Art and Ocean Objects of Early Modern Eurasia

2021 ◽  
Author(s):  
Anna Grasskamp
Keyword(s):  
Material Culture ◽  
Early Modern ◽  
Knowledge Production ◽  
Early Modern Period ◽  
Port Cities ◽  
Global Networks ◽  
Modern Period ◽  
History Of Art ◽  
Maritime Networks ◽  
History Of

During the early modern period, objects of maritime material culture were removed from their places of origin and traded, collected and displayed worldwide. Focusing on shells and pearls exchanged within local and global networks, this monograph compares and connects Asian, in particular Chinese, and European practices of oceanic exploitation in the framework of a transcultural history of art with an understanding of maritime material culture as gendered. Perceiving the ocean as mother of all things, as womb and birthplace, Chinese and European artists and collectors exoticized and eroticized shells' shapes and surfaces. Defining China and Europe as spaces entangled with South and Southeast Asian sites of knowledge production, source and supply between 1500 and 1700, the book understands oceanic goods and maritime networks as transcending and subverting territorial and topographical boundaries. It also links the study of globally connected port cities to local ecologies of oceanic exploitation and creative practices.

Art and Ocean Objects of Early Modern Eurasia

2021 ◽  
Author(s):  
Anna Katharina Grasskamp
Keyword(s):  
Material Culture ◽  
Early Modern ◽  
Knowledge Production ◽  
Early Modern Period ◽  
Port Cities ◽  
Global Networks ◽  
Modern Period ◽  
History Of Art ◽  
Maritime Networks ◽  
History Of

During the early modern period, objects of maritime material culture were removed from their places of origin and traded, collected and displayed worldwide. Focusing on shells and pearls exchanged within local and global networks, this monograph compares and connects Asian, in particular Chinese, and European practices of oceanic exploitation in the framework of a transcultural history of art with an understanding of maritime material culture as gendered. Perceiving the ocean as mother of all things, as womb and birthplace, Chinese and European artists and collectors exoticized and eroticized shells’ shapes and surfaces. Defining China and Europe as spaces entangled with South and Southeast Asian sites of knowledge production, source and supply between 1500 and 1700, the book understands oceanic goods and maritime networks as transcending and subverting territorial and topographical boundaries. It also links the study of globally connected port cities to local ecologies of oceanic exploitation and creative practices.

scholarly journals Introduction: The Material Worlds of Food in Early Modern Europe

2020 ◽  
Vol 24 (1) ◽  
pp. 1-16 ◽  
Author(s):  
Melissa Calaresu
Keyword(s):  
Material Culture ◽  
Early Modern ◽  
Social History ◽  
Early Modern Period ◽  
Source Material ◽  
Early Modern Europe ◽  
Special Issue ◽  
Modern Period ◽  
History Of ◽  
The Relationship

Abstract All of the articles in this special issue show the necessity of having to combine different kinds of sources—texts with images, images with objects, and objects with absences—to build an integrated history of the material worlds of food in the early modern period. They also reflect newer approaches to materiality which are sensitive to the relationship between matter and the senses and consider the haptic, visual, olfactory, and even aural aspects of cooking and eating alongside taste. In turn, the tastes of collectors and the fragility and absence of source material also need to be taken into consideration in order to write a meaningful cultural and social history of food. Despite the ephemeral nature of eating and cooking, this special issue shows that the sources studied by historians of material culture of the early modern period are remarkably rich, and their analysis fruitful.

scholarly journals Wearing images. Introduction = Imágenes portadas. Introducción

2018 ◽  
pp. 15
Author(s):  
Diane H. Bodart
Keyword(s):  
Early Modern ◽  
Early Modern Period ◽  
Social Practices ◽  
The Body ◽  
The Past ◽  
Art Object ◽  
Modern Period ◽  
History Of Art ◽  
History Of ◽  
Modes Of Interaction

