Issues of Identity, Nationality, and Performance: the Reception of Two Plays by Timberlake Wertenbaker

1993 ◽  
Vol 9 (35) ◽  
pp. 267-289 ◽  
Author(s):  
Susan Carlson
Keyword(s):  
State University ◽  
The West ◽  
Contemporary Theatre ◽  
Royal Court ◽  
Critical Response ◽  
Timberlake Wertenbaker ◽  
Comedy Of Manners ◽  
And Performance ◽  
The Many ◽  
Changing Attitudes

This paper explores some of the many factors which affect the way in which the critical response to a production is made manifest. Using the reception of Timberlake Wertenbaker's The Love of the Nightingale and Our Country's Good as case studies, Susan Carlson contrasts the enthusiastic response to the first production of the latter play at the Royal Court, where its supposed celebration of the redemptive effects of theatricality were widely acclaimed, with the subjection of the former to the ‘atavistic guilts of male theatre reviewers’. Examining the reception of later productions – and even the West End transfer – of Our Country's Good, she proceeds to show how different theatres, companies, and senses of cultural, sexual, and national identity shaped ever-changing attitudes towards what was presumed to be the same play. Susan Carlson, whose article ‘Comic Collisions: Convention, Rage, and Order’ appeared in NTQ12 (November 1987), is Professor of English at lowa State University, and the author of Women of Grace: James's Plays and the Comedy of Manners (1985) and Women and Comedy: Rewriting the British Theatrical Tradition (1991). She is now working on issues of performance and collaboration in contemporary theatre, and writing about the work of the Omaha Magic Theatre and the playwriting of Karim Alrawi.

ARTISTIC AND AESTHETIC EDUCATION AND MUSICAL PSYCHOTHERAPY OF A SPECIALIST’S TRAINING

2020 ◽  
Vol 384 (2) ◽  
pp. 222-232
Author(s):  
P. V. Menshikov ◽  
G. K. Kassymova ◽  
R. R. Gasanova ◽  
Y. V. Zaichikov ◽  
V. A. Berezovskaya ◽  
...  
Keyword(s):  
Performance Practice ◽  
Piano Music ◽  
Traumatic Experiences ◽  
Special Role ◽  
Native Culture ◽  
History Of ◽  
The Subject ◽  
And Performance ◽  
The Many ◽  
Special Meaning

A special role in the development of a pianist as a musician, composer and performer, as shown by the examples of the well-known, included in the history of art, and the most ordinary pianists, their listeners and admirers, lovers of piano music and music in general, are played by moments associated with psychotherapeutic abilities and music features. The purpose of the study is to comprehend the psychotherapeutic aspects of performing activities (using pianists as an example). The research method is a theoretical analysis of the psychotherapeutic aspects of performing activities: the study of the possibilities and functions of musical psychotherapy in the life of a musician as a “(self) psychotherapist” and “patient”. For almost any person, music acts as a way of self-understanding and understanding of the world, a way of self-realization, rethinking and overcoming life's difficulties - internal and external "blockages" of development, a way of saturating life with universal meanings, including a person in the richness of his native culture and universal culture as a whole. Art and, above all, its metaphorical nature help to bring out and realize internal experiences, provide an opportunity to look at one’s own experiences, problems and injuries from another perspective, to see a different meaning in them. In essence, we are talking about art therapy, including the art of writing and performing music - musical psychotherapy. However, for a musician, music has a special meaning, special significance. Musician - produces music, and, therefore, is not only an “object”, but also the subject of musical psychotherapy. The musician’s training includes preparing him as an individual and as a professional to perform functions that can be called psychotherapeutic: in the works of the most famous performers, as well as in the work of ordinary teachers, psychotherapeutic moments sometimes become key. Piano music and performance practice sets a certain “viewing angle” of life, and, in the case of traumatic experiences, a new way of understanding a difficult, traumatic and continuing to excite a person event, changing his attitude towards him. It helps to see something that was hidden in the hustle and bustle of everyday life or in the patterns of relationships familiar to a given culture. At the same time, while playing music or learning to play music, a person teaches to see the hidden and understand the many secrets of the human soul, the relationships of people.

