Ceramics from Late Roman Contexts in Durrës

2006 ◽  
Vol 101 ◽  
pp. 427-457 ◽  
Author(s):  
Brikena Shkodra

What seems to be the case is that Durrës during the late Roman period was incorporated in the network of Byzantine state-controlled supply which operated throughout the east and west Mediterranean, suggesting that the city was more open to the east than to the west in late Antiquity. By contrast, the supply of Tunisian fine ware and amphorae is smaller then the imports from the eastern Mediterranean. However, the persistence presence of Tunisian wares throughout late Vandal and Byzantine period argues for sustained interaction between east and west within the Byzantine world. The presence of local production in the 6th century contexts merits further analysis.

1970 ◽  
Vol 65 ◽  
pp. 37-45 ◽  
Author(s):  
Sinclair Hood

Some years ago in an article offered in honour of my friend, Dr. Jírí Neustupný, I described three settlements on small off-shore islands round the coasts of South Greece, where some of the native population appear to have taken refuge during the period of the Slav invasions in the sixth and seventh centuries A.D. (Fig. 1). In August 1969, when I was in Galaxidhi on the west side of the bay of Itea, Mrs. Lois Ventris told me about a group of islets there with traces of similar occupation. These island refuge settlements of the period of the Slav invasions are of some interest in themselves, and they open the door to what might be a fruitful line of inquiry as regards the problem of the Slav occupation of South Greece.There are seven islets in all in the bay of Itea, and of these I was able to visit the three nearest to Galaxidhi, namely (1) Panayia, (2) Ayios Yeoryios, and (3) Apsifia (Figs. 2, 3). These three islands all had traces of habitation in the late Roman or early Byzantine period, including pottery assignable to the sixth or early seventh centuries A.D.: notably, fragments of amphorae with straight and wavy grooved decoration (Plate 14d, 4–6), and rims of dishes of fine red (Late Roman B) ware imported from North Africa. These rims (nos. 6–8, 12) belong to dishes of a type (Ant. 802) found in the Late Phase of the Late Roman period at Antioch, lasting from about the middle of the sixth century A.D. into the seventh. I recovered one or two fragments of clay lamps from (1) Panayia (Plate 14d, 1–2), but saw none on the other two islands which I visited. Some of the Roman pottery from (1) Panayia and (2) Ayios Yeoryios appears to date from a time before the Slav invasions. There are also traces of medieval or later occupation here.


2018 ◽  
Vol 31 ◽  
pp. 524-541 ◽  
Author(s):  
Benjamin D. Gordon ◽  
Zeev Weiss

The mosaic carpets decorating Palestinian synagogues in late antiquity took various forms but tend to focus on three recurring visual themes: the zodiac, a motif with origins in Greco-Roman religious art; the Jerusalem Temple, long in ruins but still very much alive in the Jewish imagination; and the Biblical story, often classics and easily identifiable to those well-versed in scripture. The latter was the programmatic focus of the frescoes of the Dura Europos synagogue and would maintain hegemony in episodic art on synagogue floors through late antiquity. The paradigm was thought to have shifted in 2013-14 when excavations at Huqoq uncovered a mosaic panel featuring war elephants that was claimed to portray the first extra-Biblical scene ever found in an ancient synagogue. Huqoq was a thriving Jewish village in the Late Roman period. Its basilica-type synagogue was paved twice with mosaic, the earlier of which is better preserved and includes the “elephant panel”. Most of the rest of the floor has not been fully published, although news releases and preliminary reports mention them and assign the floor a date in the 5th c. The floor does include well-known Biblical scenes along with a zodiac panel and two undated dedicatory inscriptions with decorative framing elements that include putti.


2009 ◽  
Vol 40 ◽  
pp. 179-187 ◽  
Author(s):  
Linda Hulin ◽  
Jane Timby ◽  
Giuseppina Mutri

AbstractThe 2009 season of the Western Marmarica Coastal Survey continued to document the settlement profile of the coastal area east of Tobruk, focussing upon the area around Marsa Lukk. Rock art was documented in the Wadi el-'Ayn and a number of Early-Mid Holocene sites were located there and to the west of Marsa Lukk. The survey continued to locate kiln sites of the Mid-Late Roman period. Two fortified sites were documented, spanning the Late Roman to Early Islamic period.


