Aristotle and the Dramatisation of Legend

1954 ◽  
Vol 4 (3-4) ◽  
pp. 151-157
Author(s):  
H. C. Baldry
Keyword(s):  
Lyric Poetry ◽  
Fourth Century ◽  
Fifth Century ◽  
Wide Field ◽  
Works Of Art ◽  
History Of ◽  
The Subject ◽  
Scanty Information ◽  
The One ◽  
Traditional Stories

This article is a survey of familiar ground—those passages of the Poetics of Aristotle which throw light on the treatment of legend by the tragic poets. Although sweeping generalizations are often made on the use of the traditional stories in drama, our evidence on the subject is slight and inconclusive. We have little knowledge of the form in which most of the legends were known to the Attic playwrights, for the few we find in the Iliad and Odyssey appear there in very different versions from those they take on in the plays, and the fragmentary remains of epic and lyric poetry between Homer and the fifth century B.C. present us with a wide field for speculation, but few certain facts; while vase paintings and other works of art supplement only here and there the scanty information gained from literature.The comments of ancient writers on this aspect of tragedy are surprisingly few, and carry us little farther. The Poetics stands out as the one source from which we can draw any substantial account of the matter. Even Aristotle, of course, is not directly concerned with the history of drama, and deals with it only incidentally in isolated passages; and in considering these it must constantly be borne in mind that he is discussing tragedy as he knew it in the late fourth century, for the benefit of fourth-century readers. But even so, his statements are the main foundation on which our view of the dramatists' use of legend must be built.

The Later Comic Chorus

1935 ◽  
Vol 29 (1) ◽  
pp. 1-24 ◽  
Author(s):  
K. J. Maidment
Keyword(s):  
Fourth Century ◽  
Fifth Century ◽  
History Of ◽  
The Subject ◽  
New Comedy

The history of Attic comedy after the fifth century is not simple. The comic fragments are obscure, because they are fragments: and the ancient interpreters, because they are determined to interpret. But the subject still remains interesting and important, especially in so far as it is concerned with Middle Comedy, which filled the gap between Aristophanes and Menander. Formally and materially, Menander was a modern, while Aristophanes was not: and it was during the fourth century that the ground was being prepared for the change. Now one of the most noticeable differences between Old and New Comedy was the altered position of the chorus; and although the very mixed assortment of facts available makes coherent conclusions difficult, I think it worth enquiring how much can be known of the chorus after Aristophanes.

Albert Schweitzer and the Jews

2014 ◽  
Vol 107 (3) ◽  
pp. 363-398
Author(s):  
James Carleton Paget
Keyword(s):  
Jewish Community ◽  
Academic Career ◽  
Significant Degree ◽  
The Other ◽  
Personal Contact ◽  
Christian Communities ◽  
History Of ◽  
The Subject ◽  
Long Life ◽  
The One

Albert Schweitzer's engagement with Judaism, and with the Jewish community more generally, has never been the subject of substantive discussion. On the one hand this is not surprising—Schweitzer wrote little about Judaism or the Jews during his long life, or at least very little that was devoted principally to those subjects. On the other hand, the lack of a study might be thought odd—Schweitzer's work as a New Testament scholar in particular is taken up to a significant degree with presenting a picture of Jesus, of the earliest Christian communities, and of Paul, and his scholarship emphasizes the need to see these topics against the background of a specific set of Jewish assumptions. It is also noteworthy because Schweitzer married a baptized Jew, whose father's academic career had been disadvantaged because he was a Jew. Moreover, Schweitzer lived at a catastrophic time in the history of the Jews, a time that directly affected his wife's family and others known to him. The extent to which this personal contact with Jews and with Judaism influenced Schweitzer either in his writings on Judaism or in his life will in part be the subject of this article.

scholarly journals A certain bishop and a certain diocese in Egypt at the turn of the fourth and fifth centuries: The testimony of the Canons of Athanasius

2020 ◽  
pp. 92-115
Author(s):  
Ewa Wipszycka
Keyword(s):  
Fifth Century ◽  
History Of Christianity ◽  
Church Hierarchy ◽  
History Of ◽  
The Subject ◽  
The Creation ◽  
The Church

The Canons of Athanasius, a homiletic work written at the beginning of the fifth century in one of the cities of the Egyptian chora, provide us with many important and detailed pieces of information about the Church hierarchy. Information gleaned from this text can be found in studies devoted to the history of Christianity of the fourth and fifth centuries, but rarely are they the subject of reflection as an autonomous subject. To date, no one has endeavoured to determine how the author of the Canons sought to establish the parameters of his work: why he included certain things in this work, and why left other aspects out despite them being within the boundaries of the subject which he had wished to write upon. This article looks to explore two thematic areas: firstly, what we learn about the hierarchical Church from the Canons, and secondly, what we know about the hierarchical Church from period sources other than the Canons. This article presents new arguments which exclude the authorship of Athanasius and date the creation of the Canons to the first three decades of the fifth century.

