Dangers, Delights, Development: Female Travel in The Mysteries of Udolpho and The Turkish Embassy Letters

This paper examines the portrayal of travel for women in two eighteenth-century literary texts by women writers: The Mysteries of Udolpho by Ann Radcliffe and The Turkish Embassy Letters by Lady Mary Wortley Montagu. With a focus on the mental, emotional, and psychological effects of female travel that each author depicts, it analyzes both the dramatic dangers and pleasures faced by Radcliffe’s Gothic heroine and the more mild, cerebral ones experienced by the historical Montagu. Drawing on the work of Marianna D’Ezio, Adam Watkins, and Mary Jo Kietzman, it argues that both Radcliffe and Montagu ultimately endorsed the idea of travel for women through their work, portraying the pleasure, experience, and self-cultivation it afforded as outweighing its dangers. Finally, it posits that this position resisted both Enlightenment and Romantic ideas of appropriate female behaviours and desires by encouraging women readers to experience the world outside of the domestic sphere.

Sociability and Polite Improvement in Addison’s Periodicals

Addison argued in his periodical essays that the distinctive sociability of the coffee house was especially, if not uniquely, polite, rational, and civic, and as such, an important metaphor and location for Addison’s social reform. Addison developed his conception of coffee-house sociability in dialogue with Richard Steele, but while Steele argued that emulation of virtuous behaviour in neighbourly communities was sufficient guarantor of the polite and rational reformation of public culture, Addison repeatedly toyed with a more regulated model in which an arbiter or censor moderated coffee-house behaviour. In The Spectator, Addison had identified women readers as an important commercial and ideological opportunity. While women of the polite and middling classes bore the weight of Addison’s reformist expectations, such women were excluded from the public sociability of the coffee house. In recognition of this impasse, Addison and Steele addressed a series of essays to the tea table, a form of sociability in which women and female manners were dominant. These essays develop an innovative construction of tea-table sociability located in a fluid zone between public sociability and private domesticity, centred around tea consumption, polite conversation, and reading essays from The Spectator. The tea table was, accordingly, a significant extension and revision of their theory of public sociability.

THE FITNESS OF LANGUAGE, THE FORMATION OF A SPEECH COMMUNITY: A FLIP THROUGH PERIODICAL MAGAZINES FOR WOMEN

A language evolves when it acquires the agency to handle any domain of knowledge.This is referred to as the fitness of language. Ordinary day-to-day language is inadequate to communicate topics related to finance, sports, technology and so on. The involvement of various speech communities proves to be critical here. This in turn plays a role in the development of a speech community. By analysing womens periodical magazines based on the topics mentioned above, this paper attempts to examine the extent of languages fitness in these topics and the manner in which the market makes use of the speech community that gets created as part of it. A group that shares a particular mindset and makes use of linguistic diversity may be called as speech community.This thesis elucidates how periodicals like Vanitha and Grihalakshmi influence the community of women readers through a linguistic diversity that is simple, attractive, open and

Editorial Strategies of Hungarian Women Editors in the Second Half of the Nineteenth Century

While significant research has been done on periodicals for women readers published in Hungary in the second half of the nineteenth century, little is known about the editors of these periodicals. This article offers a brief discussion of how Hungarian women’s editorial strategies differed from those adopted by their male colleagues. It argues that although periodicals edited by women tended to feature more female literary authors than those edited by men, they generally had no aim of creating a female group consciousness. The essay then goes on to focus on one significant exception, the first periodical edited by a woman in the Austro-Hungarian Monarchy, Emília Kánya's (1828–1905) Családi Kör [Family Circle] (1860–80), which, on the contrary, connected its marketing strategy with female community building. The analysis draws on insights from the fields of women’s studies, history of literature, and history of journalism.

Advising the Race

This chapter examines the advice column “Advice to the Wise and Otherwise,” which ran in the Chicago Defender, one of the most successful black newspapers in the United States. In the early twentieth century, black publishers recognized the many ways that mainstream newspapers reinforced the racial status quo in America and failed to address the needs of African American readers. They also sought to offer more feature content to women readers. “Advice to the Wise and Otherwise” was one of the country’s most widely read black advice columns. Columnist Princess Mysteria, a vaudeville mentalist, embraced the Defender’s mission of racial “uplift” and advocacy. But her counsel also reflected a unique sensitivity to the dual prejudices that her female readers faced as African Americans and as women. The columnist offered a worldview very different from that of white columnists, one that doled out assertive, even feminist advice.

