout, media discussion of Williams has been rooted in surveillance of her body, behavior, and closest relationships. Using feminist critical discourse analysis, this article argues that the noted shift in characterization was linked to Williams's strategic performance of docility and engagement with respectability politics, tied closely to her 2015 return to the Indian Wells Masters tennis tournament as well as her adoption of the traditionally feminized roles of wife and mother.


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