scholarly journals Dialogue with The Master: Early Shī‘a Encounters with Akbarīan Mysticism

2020 ◽  
Vol 10 (1) ◽  
pp. 155-178
Author(s):  
Leila Chamankhah
Keyword(s):  
Seventh Century ◽  
The Other ◽  
Future Generations ◽  
Lively Discussion ◽  
History Of ◽  
The Subject ◽  
Ibn Arabi ◽  
The One

Muḥy al-Dīn Ibn ‘Arabī’s theoretical mysticism has been the subject of lively discussion among Iranian Sufis since they first encountered it in the seventh century. ‘Abdul Razzāq Kāshānī was the pioneer and forerunner of the debate, followed by reading and interpreting al-Shaykh al-Akbar’s key texts, particularly Fuṣūṣ al-Ḥikam (Bezels of Wisdom) by future generations of Shī‘ī scholars. Along with commentaries and glosses on his works, every element of ibn ‘Arabī’s mysticism, from his theory of the oneness of existence (waḥdat al-wujūd) to his doctrines of nubuwwa, wilāya, and khatm al-wilāya, was accepted by his Shī‘ī peers, incorporated into their context and adjusted to Shī‘a doctrinal platform. This process of internalization and amalgamation was so complete that after seven centuries, it is difficult, if not impossible, to distinguish between Ibn ‘Arabī’s theory of waḥdat al-wujūd, or his doctrines of wilāya and khatm al-wilāya and those of his Shī‘ī readers. To have a clearer picture of the philosophical and mystical activities and interests of Shī‘ī scholars in Iran under Ilkhanids (1256-1353), I examined the intellectual and historical contexts of seventh century Iran. The findings of my research are indicative of the contribution of mystics such as ‘Abdul Razzāq Kāshānī to both the school of Ibn ‘Arabī in general and of Ṣadr al-Dīn al-Qūnawī in particular on the one hand, and to the correlation between Sufism and Shī‘īsm on the other. What I call the ‘Shī‘ītization of Akbarīan Mysticism’ started with Kāshānī and can be regarded as a new chapter in the history of Iranian Sufism.

Past Belief

2019 ◽  
pp. 13-40
Author(s):  
Anthony Grafton
Keyword(s):  
Early Modern ◽  
Catholic Church ◽  
Saint Augustine ◽  
Fourth Century ◽  
Early History ◽  
Ecclesiastical History ◽  
Royal Road ◽  
History Of ◽  
The Subject ◽  
The Church

This chapter examines the centrality of early modern ecclesiastical history, written by Catholics as well as Protestants, in the refinement of research techniques and practices anticipatory of modern scholarship. To Christians of all varieties, getting the Church's early history right mattered. Eusebius's fourth-century history of the Church opened a royal road into the subject, but he made mistakes, and it was important to be able to ferret them out. Saint Augustine was recognized as a sure-footed guide to the truth about the Church's original and bedrock beliefs, but some of the Saint's writings were spurious, and it was important to be able to separate the wheat from the chaff. To distinguish true belief from false, teams of religious scholars gathered documents; the documents in turn were subjected to skeptical scrutiny and philological critique; and sources were compared and cited. The practices of humanistic scholarship, it turns out, came from within the Catholic Church itself as it examined its own past.

Karl Polanyi’s Anthropological Theory of Economy

Naukratis ◽  
2000 ◽  
Author(s):  
Astrid Moller
Keyword(s):  
Economic History ◽  
Industrial Revolution ◽  
Theoretical Models ◽  
Classical Antiquity ◽  
Economic Organization ◽  
Ideal Types ◽  
Use Of Resources ◽  
History Of ◽  
The Subject ◽  
The One

In accordance with the hermeneutical principles laid down in the introduction, this chapter will be devoted to an account of the theoretical models underlying the analysis and interpretation of the source material. Karl Polanyi’s empirical observations resulted in a series of ideal-types such as can be employed for the evaluation of the evidence from Naukratis in the following chapters. Polanyi’s works do not form one single, complete theory of economy; rather, they should be seen—as Sally Humphreys has put it so aptly—as sketches of areas within largely unexplored territory. It is of course true that George Dalton went to great lengths to develop Polanyi’s ideas further; the fact nevertheless remains that they continue to be far from accepted as paradigms for all further research in the field of economic anthropology or economic history. Indeed, such continuations of Polanyi’s approach have served only to limit unduly the openness that is the very advantage of his ideal-types. It is for this reason that one should return to Polanyi himself and employ his original ideas. His work has been taken up by only a few within the realm of the economic history of classical antiquity, something due partly to his own—problematic—statements on the subject of Greek history, and partly to lack of interest shown for anthropological approaches within ancient history. Polanyi disagreed with the view that markets were the ubiquitous form of economic organization—an attitude regarding the notion of the market as essential to the description of every economy—and also with the belief that it is the economic organization of any given society which determines its social, political, and cultural structures. For his part, Polanyi contended that an economy organized around the market first came into being with the Industrial Revolution, and that it was not until then that the two root meanings of the word ‘economic’—on the one hand, in the sense of provision with goods; on the other, in the sense of a thrifty use of resources, as in the words ‘economical’ and ‘economizing’—merged.

