Bargaining over beauty: The economics of contracts in Renaissance art markets

This paper argues that concerns over opportunism affected the content and structure of Renaissance art contracts. Building on insights from the economic analysis of contracts, we first show that opportunism threatened the relationship between buyer—the patron—and seller—the painter—in Renaissance Italy. We then test the effect of opportunism on the contracting process for paintings against a novel data set on the content and structure of ninety documents corresponding to as many commissions. Our results provide evidence that concerns over opportunism had a systematic effect on the trading parties’ choice of how much and what to include in the contract governing their ex-change.

Reason and Experience in Renaissance Italy

Political life in Renaissance Italy was held together by political principles which underlay, or were used to justify, political proposals and decisions in practice. This wide-ranging comparative survey examines these political principles, as expressed in sources such as council debates, preambles to legislation and official correspondence, in the mid-fifteenth to the mid-sixteenth century Italy. Focusing especially on the five republics - Florence, Venice, Genoa, Siena and Lucca - the book also considers princes and signori, and the principles underlying relations between states, particularly relations between major and minor powers. Many of the ideas articulated by those confronting practical political problems ranged beyond the questions dealt with in formal treatises of political thought and philosophy. Drawing on extensive archival research, Christine Shaw explores the relationship between 'reason and experience' in the conduct of political affairs in Renaissance Italy, and the gap between theory and practice.

South and Southeast Asian languages and Renaissance Italy

The article deals with language contact between Italian and South and Southeast Asian languages in the age of the Renaissance. The focus is on South/Southeast Asian lexical elements in Italian travelogues, studies on natural history and missionary reports from the late 15th to the early 17th centuries and their lexicographical treatment.

Pontormo and the Art of Devotion in Renaissance Italy

Both lauded and criticized for his pictorial eclecticism, the Florentine artist Jacopo Carrucci, known as Pontormo, created some of the most visually striking religious images of the Renaissance. These paintings, which challenged prevailing illusionistic conventions, mark a unique contribution into the complex relationship between artistic innovation and Christian traditions in the first half of the sixteenth century. Pontormo's sacred works are generally interpreted as objects that reflect either pure aesthetic experimentation, or personal and cultural anxiety. Jessica Maratsos, however, argues that Pontormo employed stylistic change deliberately for novel devotional purposes. As a painter, he was interested in the various modes of expression and communication - direct address, tactile evocation, affective incitement - as deployed in a wide spectrum of devotional culture, from sacri monti, to Michelangelo's marble sculptures, to evangelical lectures delivered at the Accademia Fiorentina. Maratsos shows how Pontormo translated these modes in ways that prompt a critical rethinking of Renaissance devotional art.