In the past decades, studies on the materiality and the efficacy of images, as well as the artistic and social practices related to them, have allowed scholars to explore how much images’ making, use, handling and display contributed to the activation of their powers of presence through their interaction with the viewer. Further, the growing interest in the articulation between the history of art and the anthropology of images has brought to light the close links between the art object and the body: in fact, if the body can be the medium of the animate art object, the art object can potentially act as a substitute of the animate body. But what happens when the body is the support of a distinctive image, when it inscribes an image on its own surface, whether directly on the skin or through intermediary props such as clothing or corporeal parure? Wearing Images investigates the different modes of interaction between the image and the body that wears it in the Early-Modern period, when devotional, political, dynastic or familial images could be worn as medals, jewels, badges, embroidered garments or tattoos.En las últimas décadas, los estudios sobre la materialidad y la eficacia de las imágenes, así como de las prácticas artísticas y sociales asociadas a ellas, han permitido a los historiadores explorar hasta qué punto la fabricación de las imágenes, su uso, manejo y exhibición contribuyó a activar sus capacidades de presentarse a través de su interacción con el espectador. Además, el creciente diálogo entre la historia del arte y la antropología de las imágenes ha puesto de relieve las estrechas conexiones entre el objeto artístico y el cuerpo: en efecto, si el cuerpo puede ser el medio para el objeto artístico animado, el objeto artístico puede actuar potencialmente como sustituto del cuerpo animado. Pero ¿qué ocurre cuando el cuerpo es el soporte de una imagen distintiva, cuando inscribe una imagen en su propia superficie, ya sea directamente en la piel o a través de intermediarios como el vestido o un adorno? Wearin Images investiga las diferentes modalidades de interacción entre la imagen y el cuerpo que se viste con ella en la Edad moderna, en una época en la que imágenes devocionales, políticas, dinásticas o familiares podían vestirse como medallas, joyas, placas, prendas bordadas o tatuajes.

scholarly journals Recycling in early modern science

2012 ◽  
Vol 46 (4) ◽  
pp. 627-646 ◽  
Author(s):  
SIMON WERRETT
Keyword(s):  
Material Culture ◽  
Early Modern ◽  
Environmental History ◽  
Modern Science ◽  
Early Modern Period ◽  
Physical Sciences ◽  
Early Modern Science ◽  
Material Resources ◽  
Modern Period ◽  
History Of

AbstractThis essay follows recent work in environmental history to explore the history of recycling in physical sciences in Britain and North America since the seventeenth century. The term ‘recycling’ is here used broadly to refer to a variety of practices that extended the life of material resources for doing science in the early modern period. These included practices associated with maintenance, repair, exchange and the adaptation or reuse of material culture. The essay argues that such practices were common in early modern science, and informed experimental spaces and techniques and the ideas that they generated. The essay considers some of the varied motivations that led to such practices, and concludes by examining the endurance of recycling in science since the end of the eighteenth century, particularly in recent efforts to create sustainable scientific research practices.

History of Ardalānids (1590-1810) by Sharaf al-Dīn bin Shams al-Dīn

2017 ◽  
Vol 5 (1) ◽  
pp. 56-79
Author(s):  
Sara Zandi Karimi
Keyword(s):  
Early Modern ◽  
Early Modern Period ◽  
Historical Narrative ◽  
Modern Period ◽  
History Of ◽  
Critical Translation

This article is a critical translation of the “History of the Ardalānids.” In doing so, it hopes to make available to a wider academic audience this invaluable source on the study of Iranian Kurdistan during the early modern period. While a number of important texts pertaining to the Kurds during this era, most notably the writings of the Ottoman traveler Evliya Chalabi, focus primarily on Ottoman Kurdistan, this piece in contrast puts Iranian Kurdistan in general and the Ardalān dynasty in particular at the center of its historical narrative. Thus it will be of interest not only to scholars of Kurdish history but also to those seeking more generally to research life on the frontiers of empires.Keywords: Ẕayl; Ardalān; Kurdistan; Iran.ABSTRACT IN KURMANJIDîroka Erdelaniyan (1590-1810)Ev gotar wergereke rexneyî ya “Dîroka Erdelaniyan” e. Bi vê yekê, merema xebatê ew e ku vê çavkaniya pir biqîmet a li ser Kurdistana Îranê ya di serdema pêş-modern de ji bo cemawerê akademîk berdest bike. Hejmareke metnên girîng li ser Kurdên wê serdemê, bi taybetî nivîsînên Evliya Çelebî yê seyyahê osmanî, zêdetir berê xwe didine Kurdistana di bin hukmê Osmaniyan de. Lê belê, di navenda vê xebatê de, bi giştî Kurdistana Îranê û bi taybetî jî xanedana Erdelaniyan heye. Wisa jî ew dê ne tenê ji bo lêkolerên dîroka kurdî belku ji bo ewên ku dixwazin bi rengekî berfirehtir derheq jiyana li ser tixûbên împeretoriyan lêkolînan bikin jî dê balkêş be.ABSTRACT IN SORANIMêjûy Erdellan (1590-1810)Em wutare wergêrranêkî rexneyî “Mêjûy Erdellan”e, bew mebestey em serçawe girînge le ser Kurdistanî Êran le seretakanî serdemî nwê bixate berdest cemawerî ekademî. Jimareyek serçawey girîng le ser kurdekan lew serdeme da hen, diyartirînyan nûsînekanî gerîdey ‘Usmanî Ewliya Çelebîye, ke zortir serincyan le ser ‘Kurdistanî ‘Usmanî bûwe. Em berheme be pêçewanewe Kurdistanî Êran be giştî, we emaretî Erdelan be taybetî dexate senterî xwêndinewekewe. Boye nek tenya bo twêjeranî biwarî mêjûy kurdî, belku bo ewaney le ser jiyan le sinûre împiratoriyekan twêjînewe deken, cêgay serinc debêt.

