The Anglican Hierarchy and the Reformation of Manners 1688–1738

1982 ◽  
Vol 33 (3) ◽  
pp. 391-411 ◽  
Author(s):  
Tina Isaacs

Few have studied the early eighteenth-century Church. Caught between puritan triumphs and the Methodist revival, its polemics and efforts at rejuvenation have gone largely unnoticed. Those historians who have noticed describe an Anglican hierarchy lacking in talent and drive and a population devoid of piety and religious fervour. Both of these images are incorrect, as more recent scholarship has begun to suggest. Church historians now concentrate primarily on biographies of famous ecclesiastics and monographs (and articles) on some of the more lively events such as SacheverelPs trial and the Convocation controversy. But no one has systematically explored the Church's attempts to combat the decline brought about by the Toleration Act of 1689 and by its own avoidance of earlier enthusiasms.

1972 ◽  
Vol 41 (4) ◽  
pp. 513-523
Author(s):  
Alan Seaburg

Church historians have generally tended to ignore American Universalism. This was not because Universalists were unmindful of their past. Several works were produced in the nineteenth century trying to prove through Scripture and history the fact that the idea of universal salvation was always a part of the mesage of Christianity from the days of the apostles through the Reformation down to the modern era. It was an important argument in their voluminous debates and an essential ingredient of their theology. They were rather proud of this heritage. It cannot be said, therefore, that Universalism failed to produce its own historians. The problem for scholars of all disciplines has been that until recently there were no reliable sources available which dealt with American Universalism. Yet Universalism needs to be understood, for it helped to humanize the church through its teachings that God was a God of love and that he cared to save each and everyone of his children.


2016 ◽  
Vol 14 (3) ◽  
pp. 231-251
Author(s):  
Hannes Ole Matthiessen

Thomas Reid argued that the geometrical properties of visible figures equal the geometrical properties of their projections on the inside of a sphere centred around the eye. In recent scholarship there are only a few suggestions of which sources might have inspired Reid. I point to a widely ignored body of early eighteenth-century literature – introductions into projective geometry, the use of celestial globes and astronomy – in which the model of the eye in the centre of a sphere was immensely popular. Moreover, I argue that Reid's account results naturally from some astronomical doctrines in conjunction with George Berkeley's theory of vision.


2018 ◽  
pp. 1-27
Author(s):  
Adriaan C. Neele

Edwards’s debt to Protestant scholasticism, Reformed orthodoxy, and early modern Reformed theology has been largely overlooked in interpretations of his thought. The chapter argues that the model of continuity and discontinuity between the Reformation and post-Reformation era, expressed by the phrase “Calvin vs. the Calvinists,” should be considered and challenged in examining the relationship between Edwards and post-Reformation thought. Therefore, first, a broad sketch of interpretative models will be provided concerning the various appraisals of Reformed orthodoxy. Secondly, a proposal will be offered that the era of Protestant scholasticism and Reformed orthodoxy, as commonly and currently understood, should include early eighteenth-century New England history—thus treating the post-Reformation era as a transatlantic enterprise.


Author(s):  
Daniel R. Melamed

If there is a fundamental musical subject of Johann Sebastian Bach’s Mass in B Minor, a compositional problem the work explores, it is the tension between two styles cultivated in church music of Bach’s time. One style was modern and drew on up-to-date music such as the instrumental concerto and the opera aria. The other was old-fashioned and fundamentally vocal, borrowing and adapting the style of Giovanni Pierluigi da Palestrina, his sixteenth-century contemporaries, and his seventeenth-century imitators. The movements that make up Bach’s Mass can be read as exploring the entire spectrum of possibilities offered by these two styles (the modern and the antique), ranging from movements purely in one or the other to a dazzling variety of ways of combining the two. The work illustrates a fundamental opposition in early-eighteenth-century sacred music that Bach confronts and explores in the Mass.


Sign in / Sign up

Export Citation Format

Share Document