Last Jewish Writings, 1915–1918

2018 ◽  
Author(s):  
Frederick C. Beiser
Keyword(s):  
Western World ◽  
The West ◽  
Rational Form ◽  
Jewish Communities ◽  
Special Obligation ◽  
Moral Content ◽  
The Many ◽  
At Home

The Jewish writings of these final years develop themes of the earlier years. Cohen continues to explore one of his favorite topics: the affinity of German and Jewish character. Despite his cosmopolitan conception of Judaism, Cohen still thought that the Jews were most at home in Germany. Yet, despite his belief in the special affinity between Germans and Jews, Cohen still shows his cosmopolitanism by his sympathy for the Ostjuden; he maintains that they should be freed from the many immigration controls imposed on them. Cohen continues to worry about the growing weakening of Jewish communities in Germany, and argues, as Socrates did in the Crito, that people have a special obligation to stay within the communities which nurtured them. In a remarkable 1916 lecture on Plato and the prophets Cohen argues that they are the two major ethical voices in the Western world: Plato gave the West a rational form while the prophets gave it moral content. Cohen now reduces his earlier striving for a unity of religions down to the demand for a unity of conscience.

scholarly journals Macho Buddhism: Gender and Sexualities in the Diamond Way

2011 ◽  
Vol 1 (1) ◽  
pp. 85-103
Author(s):  
Burkhard Scherer
Keyword(s):  
Tibetan Buddhism ◽  
Gender Stereotyping ◽  
Sexual Ethics ◽  
Tibetan Buddhist ◽  
Historical Source ◽  
The West ◽  
Cultural Attitudes ◽  
Continuity And Change ◽  
And Performance ◽  
Previous Scholarship

Western Tibetan Buddhist movements have been described as bourgeois and puritanical in previous scholarship. In contrast, Ole Nydahl’s convert lay Karma Kagyu Buddhist movement, the Diamond Way, has drawn attention for its apparently hedonistic style. This article addresses the wider issues of continuity and change during the transition of Tibetan Buddhism from Asia to the West. It analyses views on and performances of gender, sexual ethics and sexualities both diachronically through textual-historical source and discourse analysis and synchronically through qualitative ethnography. In this way the article demonstrates how the approaches of contemporary gender and sexualities studies can serve as a way to question the Diamond Way Buddhism’s location in the ‘tradition vs modernity’ debate. Nydahl’s pre-modern gender stereotyping, the hetero-machismo of the Diamond Way and the mildly homophobic tone and content of Nydahl’s teaching are interpreted in light of Indian and Tibetan Buddhist sexual ethics and traditional Tibetan cultural attitudes on sexualities. By excavating the emic genealogy of Nydahl’s teachings, the article suggests that Nydahl’s and the Diamond Way’s view on and performance of gender and sexualities are consistent with his propagation of convert Buddhist neo-orthodoxy.

scholarly journals Reframing Aging in Contemporary Politics: Building Momentum

2020 ◽  
Vol 4 (Supplement_1) ◽  
pp. 681-681
Author(s):  
Patricia D'Antonio
Keyword(s):  
Social Change ◽  
Older People ◽  
Evidence Based ◽  
Negative Attitudes ◽  
Attitudes And Behaviors ◽  
Contemporary Politics ◽  
Perceptions Of Aging ◽  
The Many ◽  
Changing Attitudes

Abstract Changing American culture is challenging and changing attitudes and behaviors around the universal experience of aging especially so. Unless the field of advocates who care about aging issues cultivates a more visible, more informed conversation on older people, it will remain difficult to advance the systemic changes needed to adjust to a society with increased and increasing longevity. Advocates will need to be vigilant to avoid cueing negative attitudes towards aging and aging policies. The Reframing Aging Initiative is a long-term, social change endeavor designed to improve the public’s understanding of what aging means and the many contributions older people bring to society. Using evidence-based research, the initiative seeks to teach advocates how to tell an effective story about aging that will promote positive perceptions of aging and reduce ageism. The time to change the conversation is now.

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