XIV.—On the Roof of the Church of St. Andrew, Mildenhall, Suffolk

Archaeologia ◽  
1895 ◽  
Vol 54 (2) ◽  
pp. 255-266
Author(s):  
J. G. Waller

The interior of the beautiful church of Mildenhall in Suffolk is remarkable for its spacious and noble proportions. Its roof of oak must take a chief place amongst the many fine examples in the eastern counties. The chancel is of Early English architecture, but the nave and aisles belong to the fifteenth century. It is to the roof of the latter to which I shall direct your attention. It has never been painted, as was so commonly the practice in the county, and therefore has that grey colour which ensues when no extraneous matter has been applied. The roof of the nave is divided by seven principal beams, supported by spandrels with tracery, with additions sustaining the rafters.

1950 ◽  
Vol 3 (4) ◽  
pp. 61-64
Author(s):  
Catharine K. Miller

The Ritson MS (British Museum Add. MS 5665) preserves for us a choir repertory whose oldest layer is given over to 44 carols—Latin, English, and macaronic. Provisionally they may be dated from about the end of the second third of the fifteenth century. Together with other fifteenth century carol manuscripts they offer considerable support to Margit Sahlin's thesis (Etude sur la carole médiévale. Uppsala dissertation, 1940) that the carol became an ornament of the processional rites of the Catholic Church. As it is applied to England, her argument runs briefly as follows: The religious and didactic carol of the fourteenth and fifteenth centuries is a musical-literary species directly indebted to the liturgy in matters of both form and content. It had been adopted by the Church from popular usage in the fourteenth century, retaining the technique of the earlier dance-song which paralleled, in certain ways, that of responsorial chant.


Author(s):  
B. W. Young

The dismissive characterization of Anglican divinity between 1688 and 1800 as defensive and rationalistic, made by Mark Pattison and Leslie Stephen, has proved more enduring than most other aspects of a Victorian critique of the eighteenth-century Church of England. By directly addressing the analytical narratives offered by Pattison and Stephen, this chapter offers a comprehensive re-evaluation of this neglected period in the history of English theology. The chapter explores the many contributions to patristic study, ecclesiastical history, and doctrinal controversy made by theologians with a once deservedly international reputation: William Cave, Richard Bentley, William Law, William Warburton, Joseph Butler, George Berkeley, and William Paley were vitalizing influences on Anglican theology, all of whom were systematically depreciated by their agnostic Victorian successors. This chapter offers a revisionist account of the many achievements in eighteenth-century Anglican divinity.


2002 ◽  
Vol 12 (2) ◽  
pp. 123-166 ◽  
Author(s):  
Susan Nance

In 1926, the well-known black scholar Ira De Augustine Reid complained that storefront churches were “a general nuisance. Neither their appearance nor their character warrants the respect of the Community.” Mortified, he described the founders of these informal assemblies: “He conducts his Services on such days as he feels disposed mentally and indisposed financially. To this gentleman of the cloth… the church is a legitimate business.” More to the point, he described his perception of the many southern migrants who aspired to found their own churches and religions, recounting how one “young swain” had announced to the leadership of a large traditional black congregation that he had had a dream. “In this dream a still small voice told him to ‘G. P. C.’ and when he heard it he knew that he was instructed to ‘Go Preach Christ.’ After further questioning by the Council, the chairman told him that he had misinterpreted his dream, for it certainly meant ‘Go plant corn’” For many educated African Americans, the idea of southern migrants presuming to enjoy their own religious traditions on their own terms in the urban North was ludicrous.


2014 ◽  
Vol 65 (1) ◽  
pp. 13-32 ◽  
Author(s):  
Catriona Anna Gray

Montrose was one of Scotland's earliest royal burghs, but historians have largely overlooked its parish kirk. A number of fourteenth and fifteenth-century sources indicate that the church of Montrose was an important ecclesiastical centre from an early date. Dedicated to Saints Peter and Paul, by the later middle ages it was a place of pilgrimage linked in local tradition with the cult of Saint Boniface of Rosemarkie. This connection with Boniface appears to have been of long standing, and it is argued that the church of Montrose is a plausible candidate for the lost Egglespether, the ‘church of Peter’, associated with the priory of Restenneth. External evidence from England and Iceland appears to identify Montrose as the seat of a bishop, raising the possibility that it may also have been an ultimately unsuccessful rival for Brechin as the episcopal centre for Angus and the Mearns.


1929 ◽  
Vol 9 (2) ◽  
pp. 83-100 ◽  
Author(s):  
G. McN. Rushforth

Émile Mâle says that medieval Christian art in its last period had lost touch with the great tradition of symbolism which had been so important in the twelfth and thirteenth centuries, and still largely dominated the art of the fourteenth. But there was one great symbolical idea which survived, and that was the harmony of the Old and New Testaments; and so we find among the most popular subjects of fifteenth-century Church art the concordance of the Apostles and Prophets in the Creed, and the series of parallels between the life of Jesus and episodes of Old Testament history, which were summed up and digested in the Biblia Pauperum and the Speculum Humanae Salvationis. The reason for the popularity of these subjects was, no doubt, their didactic value, and though Mâle does not develop this side of the subject, we may say that one, though not the only, characteristic of the religious art of the fifteenth century was that, instead of being symbolical, it became didactic. We find in this period a whole series of subjects which reduced the articles of Christian faith and practice to pictorial form, and seem to have been intended to illustrate the medieval catechism by which the teaching of the Church was imparted.


Author(s):  
Christian D. Washburn

This chapter considers two important ecumenical councils of the Church in the modern era: Trent (1545–63) and Vatican I (1869–70). The chapter examines in detail the key teachings of each council. The reform decrees of Trent will only be discussed in so far as they touch upon dogmatic decrees. In the case of Trent the chapter identifies the key documents from the many sessions of the council over its twenty-year history, offering a clear guide to ways in which its teachings on revelation, grace, and justification offered a precise Catholic response to the emergent theologies of Protestantism. Vatican I’s key teachings on revelation, the knowledge of God, and the status of the papacy are similarly treated.


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