Women and Music in Sixteenth-Century Ferrara. Laurie Stras. New Perspectives in Music History and Criticism. Cambridge: Cambridge University Press, 2018. xxiv + 392 pp. $99.99.

Iain Fenlon

doi:10.1017/rqx.2020.190

Women and Music in Sixteenth-Century Ferrara. Laurie Stras. New Perspectives in Music History and Criticism. Cambridge: Cambridge University Press, 2018. xxiv + 392 pp. $99.99.

Renaissance Quarterly ◽

10.1017/rqx.2020.190 ◽

2020 ◽

Vol 73 (3) ◽

pp. 1096-1098

Author(s):

Iain Fenlon

Keyword(s):

Sixteenth Century ◽

Music History ◽

History And Criticism ◽

Cambridge University ◽

Women And Music

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Stefan Wolpe and the Avant-Garde Diaspora. By Brigid Cohen. New Perspectives in Music History and Criticism. Cambridge: Cambridge University Press. 2012. Pp. xii + 328. Cloth $103.00. ISBN 978-1-107-00300-2.

Central European History ◽

10.1017/s000893891400137x ◽

2014 ◽

Vol 47 (2) ◽

pp. 446-448

Author(s):

Pamela M. Potter

Keyword(s):

Music History ◽

History And Criticism ◽

Cambridge University ◽

Avant Garde

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emma dillon, medieval music-making and the ‘roman de fauvel’. (new perspectives in music history and criticism.) cambridge: cambridge university press, 2002. xiii, 304 pp. isbn 0 521 81371 9.

Plainsong and Medieval Music ◽

10.1017/s0961137105230231 ◽

2005 ◽

Vol 14 (2) ◽

pp. 238-245

Author(s):

elizabeth a. r. brown ◽

nancy freeman regalado

Keyword(s):

Music History ◽

History And Criticism ◽

Cambridge University ◽

Medieval Music ◽

Music Making

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Article title not known: Reading Opera Between the Lines: Orchestral Interludes and Cultural Meaning from Wagner to Berg. Christopher Morris. New Perspectives in Music History and Criticism. Cambridge: Cambridge University Press, 2002. ix, 219 pp. ISBN 0-521-80738-7. $65.

Journal of Musicological Research ◽

10.1080/714452119 ◽

2004 ◽

Vol 23 (1) ◽

pp. 1-1

Keyword(s):

Music History ◽

Cultural Meaning ◽

Article Title ◽

History And Criticism ◽

Cambridge University

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Emma Dillon. 2002. Medieval Music-Making and the 'Roman de Fauvel'. New Perspectives in Music History and Criticism. Cambridge: Cambridge University Press, xiv, 304 pp. ISBN 0521813719 (hardcover)

Intersections Canadian Journal of Music ◽

10.7202/1013315ar ◽

2005 ◽

Vol 25 (1-2) ◽

pp. 240

Author(s):

James Grier

Keyword(s):

Music History ◽

History And Criticism ◽

Cambridge University ◽

Medieval Music ◽

Music Making

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David Yearsley, Bach and the Meanings of Counterpoint. New Perspectives in Music History and Criticism, ed. Jeffrey Kallberg, Anthony Newcomb and Ruth Solie. Cambridge: Cambridge University Press, 2002. xvi. 257 pp. Plates, musical examples, notes, bibliography, and index. ISBN 0-521-80346-2 (hardcover)

Canadian University Music Review ◽

10.7202/1014586ar ◽

2004 ◽

Vol 24 (2) ◽

pp. 87

Author(s):

Janette Tilley

Keyword(s):

Music History ◽

History And Criticism ◽

Cambridge University

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The Virtuoso Liszt. By Dana Gooley. pp. xvi + 280. New Perspectives in Music History and Criticism. (Cambridge University Press, Cambridge, 2004. £45. ISBN 0-521-83443-0.)

Music and Letters ◽

10.1093/ml/gci117 ◽

2005 ◽

Vol 86 (4) ◽

pp. 645-646

Author(s):

Jim Samson

Keyword(s):

Music History ◽

History And Criticism ◽

Cambridge University

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Thomasin LaMay, ed. Musical Voices of Early Modern Women: Many Headed Melodies. Women and Gender in the Early Modern World. Aldershot and Burlington, VT: Ashgate Press, 2004. xv + 454 pp. index. illus. tbls. $89.95. ISBN: 0-7546-3742-5. - Bonnie Gordon. Monteverdi’s Unruly Women: The Power of Song in Early Modern Italy. New Perspectives in Music History and Criticism 14. Cambridge and New York: Cambridge University Press, 2004. x + 234 pp. index. illus. bibl. $80. ISBN: 0-521-84529-7.

Renaissance Quarterly ◽

10.1353/ren.2008.0175 ◽

2006 ◽

Vol 59 (1) ◽

pp. 145-147

Author(s):

April Lynn James

Keyword(s):

New York ◽

Early Modern ◽

Music History ◽

Modern World ◽

Women And Gender ◽

History And Criticism ◽

Cambridge University ◽

Early Modern Women ◽

Early Modern Italy ◽

And Gender

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LaurieStras, Women and Music in Sixteenth‐Century Ferrara. Cambridge: Cambridge University Press, 2018. xxiii + 391 pp. £75.00. ISBN 978‐1‐107‐15407‐0 (hb).

Renaissance Studies ◽

10.1111/rest.12615 ◽

2019 ◽

Vol 34 (5) ◽

pp. 831-833

Author(s):

Ascensión Mazuela‐Anguita

Keyword(s):

Sixteenth Century ◽

Cambridge University ◽

Women And Music

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Medieval Music-Making and the Roman de Fauvel. Emma Dillon. New Perspectives in Music History and Criticism. Cambridge: Cambridge University Press, 2002. xiii, 304 pp. ISBN 0-521-81371-9. $70.

Journal of Musicological Research ◽

10.1080/713644762 ◽

2004 ◽

Vol 23 (1) ◽

pp. 113-116

Author(s):

Alice Clark

Keyword(s):

Music History ◽

History And Criticism ◽

Cambridge University ◽

Medieval Music ◽

Music Making

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Music and the Myth of Arcadia in Renaissance Italy. Giuseppe Gerbino. New Perspectives in Music History and Criticism. Cambridge: Cambridge University Press, 2009. x + 446 pp. $133.

Renaissance Quarterly ◽

10.1086/682514 ◽

2015 ◽

Vol 68 (2) ◽

pp. 733-734

Author(s):

Jessie Ann Owens

Keyword(s):

Music History ◽

History And Criticism ◽

Cambridge University ◽

Renaissance Italy

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