DEPICTION OF WOMEN IN NINETEENTH CENTURY AMERICAN AND BRITISH FICTION

It was time of nineteenth century when women writers used to have male pennames for publication. Theme of marriage and society were prevalent in both American and British society. It was a microcosm of its own as women readers used to write about their life through the eyes of women writers. This phenomenon is historical as it stands between Mary Wollstonecraft, arguably the first feminist thinker and Virginia Woolf, arguably the most famous one. Changing times in the second half of nineteenth century was affecting the sensibility and religious clutches on society. It was also affecting notions of patriarchy. Writings of the time ought to reflect that. However, author also presumes a gender of her or his own before writing. That makes her or his gendering of character political and biased. But honest portrayals are important for examining depictions of women in a particular time. This paper aims to analyse two popular writers of the age, a female and a male, to understand the changing notions regarding patriarchy. American novelist Louisa May Alcott (1832-1888) have been written important social novels like novel Little Women (1868) and its sequels Little Men (1871) and Jo's Boys (1886). Her novels features cast of female characters from the contemporary times. Arthur Conan Doyle, creator of Sherlock Holmes, was a British writer writing detective fiction who used to portray his contemporary society. He also uses female characters in her stories. This paper aims to study works of both novelist employing methodologies of close reading and comparative literature to see how depiction of women in nineteenth century America and British fiction changes and what are the reasons for it.

New Media and the Rise of the Popular Woman Writer, 1832-1860

The idea of ‘new media’ is nothing new. Long before Twitter and Facebook, the rise of new periodical genres and formats provided opportunities for Victorian women writers and readers to participate in popular print culture as never before. This study illuminates the relationship between the rise of the popular woman writer the expansion and diversification of newspaper and periodical print media during a period of revolutionary change. It includes discussion of canonical women writers such as Felicia Hemans, Charlotte Brontë, and George Eliot, as well as lesser-known figures such as Eliza Cook, Frances Brown, Eliza Meteyard, and Rose Ellen Hendriks. In addition, it explores the networks of women writers connected with cheap family magazines such as Chambers’s Edinburgh Journal during the 1830s and ’40s. It also examines the ways women readers actively responded to a robust popular print culture by creating scrapbooks and engaging in forms of celebrity worship. The book closes with discussion of the ways Victorian women’s participation in popular print culture anticipates our own engagement with new media in the twenty-first century.

Informal Adult Learning: Advertisements in Women’s Magazines in Turkey

This study examines the visual and verbal content of advertisements in women’s magazines published between 1980 and 1990 in Turkey. Based on content analysis, we established the categories of products and services, age, body parts, women’s roles, clothes, and locations. We determined the five most frequent words employed in all grammatical or lexical forms: beautiful (güzel), to live (yaşamak), new (yeni), skin (cilt), and young (genç). By examining the data through informal learning, the study looks at how consumer-oriented values were taught informally to women readers during a period when Turkey underwent integration with the neoliberal global economy. We argue that the advertisements in women’s magazines were effective both in terms of disseminating the dominant values of the era and in causing women to informally internalize the consumer-oriented values required for the development of the desired female subjectivities of an emerging neoliberal society.

The Melodramatic State

This chapter talks about what were considered bad books for bad readers. At the turn of the century, it was certainly not high-minded literary works that predominated in the Arabic literary marketplace. Rather, the market privileged thrilling and emotional works, the vast majority of which were in translation and which prioritized titillation and “scandal” over moral, civic, or religious progress. The new popular novels were accused of more than just portraying unrealistic foreign situations; more dangerously, they were seen as promoting unhealthy reading practices and cultivating excessive, nonrational emotions. Commentators worried about the prominent place of “bad books for bad readers” in the national literary market, and bad readers were above all figured as women readers. Bad books spoke to and — more frequently — about women. Translations redeployed excess popular emotion as political, and they do so in such a way as to test gendered national discourses, complicating some of the very New Woman ideas that elite writers were putting forth. The chapter reinserts these popular translated novels and their major figures — the oppressed wife, the bad female example, and the good criminal — into the national conversation and shows how they make social and political claims.