Stravinsky's Chords (II)

Tempo ◽  
1966 ◽  
pp. 2-9
Author(s):  
G. W. Hopkins

In The Soldier's Tale there were instances of musical parody which could not possibly be elucidated by simple harmonic analysis within the work's own stylistic terms of reference; for example, it was necessary to allude to Bach's style in order to discuss the harmonies of Stravinsky's chorales. While it is not always correct to view neo-classical works as parodies, generically they present a ‘gloss’ on earlier styles—so that it becomes impossible to analyse such works without reference back, sometimes even to a particular work of a particular forerunner. Clearly an extended study of the use of classical harmonic functions in the works of Stravinsky's middle period would be an undertaking worthy of some months of research and several chapters of exegesis. Here I shall content myself with some instances of his use of cadential formulae.

2005 ◽  
Vol 11 (4) ◽  
pp. 517-525
Author(s):  
Juris Steprāns

AbstractIt is shown to be consistent with set theory that every set of reals of size ℵ1 is null yet there are ℵ1 planes in Euclidean 3-space whose union is not null. Similar results will be obtained for other geometric objects. The proof relies on results from harmonic analysis about the boundedness of certain harmonic functions and a measure theoretic pigeonhole principle.


1999 ◽  
Vol 51 (4) ◽  
pp. 673-744 ◽  
Author(s):  
Martin T. Barlow ◽  
Richard F. Bass

AbstractWe consider a class of fractal subsets of d formed in a manner analogous to the construction of the Sierpinski carpet. We prove a uniform Harnack inequality for positive harmonic functions; study the heat equation, and obtain upper and lower bounds on the heat kernel which are, up to constants, the best possible; construct a locally isotropic diffusion X and determine its basic properties; and extend some classical Sobolev and Poincaré inequalities to this setting.


10.37236/1506 ◽  
2000 ◽  
Vol 7 (1) ◽  
Author(s):  
Alexei Borodin ◽  
Grigori Olshanski

We construct examples of nonnegative harmonic functions on certain graded graphs: the Young lattice and its generalizations. Such functions first emerged in harmonic analysis on the infinite symmetric group. Our method relies on multivariate interpolation polynomials associated with Schur's S and P functions and with Jack symmetric functions. As a by–product, we compute certain Selberg–type integrals.


2020 ◽  
Author(s):  
David Lawunmi ◽  
Soodamani Ramalingam

We analyse the decay of a single exponential function and develop an algorithm to determine the exponent and the constant, C, (C exp(-kt)) associated with this function . In essence this approach involves `transforming' exponential functions into harmonic functions. This manoeuvre allows techniques that are used to analyse harmonic functions to be used to characterise decaying exponential functions.


This paper forms a sequel to three others published in Series A of the. ‘ Philosophical Transactions,’ namely, “ On Ellipsoidal Harmonic Analysis,” vol. 197, pp. 461-557, “ On the Pear-shaped Figure of Equilibrium of a Rotating Mass of Liquid,” vol. 198, pp. 301-381, and “ On the Stability of the Pear-shaped Figure of Equilibrium, &c.,” vol. 200, pp. 251-314. 1 shall refer to these three papers as “ Harmonics,” “ The Pear-shaped Figure,” and “ Stability.” In “ Harmonics,” the functions being expressed approximately, approximate formulae are found for the integrals over the surface of the ellipsoid of the squares of all the surface harmonics. These integrals are of course required whenever it is proposed to make practical use of this method of analysis, and the evaluation of them is therefore an absolutely essential step towards any applications.


1904 ◽  
Vol 72 (477-486) ◽  
pp. 492-492

This paper is a sequel to three others on ellipsoidal harmonic analysis and its applications, published in Series A of the ‘Philosophical Transactions,’ vol. 197, pp. 461—557; vol. 198, pp. 301—331 and vol. 200, pp. 251—314. The integrals referred to in the title are absolutely essential for practical applications of this method of analysis. A table of all such integrals is given in the first of the above-named papers, but the results are only approximate. In the present paper the rigorous forms of the integrals, numbering 1 + 3 + 5 + 7, are given for the surface harmonics of orders 0, 1, 2, 3.


2009 ◽  
Author(s):  
Tullio Ceccherini-Silberstein ◽  
Fabio Scarabotti ◽  
Filippo Tolli

2009 ◽  
Author(s):  
Camil Muscalu ◽  
Wilhelm Schlag
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