Royal Purple Industry in Lod during the Late Roman Period as Reflected in the Lod Mosaic

2020 ◽  
Vol 63 (4) ◽  
pp. 582-606
Author(s):  
Amir Gorzalczany ◽  
Baruch Rosen ◽  
Naama Sukenik
Keyword(s):  
Late Antiquity ◽  
Roman Period ◽  
Historical Sources ◽  
Islamic Period ◽  
Late Roman Period ◽  
Late Roman

Abstract A mosaic discovered in luxurious Roman domus in Lod (Lydda, Diospolis) in Israel, depicted among other maritime creatures Royal Purple yielding mollusks and wicker traps used to catch them. Historical sources indicating that during Late Antiquity residents of Lod dealt in dyeing and exporting textiles (also Royal Purple) were reexamined. Clearly many city inhabitants were involved with textiles, and some of them had their hands permanently dyed. The mosaic hints that the mollusks contributed to their wealth. The problem of inland dyeing with Royal Purple was discussed, as well as the continuation of this industry in the area into the Islamic period.

Ceramics from Late Roman Contexts in Durrës

2006 ◽  
Vol 101 ◽  
pp. 427-457 ◽  
Author(s):  
Brikena Shkodra
Keyword(s):  
Late Antiquity ◽  
Eastern Mediterranean ◽  
Roman Period ◽  
Local Production ◽  
The West ◽  
Byzantine Period ◽  
East And West ◽  
Late Roman Period ◽  
The City ◽  
Late Roman

What seems to be the case is that Durrës during the late Roman period was incorporated in the network of Byzantine state-controlled supply which operated throughout the east and west Mediterranean, suggesting that the city was more open to the east than to the west in late Antiquity. By contrast, the supply of Tunisian fine ware and amphorae is smaller then the imports from the eastern Mediterranean. However, the persistence presence of Tunisian wares throughout late Vandal and Byzantine period argues for sustained interaction between east and west within the Byzantine world. The presence of local production in the 6th century contexts merits further analysis.

Samuel and Saul at Gilgal: a new interpretation of the Elephant mosaic panel in the Huqoq synagogue

2018 ◽  
Vol 31 ◽  
pp. 524-541 ◽  
Author(s):  
Benjamin D. Gordon ◽  
Zeev Weiss
Keyword(s):  
Late Antiquity ◽  
Roman Period ◽  
Religious Art ◽  
Biblical Story ◽  
Jerusalem Temple ◽  
Greco Roman ◽  
News Releases ◽  
New Interpretation ◽  
Late Roman Period ◽  
Late Roman

The mosaic carpets decorating Palestinian synagogues in late antiquity took various forms but tend to focus on three recurring visual themes: the zodiac, a motif with origins in Greco-Roman religious art; the Jerusalem Temple, long in ruins but still very much alive in the Jewish imagination; and the Biblical story, often classics and easily identifiable to those well-versed in scripture. The latter was the programmatic focus of the frescoes of the Dura Europos synagogue and would maintain hegemony in episodic art on synagogue floors through late antiquity. The paradigm was thought to have shifted in 2013-14 when excavations at Huqoq uncovered a mosaic panel featuring war elephants that was claimed to portray the first extra-Biblical scene ever found in an ancient synagogue. Huqoq was a thriving Jewish village in the Late Roman period. Its basilica-type synagogue was paved twice with mosaic, the earlier of which is better preserved and includes the “elephant panel”. Most of the rest of the floor has not been fully published, although news releases and preliminary reports mention them and assign the floor a date in the 5th c. The floor does include well-known Biblical scenes along with a zodiac panel and two undated dedicatory inscriptions with decorative framing elements that include putti.

The Western Marmarica Coastal Survey 2009: preliminary report

2009 ◽  
Vol 40 ◽  
pp. 179-187 ◽  
Author(s):  
Linda Hulin ◽  
Jane Timby ◽  
Giuseppina Mutri
Keyword(s):  
Coastal Area ◽  
Preliminary Report ◽  
Rock Art ◽  
Roman Period ◽  
The West ◽  
Islamic Period ◽  
Late Roman Period ◽  
Early Islamic Period ◽  
Early Islamic ◽  
Late Roman

AbstractThe 2009 season of the Western Marmarica Coastal Survey continued to document the settlement profile of the coastal area east of Tobruk, focussing upon the area around Marsa Lukk. Rock art was documented in the Wadi el-'Ayn and a number of Early-Mid Holocene sites were located there and to the west of Marsa Lukk. The survey continued to locate kiln sites of the Mid-Late Roman period. Two fortified sites were documented, spanning the Late Roman to Early Islamic period.

scholarly journals Glass medallion in the shape of a lion’s head mask

2011 ◽  
pp. 277-285
Author(s):  
Renata Kucharczyk ◽  
Keyword(s):  
Roman Period ◽  
Museum Collections ◽  
Islamic Period ◽  
Late Roman Period ◽  
Early Islamic Period ◽  
Early Islamic ◽  
Made In ◽  
Late Roman

A glass appliqué in the shape a lion's head mask is an example of applied decoration found on late Roman glasses, which may have actually seen extended use as a keepsake or amulet, long after the vessel itself, presumably a globular or conical handled jug or bulbous flagon, had been broken. The medallion in high relief was found during Polish excavations on Kom el-Dikka in 2007, in a cut from the early Islamic period containing fill of mixed date, from late Roman to early Islamic. The paper considers parallels for the piece, both published and unpublished, from excavations in Egypt as well as museum collections worldwide. All are considered to be made in Egyptian workshops and representing traditional “Egyptian” themes, although the idea of decorating glass vessels with applied medallions was hardly a novel idea in the late Roman period and was a continuation of a tradition from Imperial times, but with a different range of motifs. Glass masks of this kind appeared also on other vessels, like glass cinerary urns, for example, and continued to be applied as decoration on late Sassanian and early Islamic products.

Plyshchan microregion of settlements of the Late Roman period in the Upper Don region

2020 ◽  
pp. 60-71
Author(s):  
Grigory L. Zemtsov ◽  
◽  
Dmitry V. Sarychev ◽  
Vladimir O. Goncharov ◽  
Ekaterina V. Fabritsius ◽  
...  
Keyword(s):  
Roman Period ◽  
Late Roman Period ◽  
Late Roman

Noble shape, humble metals. Bronze and silver shield-head and snake-head rings of Roman era Scandinavia

2021 ◽  
Vol 0 (0) ◽  
Author(s):  
Martin Rundkvist
Keyword(s):  
Roman Period ◽  
Distribution Area ◽  
Production And Distribution ◽  
Late Roman Period ◽  
The Baltic ◽  
The Right ◽  
Core Production ◽  
Late Roman

Abstract Gold snake-head rings are a famous and much studied artefact group of the Late Roman Period in Scandinavia. But before and during their heyday, women in the same areas were occasionally buried with shield-head and snake-head rings made of silver or bronze. This paper surveys the material and traces the origin of these designs from the Wielbark Culture in coastal Poland about AD 100. The early shield-head rings probably arrived across the Baltic with the women who wore them. After the AD 210s, non-gold rings are a feature of the gold snake-head rings’ core production and distribution area on the Baltic Islands and south-east mainland Sweden. The women who wore them were not tribal royalty, but enjoyed comfortable economic means and had the right to display this top-level symbol in more affordable materials.

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