General - Daniel M. Gross The Secret History of Emotion: From Aristotle’s Rhetoric to Modern Brain Science. x+194 pages, 1 figure. 2006. Chicago (IL): The University of Chicago Press; 0-226-30979-7 hardback $35 & £22.50. - Melinda A. Zeder, Daniel G. Bradley, Eve Emshwiller & Bruce D. Smith (ed.). Documenting Domestication: New Genetic and Archaeological Paradigms. xiv+362 pages, 136 Illustrations, 56 tables. 2006. Berkeley, Los Angeles & London: University of California Press; 0-520-24638-1 hardback £45. - Rebecca Gowland & Christopher Knüsel (ed.). Social Archaeology of Funerary Remains. xiv+312 pages, numerous tables & illustrations. 2006. Oxford: Oxbow; 1-84217-211-5 hardback £60. - Andrew Chamberlain. Demography in Archaeology. xx+236 pages, 45 illustrations, 19 tables. 2006. Cambridge: Cambridge University Press; 0-521-59651-3 paperback £17.99 & $29.99; 0-521-59367-0 hardback £45 & $85. - Douglas J. Kennett & Bruce Winterhalder (ed.). Behavioural Ecology and the Transition to Agriculture. xiv+394 pages, 55 illustrations, 28 tables. 2006. Berkeley, Los Angeles & London: University of California Press; 0-520-24647-0 hardback £38.95. - Glenn M. Schwartz & John J. Nichols (ed.). After Collapse: The Regeneration of Complex Societies. vi+290 pages, 21 illustrations. 2006. Tucson (AZ):University of Arizona Press; 0-8165-2509-9 hardback $50. - Gary Lock & Brian Leigh Molyneaux (ed.). Confronting Scale in Archaeology: Issues of Theory and Practice. xiv+280 pages, 66 illustrations, 9 tables. 2006. New York: Springer; 0-387-32772-X hardback $99. - Laurajane smith. Uses of Heritage. xiv+354 pages, 13 illustrations, 24 tables. 2006. Abingdon& New York: Routledge; 978-0-415-31831-0 paperback £17.99. - John Boardman. The World of Ancient Art. 406 pages, over 700 illustrations. 2006. London: Thames & Hudson; 0-500-238278 hardback £40. - Griselda Pollock (ed.). Psychoanalysis and the Image. xvi+248 pages, 26 illustrations. 2006. Oxford, Malden (MA) & Victoria: Blackwell; 1-4051-3461-5 paperback £19.99 & $34.95 & AUS$59.95.

Antiquity ◽  
2006 ◽  
Vol 80 (310) ◽  
pp. 1033-1034
Author(s):  
Madeleine Hummler
PMLA ◽  
2017 ◽  
Vol 132 (3) ◽  
pp. 505-512 ◽  
Author(s):  
Jeffrey T. Schnapp

The year 2008 was one of fruitful disjunctions. I spent the fall teaching at Stanford but commuting to the University of California, Los Angeles, to cochair the inaugural Mellon Seminar in Digital Humanities. During the same period, I was curating—at the Canadian Center for Architecture, in Montreal—an exhibition devised to mark the centenary of the publication of “The Founding Manifesto of Futurism,” by Filippo Tommaso Marinetti. Whereas other centennial shows (at the Centre Pompidou, in Paris, and at the Palazzo Reale, in Milan) sought to celebrate the accomplishments and legacies of Marinetti's avant-garde, the Canadian exhibition, Speed Limits, was critical and combative in spirit, more properly futurist (though thematically antifuturist). It probed the frayed edges of futurism's narrative of modernity as the era of speed to reflect on the social, environmental, and cultural costs. An exhibition about limits, it looked backward over the architectural history of the twentieth century to look forward beyond the era of automobility.


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