Taking into account the intriguing fact that Kant in his Critique of
Judgment, when the category of sublime in arts is concerned, mentions the
examples of the sublime in art just in the field of fine arts, specifically
- architecture, and only in the context of mathematically sublime, author
organizes research in this text in two directions, i.e. raises two important
questions: 1 ) What are the possible philosophical reasons why Kant does so
and 2) Is it, if at all, and by what means, possible to discuss dynamically
sublime in the fine arts.