Τὸ καλόν as a Criterion for Judging Innovation (τὸ καινόν) in Greek Musical Pedagogy

2019 ◽  
Vol 7 (1) ◽  
pp. 21-32
Author(s):  
Antonietta Gostoli
Keyword(s):  
Lyric Poetry ◽  
Fourth Century ◽  
Epic Poetry ◽  
History Of ◽  
The Aesthetic ◽  
And Training

Abstract The Pseudo-Plutarchan De musica provides us with the oldest history of Greek lyric poetry from pre-Homeric epic poetry to the lyric poetry of the fourth century BC. Importantly, the work also contains an evaluation of the role of music in the process of educating and training citizens. Pseudo-Plutarch (Aristoxenus) considers the καλόν in the aesthetic and ethical sense, which makes it incompatible with the καινόν dictated by the new poetic and musical season.

Introduction: categorization, cleverness and consciousness

1985 ◽  
Vol 308 (1135) ◽  
pp. 3-19 ◽  
Keyword(s):  
Experimental Approach ◽  
Conscious Awareness ◽  
Object Identity ◽  
Complex Environment ◽  
Basic Form ◽  
History Of ◽  
Categorical Knowledge ◽  
The Subject ◽  
The One ◽  
Different Levels

Various recurring themes in the history of the subject are reviewed. In the context of adaptation to a complex environment, one precondition for survival must be a capacity for object identity, which may be the most basic form of categorization. Evidence will be presented that suggests that the capacity is not learned. In considering learned associations among categorized items, a distinction is made between reflexive and reflective processes: that is between those associations in which a cue or signal provides an unambiguous route to the response, no matter how complex that route may be, in contrast to those in which learned information must be ordered and reordered ‘in thought'. An example of one experimental approach to the latter is provided. Finally, the problem of conscious awareness is considered in terms of stored categorical knowledge and associations, on the one hand, and a system that monitors them, on the other. Neurological evidence of disconnections between these different levels is reviewed.

Chinese Painting and Archaic Greek Art

1940 ◽  
Vol 9 (27) ◽  
pp. 129-136
Author(s):  
T. B. L. Webster
Keyword(s):  
Fourth Century ◽  
Fifth Century ◽  
Chinese Painting ◽  
The World ◽  
The Subject ◽  
Greek Art ◽  
Manchester School

‘If a man were a good painter, he could deceive children and fools by painting a carpenter and showing it from a long way off, because it would seem really to be a carpenter.’ Plato here (Republic, 598c) is undoubtedly describing realistic painting, perhaps not so photographically realistic as the paintings in Pompeii or the painting that we know to-day, but painting which aimed at producing a likeness and rendering the appearance of the original. Such pictures can be seen on the vases of the fourth century and of the late fifth century b.c., for instance the two women on a red-figured perfume vase in the Manchester School of Art, which was painted about the time of the dramatic date of the Republic (Pl. I). But if we go back rather over a hundred years to the black-figure vase reproduced by Mr. Austin in Greece and Rome, vol. vii, we are in a completely different world of flat figures in conventional poses, and if we go further back still to the Geometric vase (Fig. I) which forms the subject of Mr. Austin's article, we are yet further from the world of ‘likeness’. These early Greek painters cannot have wanted to produce likenesses; but what was their aim ?

The Orpheus Metope from Bassai

1981 ◽  
Vol 76 ◽  
pp. 323-328
Author(s):  
Carlos Arturo Picón
Keyword(s):  
Fifth Century ◽  
Early History ◽  
History Of ◽  
The Subject ◽  
New Evidence ◽  
To Receive ◽  
The Temple

A fruitful combination of excavation, fieldwork, and research has in recent years increased our knowledge of the Temple of Apollo Epikourios at Bassai. In particular, the sculptured frieze which encircled the interior of the cella has been the subject of numerous studies, the most recent being the monograph by C. Hofkes-Brukker and A. Mallwitz published in 1975. The investigations made at Bassai by N. Yalouris and F. A. Cooper have produced important new evidence. As a result of the excavations conducted by Yalouris since 1959, the early history of the sanctuary and of the structures preceding the classical (‘Iktinian’) temple are reasonably clear. Furthermore, Cooper has shown that the ‘Iktinian’ building, the fourth in a series of temples to Apollo on the site, was not designed to receive pedimental sculpture, and that some, if not all, of this temple's akroteria were floral. The traditional attributions of pedimental and akroterial statues must be discarded, along with the theory that the ‘Iktinian’ building was started as early as the middle of the fifth century B.C.Yet, despite this progress, and the fact that the temple is one of the best-preserved monuments from antiquity, many issues remain controversial. Scholars postulate several building phases for the Classical temple. The chronology of the sculptures is still debated, as is the order of the twenty-three frieze-slabs within the cella.

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