1994 ◽  
Vol 44 ◽  
pp. 27-46
Author(s):  
Lionel Bier

The archaeological survey of Balboura in northern Lycia conducted between 1985 and 1990 under the direction of J. J. Coulton permitted the recording of a number of architectural monuments including two theatres. The first, located at the edge of the valley 200 metres south of the Roman town, was studied during the 1987 season and has been presented in a previous issue ofAnatolian Studiesas an unfinished monument of the late Roman period. The second theatre, situated on the steep southern slope of the acropolis hill some 70 metres above the floor of the gorge, was surveyed in the summer of 1990 and is the subject of this paper (Figs. 1, 2, 3).The monument was first described—briefly and without drawings—by Spratt and Forbes who made a hurried survey of the city site in 1842. Peterson and Von Luschan came through in 1882 and later published without comment the first photograph showing the impressive levelling platform that supported the scene building. The only study in modern times has been that of de Bernardi Ferrero which appeared in the second volume of her monumental corpus of classical theatres in Asia Minor. Time apparently did not permit a thorough survey which is hardly surprising considering the enormous scope of her undertaking but her observations, as far as they go, are sound, and her photographs numerous and well chosen. De Bernardi Ferrero's graphic documentation is inadequate, however, especially as regards the original appearance of the stage building which, although almost thoroughly denuded, provides more surface clues than her drawings indicate. Her late Hellenistic designation for the building, which remains unexcavated and has produced no inscriptions, is, in any case, accepted here.


Starinar ◽  
2005 ◽  
pp. 133-159 ◽  
Author(s):  
Vujadin Ivanisevic ◽  
Perica Spehar

In this article, we presented the archaeological finds from Cecan and Gornji Streoc - hill-forts on Mount Cicevica in the immediate vicinity of Vucitrn (Kosovo). We studied the archaeological material from the Roman, Late Roman and, in particular from the Early Byzantine period. A large number of archaeological objects and especially iron tools found on the Cecan and Gornji Streoc fortresses indicate a well-developed level of production in the crafts and iron manufacturer. We emphasize the importance of these fortresses in Late Roman times and we highlight the fortification of the interior regions of Illyricum. This suggests that Dardania had a considerable population in the Late Roman period as is confirmed by the many fortresses constructed throughout the entire region, often on almost inaccessible terrain.


2020 ◽  
Vol 63 (4) ◽  
pp. 582-606
Author(s):  
Amir Gorzalczany ◽  
Baruch Rosen ◽  
Naama Sukenik

Abstract A mosaic discovered in luxurious Roman domus in Lod (Lydda, Diospolis) in Israel, depicted among other maritime creatures Royal Purple yielding mollusks and wicker traps used to catch them. Historical sources indicating that during Late Antiquity residents of Lod dealt in dyeing and exporting textiles (also Royal Purple) were reexamined. Clearly many city inhabitants were involved with textiles, and some of them had their hands permanently dyed. The mosaic hints that the mollusks contributed to their wealth. The problem of inland dyeing with Royal Purple was discussed, as well as the continuation of this industry in the area into the Islamic period.


Author(s):  
Grigory L. Zemtsov ◽  
◽  
Dmitry V. Sarychev ◽  
Vladimir O. Goncharov ◽  
Ekaterina V. Fabritsius ◽  
...  

1955 ◽  
Vol 45 (1-2) ◽  
pp. 106-115 ◽  
Author(s):  
Giacomo Caputo ◽  
Richard Goodchild

Introduction.—The systematic exploration of Ptolemais (modern Tolmeita), in Cyrenaica, began in 1935 under the auspices of the Italian Government, and under the direction of the first-named writer. The general programme of excavation took into consideration not only the important Hellenistic period, which gave the city its name and saw its first development as an autonomous trading-centre, but also the late-Roman age when, upon Diocletian's reforms, Ptolemais became capital of the new province of Libya Pentapolis and a Metropolitan See, later occupied by Bishop Synesius.As one of several starting-points for the study of this later period, there was selected the area first noted by the Beecheys as containing ‘heaps of columns’, which later yielded the monumental inscriptions of Valentinian, Arcadius, and Honorius, published by Oliverio. Here excavation soon brought to light a decumanus, running from the major cardo on the west towards the great Byzantine fortress on the east. Architectural and other discoveries made in 1935–36 justified the provisional title ‘Monumental Street’ assigned to this ancient thoroughfare. In terms of the general town-plan, which is extremely regular, this street may be called ‘Decumanus II North’, since two rows of long rectangular insulae separate it from the Decumanus Maximus leading to the West Gate, still erect. The clearing of the Monumental Street and its frontages revealed the well-known Maenad reliefs, attributed to the sculptor Callimachus, a late-Roman triple Triumphal Arch, and fragments of monumental inscriptions similar in character to those previously published from the same area.


2021 ◽  
Vol 0 (0) ◽  
Author(s):  
Martin Rundkvist

Abstract Gold snake-head rings are a famous and much studied artefact group of the Late Roman Period in Scandinavia. But before and during their heyday, women in the same areas were occasionally buried with shield-head and snake-head rings made of silver or bronze. This paper surveys the material and traces the origin of these designs from the Wielbark Culture in coastal Poland about AD 100. The early shield-head rings probably arrived across the Baltic with the women who wore them. After the AD 210s, non-gold rings are a feature of the gold snake-head rings’ core production and distribution area on the Baltic Islands and south-east mainland Sweden. The women who wore them were not tribal royalty, but enjoyed comfortable economic means and had the right to display this top-level symbol in more affordable materials.


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