The Russian Holy Synod and the Greeks

2020 ◽  
Vol 54 (1-3) ◽  
pp. 72-98
Author(s):  
Nikolaos Chrissidis
Keyword(s):  
Early Modern ◽  
Early Modern Period ◽  
Critical Assessment ◽  
Peter The Great ◽  
Modern Period ◽  
Greek History ◽  
History Of ◽  
The Creation

Abstract The article first surveys Greek interpretations of the creation of the Russian Holy Synod by Peter the Great. It provides a critical assessment of the historiographical paradigm offered by N.F. Kapterev for the analysis of Greek-Russian relations in the early modern period. Finally, it proposes that scholars should focus on a Greek history of Greek-Russian relations as a complement and possibly corrective to the Kapterev paradigm.

An Early Jesuit Encounter with the Qur’an

2017 ◽  
Vol 34 (1) ◽  
pp. 1-22
Author(s):  
Paul Shore
Keyword(s):  
Early Modern ◽  
Early Modern Period ◽  
European Language ◽  
Intended Audience ◽  
Modern Period ◽  
History Of ◽  
Western European

The manuscipt Animadversiones, Notae ac Disputationes in Pestilentem Alcoranum is an almost entirely unknown translation of the Qur'an into baroque Latin completed by the Jesuit priest Ignazio Lomellini in 1622, of which only one copy exists. It is accompanied by extensive commentaries and includes a complete text of the Qur’an in Arabic and numerous marginalia. It is, therefore, one of the earliest complete translations of the Qur’an into a western European language and a crucial document of the encounter between western Christianity and Islam in the early modern period. This essay examines Lomellini’s understanding of Arabic and, specifically, of the cultural and religious underpinnings of Qur’anic Arabic. Special attention is given to his lexical choices. This essay also deals with the document’s intended audience, the resources upon which he drew (including the library of his patron, Cardinal Alessandro Orsini), and the manuscript’s relationship to the Jesuits’ broader literary and missionary efforts. Finally, it asks why scholars, particularly those who study the history of the Jesuits, have ignored this manuscript and its author.

Coda: Repositioning Early Modern Prague on the Global Stage

2021 ◽  
pp. 1-2
Author(s):  
Suzanna Ivanič
Keyword(s):  
Material Culture ◽  
Early Modern ◽  
Cultural History ◽  
Early Modern Period ◽  
Religious Change ◽  
Early Modern Europe ◽  
Modern Period ◽  
Musical Knowledge ◽  
Historical Moment ◽  
The City

The question that sparked this forum was to what extent we can see Prague as an important stage for Renaissance and Reformation exchange and as an internationally connected city. It is striking, though not unexpected, that all the authors have been drawn to some extent to sources and subjects in Rudolfine Prague. It must be stressed, however, that the emphasis of each of these studies is somewhat different to an older field of “Rudolfine studies.” The researchers here do not focus on the emperor's court but use it as context. It is tangential to their main focal points—on Jewish communities, religious change, and the exchange of scientific and musical knowledge—and these are first and foremost historians not of Prague but of social and cultural history, music, art, material culture, and religion. This indicates a marked shift from the historiography. For this generation of scholars, Prague is not only a city that is home to a fascinating and intriguing art historical moment but is also a city of early modern international connections. It provides a unique context for understanding communities, everyday experiences, religion, and culture in early modern Europe—a multilingual, multiconfessional, and multicultural mixing pot whose composition changed dramatically across the early modern period. Rudolf's court was certainly a catalyst for these crossings and encounters, but they did not fade away after his death in 1612, nor were they limited to the confines of the castle above the city.

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