Ashley Reed, Heaven's Interpreters: Women Writers and Religious Agency in Nineteenth-Century America (Ithaca, NY: Cornell University Press, 2020, $19.95). Pp. 262. isbn 978 1 5017 5136 3.

2021 ◽  
Vol 55 (5) ◽  
Author(s):  
MOLLY MANN
2021 ◽  
pp. 686-691
Author(s):  
Naresh M. Solanki

It was time of nineteenth century when women writers used to have male pennames for publication. Theme of marriage and society were prevalent in both American and British society. It was a microcosm of its own as women readers used to write about their life through the eyes of women writers. This phenomenon is historical as it stands between Mary Wollstonecraft, arguably the first feminist thinker and Virginia Woolf, arguably the most famous one. Changing times in the second half of nineteenth century was affecting the sensibility and religious clutches on society. It was also affecting notions of patriarchy. Writings of the time ought to reflect that. However, author also presumes a gender of her or his own before writing. That makes her or his gendering of character political and biased. But honest portrayals are important for examining depictions of women in a particular time. This paper aims to analyse two popular writers of the age, a female and a male, to understand the changing notions regarding patriarchy. American novelist Louisa May Alcott (1832-1888) have been written important social novels like novel Little Women (1868) and its sequels Little Men (1871) and Jo's Boys (1886). Her novels features cast of female characters from the contemporary times. Arthur Conan Doyle, creator of Sherlock Holmes, was a British writer writing detective fiction who used to portray his contemporary society. He also uses female characters in her stories. This paper aims to study works of both novelist employing methodologies of close reading and comparative literature to see how depiction of women in nineteenth century America and British fiction changes and what are the reasons for it.


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