The Rhineland Metropolis Emerges: Herrschaft and Gemeinde during the Investiture Controversy (1075-1125)

2018 ◽  
pp. 177-224
Author(s):  
Lia Ferrari ◽  
Marco Catellani ◽  
Elena Zanazzi

Fortified architecture is a widespread and peculiar typology in Italy as it represents an identifying element for communities and a reference point in the landscape. An imposing system of castles, dating back to the 11th century, characterises the area of Reggio Emilia, in the Emilia Romagna Region. Among these fortifications, Canossa Castle is an important and distinctive fortress. Built on the top of an isolated cliff, a particularly strategic and defensive point, it played a central role in the medieval European history. For instance, it was the scene of the well-known reconciliation between Henry IV and Pope Gregory VII, which ended the Investiture Controversy in 1077. The current state of ruins of  this fortress is due to both centuries of neglect and to recent incongruent interventions. Therefore, archival research, in-situ inspections and photogrammetric techniques were carried out on the case study of Canossa Castle, in order to analyse the numerous restoration yards that have followed one another on the fortress in the last century. Firstly, the lack of coordination between the different interventions emerged. Furthermore, it has been observed that the principles of restoration have been disregarded several times, with consequent damage to the archaeological remains. Therefore, the present study aims to underline the importance of a critical and aware intervention plan for the conservation and damage prevention of cultural heritage, considering the possible support of HBIM tools.


1996 ◽  
Vol 49 (3) ◽  
pp. 351-408 ◽  
Author(s):  
Michael McGrade

A figure unfamiliar to most musicologists, Gottschalk of Aachen was a late eleventh-century notary, cleric, polemicist, and composer who served in the chancellery of King Henry IV from 1071 to 1084. A twelfth-century necrology from the royal Marienkirche in Aachen records a donation by Gottschalk for the annual celebration of the feast of the Division of the Apostles, for which he composed a sequence and a sermon. This study reviews the issues that led to a war of words between King Henry IV and Pope Gregory VII, and focuses on Gottschalk's important role in the controversies that divided church and state. It presents a biographical sketch of the royal apologist and a summary of his official and liturgical writings, and argues that the text and music of his sequence for the Division of the Apostles, understood in light of his sermon on the same theme, promote a highly controversial, royalist view of the medieval church.


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