Triple-Deckers and Eagle Lecterns: Church Furniture for the Book in Late Medieval and Early Modern England

2004 ◽  
Vol 38 ◽  
pp. 143-152
Author(s):  
Susan Wabuda

The spirit of the Lord God is upon me: because the Lord hath anointed me to preach good tidings unto the meek.’ When Jesus stood up to read these verses from Isaiah at the start of his public ministry, as he began to reveal himself as the Word in the synagogue of Nazareth, the book ‘he had opened’ at the reading desk was one of the Torah scrolls, brought out for him from the Ark of the Law, the imposing reserve which is, from age to age, the most sacred part of any synagogue. Holy Scripture has always been a public book, a treasure for each synagogue, and for the commonwealth of the Christian community sacred as text and object. But the mystical sanctity of the Bible, and holy books in general, has raised a perennial problem. Precious books have usually been hedged round by restrictions to protect them from the profane, even at the cost of obscuring the public approach which is a necessary part of assembled worship. In this episode in the life of Christ, when the listeners grew too ‘filled with wrath’ for him to continue, we meet the deep and recurrent tension between the community’s need to hear the Word, and the conflicting desire to shield its essential sanctity, which accompanied the book from Judaism in transition to the Christian Church.

2021 ◽  
Vol 51 (3) ◽  
pp. 453-473
Author(s):  
Jill P. Ingram

This article draws on performance theory to examine perambulation practices in late medieval and early modern England. Rogation was originally a devotional celebration that also entailed a ritual walking of parish boundaries to define communities as legal and administrative units. Perambulators sometimes seized upon the occasion to draw attention to a culture of obligation that had been neglected. This essay looks at two such moments—the 1381 Revolt of St. Albans, when the commons rose against the abbot in the form of a perambulation, and a 1520–21 property dispute at South Kyme, Lincolnshire at Ashby Heath. In these instances, perambulators used the occasion of the public recognition of property boundaries as an opportunity to stage a complaint in an act of “performative law.” The complainants asserted their rights and liberties by means of a theatrical form that invited participants and spectators to assent in specific legal claims to the land in dispute.


Author(s):  
Victoria Brownlee

The recent upturn in biblically based films in Anglophone cinema is the departure point for this Afterword reflecting on the Bible’s impact on popular entertainment and literature in early modern England. Providing a survey of the book’s themes, and drawing together the central arguments, the discussion reminds that literary writers not only read and used the Bible in different ways to different ends, but also imbibed and scrutinized dominant interpretative principles and practices in their work. With this in mind, the Afterword outlines the need for further research into the relationship between biblical readings and literary writings in sixteenth- and seventeenth-century Europe.


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