Samuel and Saul at Gilgal: a new interpretation of the Elephant mosaic panel in the Huqoq synagogue

2018 ◽  
Vol 31 ◽  
pp. 524-541 ◽  
Author(s):  
Benjamin D. Gordon ◽  
Zeev Weiss

The mosaic carpets decorating Palestinian synagogues in late antiquity took various forms but tend to focus on three recurring visual themes: the zodiac, a motif with origins in Greco-Roman religious art; the Jerusalem Temple, long in ruins but still very much alive in the Jewish imagination; and the Biblical story, often classics and easily identifiable to those well-versed in scripture. The latter was the programmatic focus of the frescoes of the Dura Europos synagogue and would maintain hegemony in episodic art on synagogue floors through late antiquity. The paradigm was thought to have shifted in 2013-14 when excavations at Huqoq uncovered a mosaic panel featuring war elephants that was claimed to portray the first extra-Biblical scene ever found in an ancient synagogue. Huqoq was a thriving Jewish village in the Late Roman period. Its basilica-type synagogue was paved twice with mosaic, the earlier of which is better preserved and includes the “elephant panel”. Most of the rest of the floor has not been fully published, although news releases and preliminary reports mention them and assign the floor a date in the 5th c. The floor does include well-known Biblical scenes along with a zodiac panel and two undated dedicatory inscriptions with decorative framing elements that include putti.

2006 ◽  
Vol 101 ◽  
pp. 427-457 ◽  
Author(s):  
Brikena Shkodra

What seems to be the case is that Durrës during the late Roman period was incorporated in the network of Byzantine state-controlled supply which operated throughout the east and west Mediterranean, suggesting that the city was more open to the east than to the west in late Antiquity. By contrast, the supply of Tunisian fine ware and amphorae is smaller then the imports from the eastern Mediterranean. However, the persistence presence of Tunisian wares throughout late Vandal and Byzantine period argues for sustained interaction between east and west within the Byzantine world. The presence of local production in the 6th century contexts merits further analysis.


2020 ◽  
Vol 63 (4) ◽  
pp. 582-606
Author(s):  
Amir Gorzalczany ◽  
Baruch Rosen ◽  
Naama Sukenik

Abstract A mosaic discovered in luxurious Roman domus in Lod (Lydda, Diospolis) in Israel, depicted among other maritime creatures Royal Purple yielding mollusks and wicker traps used to catch them. Historical sources indicating that during Late Antiquity residents of Lod dealt in dyeing and exporting textiles (also Royal Purple) were reexamined. Clearly many city inhabitants were involved with textiles, and some of them had their hands permanently dyed. The mosaic hints that the mollusks contributed to their wealth. The problem of inland dyeing with Royal Purple was discussed, as well as the continuation of this industry in the area into the Islamic period.


Author(s):  
Grigory L. Zemtsov ◽  
◽  
Dmitry V. Sarychev ◽  
Vladimir O. Goncharov ◽  
Ekaterina V. Fabritsius ◽  
...  

2021 ◽  
Vol 0 (0) ◽  
Author(s):  
Martin Rundkvist

Abstract Gold snake-head rings are a famous and much studied artefact group of the Late Roman Period in Scandinavia. But before and during their heyday, women in the same areas were occasionally buried with shield-head and snake-head rings made of silver or bronze. This paper surveys the material and traces the origin of these designs from the Wielbark Culture in coastal Poland about AD 100. The early shield-head rings probably arrived across the Baltic with the women who wore them. After the AD 210s, non-gold rings are a feature of the gold snake-head rings’ core production and distribution area on the Baltic Islands and south-east mainland Sweden. The women who wore them were not tribal royalty, but enjoyed comfortable economic means and had the right to display this top-level symbol in more affordable materials.


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