scholarly journals Rosebery Single

2017 ◽  
Vol 9 (1) ◽  
Author(s):  
Steve Nunoda

Mixed media construction with sound loop of washing rice. The work in this exhibition, Rosebery Single, memorializes the internment experiences of Nunoda’s family. Rosebery Single, is part of a larger project, Ghostown, in which Nunoda visually represents his ongoing research of the Japanese internment camps in British Columbia during World War II. Nunoda describes this as a sort of “pilgrimage” based on the first-hand accounts from his parents and grandparents, providing a focus for his subsequent research.

2017 ◽  
Vol 25 (1) ◽  
pp. 54-81
Author(s):  
Helen Vandenberg

AbstractFrom 1896 to 1942, a Japanese hospital operated in the village of Steveston, British Columbia, Canada. For the first 4 years, Japanese Methodist missionaries utilized a small mission building as a makeshift hospital, until a larger institution was constructed by the local Japanese Fishermen’s Association in 1900. The hospital operated until the Japanese internment, after the attack on Pearl Harbor during World War II. This study offers important commentary about the relationships between health, hospitals, and race in British Columbia during a period of increased immigration and economic upheaval. From the unique perspective of Japanese leaders, this study provides new insight about how Japanese populations negotiated hospital care, despite a context of severe racial discrimination. Japanese populations utilized Christianization, fishing expertise, and hospital work to garner more equitable access to opportunities and resources. This study demonstrates that in addition to providing medical treatment, training grounds for health-care workers, and safe refuge for the sick, hospitals played a significant role in confronting broader racialized inequities in Canada’s past.


Jazz in China ◽  
2018 ◽  
pp. 67-78
Author(s):  
Eugene Marlow

During World War II, the Japanese constructed prisoner of war camps in fifteen countries, including China. These camps numbered approximately 240. The Japanese—whose attack on Pearl Harbor in 1941 brought the United States into World War II— saw their global role as manifest destiny, particularly with respect to China. Militarist Japan's attempt to conquer China began by seizing Manchuria in 1931 and became a full-fledged invasion from 1937 [when they attacked Shanghai] to 1945. This chapters shows that American jazz musicians—all of whom were playing in Shanghai—were not immune to the Japanese invasion and occupation. Some landed in internment camps in China and the Philippines.


Author(s):  
Selfa A. Chew

The lives of Latin American Japanese were disrupted during World War II, when their civil and human rights were suspended. National security and continental defense were the main reasons given by the American countries consenting to their uprooting. More than 2,000 ethnic Japanese from Peru, Panama, Bolivia, Colombia, Costa Rica, Cuba, Ecuador, El Salvador, Mexico, and Nicaragua were transferred as “illegal aliens” to internment camps in the United States. Initially, US and Latin American agencies arrested and deported male ethnic Japanese, regardless of their citizenship status. During the second stage, women and children joined their relatives in the United States. Most forced migration originated in Peru. Brazil and Mexico established similar displacement programs, ordering the population of Japanese descent to leave the coastal zones, and in the case of Mexico the border areas. In both countries, ethnic Japanese were under strict monitoring and lost property, employment, and family and friend relationships, losses that affected their health and the opportunity to support themselves in many cases. Latin American Japanese in the United States remained in camps operated by the Immigration and Naturalization Service and the army for the duration of the war and were among the last internees leaving the detention facilities, in 1946. At the conclusion of World War II, the Latin American countries that had agreed to the expulsion of ethnic Japanese limited greatly their return. Some 800 internees were deported to Japan from the United States by the closure of the camps. Those who remained in North America were allowed to leave the camps to work in a fresh produce farm in Seabrook, New Jersey, without residency or citizenship rights. In 1952, immigration restrictions for former Latin American internees were lifted. Latin American governments have not apologized for the uprooting of the ethnic Japanese, while the US government has recognized it as a mistake. In 1988, the United States offered a symbolic compensation to all surviving victims of the internment camps in the amount of $20,000. In contrast, in 1991, Latin American Japanese survivors were granted only $5,000.


Author(s):  
Cynthia F. Wong

This essay aligns three genealogical “Japanese” narratives. Wong first addresses Yamashita’s novels of migrant Brazil and residential California. Analysis follows of Joy Kogawa’s Obasan with its portrait of World War II internment in British Columbia. Julie Otsuka’s When The Emperor Was Divine is considered for its portrait of Topaz Camp, Utah, and The Buddha in the Attic as the story of Japanese picture brides. Each is compared with the other, subject and narrative technique.


1985 ◽  
Vol 45 (2) ◽  
pp. 269-275 ◽  
Author(s):  
William H. Phillips

The southern textile mill village has received little empirical attention. I summarize the results of ongoing research using the records of the Courtenay Mill of Newry, South Carolina. There is evidence that stable family life was rewarded, mill housing was used to create dependence, and locally recruited workers recieved less pay than those from other areas. I conclude with a discussion of the possible causes of the local operative earnings differential and indicate other areas for future research.


Author(s):  
Robert Menzies

AbstractThis paper chronicles the role of British Columbian provincial authorities and medical practitioners in engineering the deportation of psychiatrically disordered and cognitively disabled immigrants out of the province between Confederation and 1939. Approximately 750 mental patients were removed from BC during the 1920s and 1930s alone, and more than 5000 had been deported from the country as a whole by the outbreak of World War II. With the use of provincial and federal government records and correspondence, institutional documents, print media clippings and patient files, I probe the professional practices and discourses that fuelled this movement to banish asylum inmates. Across these seven decades, medical authorities, in alliance with bureaucrats and various anti-immigration forces, succeeded in assembling a powerful and efficient system for screening out and expelling those new Canadians who ostensibly failed to meet the mental standards for Canadian citizenship. Bolstered by theories of eugenics and race betterment, and drawing on public fears about the unregulated influx of aliens and the associated scourge of madness, officials turned to deportation as an expedient means for ridding hospitals of their least desirable denizens. I argue more generally that the deportation of ‘insane’ and other ‘unfit’ immigrants was nourished by the flood ofnativist, rac(ial)ist, exclusionist, eugenist, and mental hygienist thinking that dominated British Columbian and Canadian political and public culture throughout this ‘golden age’ of deportation.


2020 ◽  
pp. 009614422093211
Author(s):  
Nicolas G. Rosenthal

The experiences of Northwest Coast artists show how Indigenous peoples have confronted a past marked by conquest and the importance of urban areas for these purposes. Benefiting from the “Northwest Coast Renaissance” that emerged after World War II, Indigenous artists traveled to cities in British Columbia where they studied museum collections, attended art school, and entered the art market. These artists influenced the discourse over the meaning of Indigenous art by engaging in conversations with academics, collectors, curators, fellow artists, government officials, and tourists. Advocating for broader issues of cultural and political sovereignty, they also worked to “indigenize urban landscapes,” or to shape the cities of British Columbia during critical periods of urban growth. Despite significant limitations, such efforts have been built upon and are continued by the generation of Northwest Coast artists working today.


Sign in / Sign up

Export Citation Format

Share Document