MALNUTRITION IN JAPANESE INTERNMENT CAMPS

The Lancet ◽  
1944 ◽  
Vol 244 (6320) ◽  
pp. 508-509
2017 ◽  
Vol 9 (1) ◽  
Author(s):  
Steve Nunoda

Mixed media construction with sound loop of washing rice. The work in this exhibition, Rosebery Single, memorializes the internment experiences of Nunoda’s family. Rosebery Single, is part of a larger project, Ghostown, in which Nunoda visually represents his ongoing research of the Japanese internment camps in British Columbia during World War II. Nunoda describes this as a sort of “pilgrimage” based on the first-hand accounts from his parents and grandparents, providing a focus for his subsequent research.


Author(s):  
Lara Kuykendall

Dorothea Lange is best known as a documentary photographer for the United States Department of Agriculture’s Resettlement Administration (later the Farm Security Administration) during the 1930s. Her photographs are often characterized by an empathetic focus on individuals as representatives of larger social conditions. During the Great Depression and the Dust Bowl, her work increased awareness of economic and environmental disasters in order to garner public and governmental support for Franklin Delano Roosevelt’s New Deal relief agencies. Lange’s most famous photograph, Migrant Mother (1936), depicts a woman and three of her children at a pea picker’s camp in Nipomo, California. Although the family is clearly destitute, dirty, and hungry, the mother’s gaze makes her appear resolute and hopeful, as if she is envisioning her own survival. Lange also documented the Japanese internment camps of the Second World War, created photo essays for Life magazine, and was the first woman photographer to win a Guggenheim Fellowship. She died of oesophageal cancer in 1965.


Author(s):  
Matthew M. Briones

Following Japan's attack on Pearl Harbor in 1941, the U.S. government rounded up more than one hundred thousand Japanese Americans and sent them to internment camps. One of those internees was Charles Kikuchi. In thousands of diary pages, he documented his experiences in the camps, his resettlement in Chicago and drafting into the army on the eve of Hiroshima and Nagasaki, and his postwar life as a social worker in New York City. Kikuchi's diaries bear witness to a watershed era in American race relations, and expose both the promise and the hypocrisy of American democracy. This book follows Kikuchi's personal odyssey among fellow Japanese American intellectuals, immigrant activists, Chicago School social scientists, everyday people on Chicago's South Side, and psychologically scarred veterans in the hospitals of New York. The book chronicles a remarkable moment in America's history in which interracial alliances challenged the limits of the elusive democratic ideal, and in which the nation was forced to choose between civil liberty and the fearful politics of racial hysteria. It was an era of world war and the atomic bomb, desegregation in the military but Jim and Jap Crow elsewhere in America, and a hopeful progressivism that gave way to Cold War paranoia. The book looks at Kikuchi's life and diaries as a lens through which to observe the possibilities, failures, and key conversations in a dynamic multiracial America.


Author(s):  
Laura Jeanne Sims

This chapter examines how the French state created a crisis through its management of the arrival and installation of the Harkis in 1962. The Harkis, Algerians of North African origin who supported the French army during the Algerian War of Independence (1954-1962), faced reprisal violence in Algeria at the end of the war and many were forced to migrate with their families to France. In response, French officials attempted to prevent the Harkis from escaping to France and placed some of those who succeeded in internment camps. Comparing the treatment of the Harkis with that of the Pieds-Noirs, the descendants of European settlers in Algeria who likewise fled to France in 1962, highlights the structural racism underlying French perceptions of and reactions to Harki migration. This chapter also explores the ways in which second-generation Harkis have constructed collective memories of the crisis and their attempts to hold the state responsible for its actions.


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