The Dutch foot and the chanted call

1993 ◽  
Vol 29 (1) ◽  
pp. 37-63 ◽  
Author(s):  
Carlos Gussenhoven
Keyword(s):  

Algorithms for the assignment of main word stress in Dutch have never been systematically tested against foot-based segmental processes. The assumption has apparently been that such processes do not exist. In this article, it is suggested that Dutch has at least four segmental rules that make reference to the foot, and that Dutch has a chanted intonation contour whose realization is governed by foot structure. The evidence provided by all these processes largely confirms the more recent proposals for Dutch foot structure, including Kager (1989) and Trommelen & Zonneveld (1989), except where they fail to conform to (1).

Diachronica ◽  
2004 ◽  
Vol 21 (2) ◽  
pp. 307-327
Author(s):  
Neil G. Jacobs

This paper examines a set of problems concerning word stress in the substratal Merged Hebrew component in Yiddish. When compared with their historical cognates in Classical Hebrew, the Yiddish words show a stress pattern which appears to conform to the Germanic trochee. The change has frequently been seen as occurring within the history of Yiddish. The present paper demonstrates, however, that (for the relevant Hebrew-origin items) the change from a Hebrew iamb to a trochee necessarily occurred in a period after spoken Hebrew times and before the birth of Yiddish – thus, within one or more intervening Jewish vernaculars. This is demonstrated by consideration of pre-Ashkenazic Hebrew foot structure in light of two historically distinct processes of syncope.


2021 ◽  
Vol 11 (1) ◽  
pp. 129-145
Author(s):  
Firdos Atta

This study presents an Optimality-Theoretic analysis of Saraiki word stress.  This study presents a first exploration of word stress in the framework of OT. Words in Saraiki are mostly short; secondary stress plays no role here. Saraiki stress is quantity-sensitive, so a distinction must be made between short and long vowels, and light and heavy syllables. A metrical foot can consist of one heavy syllable, two light syllables, or one light and one heavy syllable. The Foot structure starts from right to left in prosodic words. The foot is trochaic and the last consonant in Saraiki words is extra metrical. These generalizations are best captured by using metrical phonology first and Optimality constraints later on.


2013 ◽  
Vol 125 (3) ◽  
pp. 272-282 ◽  
Author(s):  
Ulrike Domahs ◽  
Elise Klein ◽  
Walter Huber ◽  
Frank Domahs
Keyword(s):  

Batoboh ◽  
2020 ◽  
Vol 5 (1) ◽  
Author(s):  
SHERLY MARLIASARI ◽  
INDAH WINDRA DWIE AGUSTIANI ◽  
ANDRIAMELLA ELFARISSYAH
Keyword(s):  

 Tujuan PKM ini untuk memberikan pemahaman  tentang pentingnya word stress  dan membantu guru bahasa Inggris  dalam melatih  siswa SD Muhammadiyah 16 Palembang dalam menyebutkan kosakata buah-buahan dengan penekanan kosakata yang tepat  dalam bahasa Inggris dengan cara yang menyenangkan dan menarik.Hasil dari angket yang didistribusikan kepada kepalsa sekolah, guru dan 25 siswa menunjukan (1)Semua respondent (100%) menyatakan  pembuatan  media pembelajaran audio-visual  untuk  pengajaran word stress-oriented bertemakan fruits ini  bermanfaat  dalam membantu para guru dan para siswa SD Muhammadiyah 16 menumbuhkan pemahaman tentang pentingnya word stress pada pronunciation (2)Media pembelajaran audio visual yang dibuat tim PKM merupakan media pembelajaran yang menarik  dan  para siswa merasa lebih tertarik , senang dan santai  saat pembelajaran  berlangsung. Dari segi kebermanfaatan dan tujuannya, hasil angket menunjukan  kegiatan PKM ini mampu  menumbuhkan motivasi para guru bahasa Inggris pada SD Muhammadiyah 16 Palembang untuk  membuat media pembelajaran yang kreatif dan inovatif  untuk pembelajaran bahasa inggris  yang lebih  variatif.       Keywords: audio visual, fruits, media, word stress-oriented.


2011 ◽  
Vol 5 ◽  
pp. 36 ◽  
Author(s):  
D.L. Riddiford-Harland ◽  
J.R. Steele ◽  
L.A. Baur

2001 ◽  
Vol 15 ◽  
pp. 187-203
Author(s):  
Emily Klenin

The Russian pentameter is historically associated with the English and German traditions, but typologically it has with some justice been compared to the French decasyllable. The present article analyzes the structure and cultural context of Russian pentameter and examines in detail the use of caesura in a small corpus of iambic pentameter poems by Afanasy Fet. It is shown that the use of caesura correlates with patterns of word stress. In particular, the appearance of caesuraed lines in poems in which caesura is relatively weak correlates with the stress patterns of the lines in question: caesuraed lines are less heavily stressed than uncaesuraed ones, a correlation that theoretically should promote equalization of line length across the text. Russian poetry has a general tendency to promote equality of line length, and the intrusion of occasional I6 lines into I5 texts, a phenomenon known in many Russian I5 poems, can be viewed as a related strategy for handling ragged I5 lines.


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