2012 APSA Africa Workshop: Leaders, Site, and Theme Selected

2012 ◽  
Vol 45 (02) ◽  
pp. 354
Keyword(s):  
Cape Town ◽  
Virginia Tech ◽  
Steering Committee ◽  
Local Communities ◽  
Application Process ◽  
Indiana University ◽  
University Of Botswana ◽  
The Us ◽  
University Of Cape Town ◽  
The University

After a competitive application process, the APSA Africa Project Steering Committee has selected this year's workshop leaders. The US-based facilitators of the workshop are Parakh Hoon (Virginia Tech) and Lauren MacLean (Indiana University). Their Africa-based colleagues are Joseph Mbaiwa (Okavango Research Institute, University of Botswana, Maun Campus), Sethunya Mosime (University of Botswana, Gaborone Campus), and Lungisile Ntsebeza (University of Cape Town). The theme of this year's workshop is “Local Communities and the State in Africa.” The event will be held in July 2012 at the facilities of the University of Botswana in Gaborone.

scholarly journals BARNARD Christian NetLink (to the 95th of birthday and 50th anniversary of the first in the world successful heart transplant)

2017 ◽  
Vol 10 (3) ◽  
pp. 254
Author(s):  
Alexander Alekseevich Andreev ◽  
Anton Petrovich Ostroushko
Keyword(s):  
South Africa ◽  
South African ◽  
Heart Transplant ◽  
50Th Anniversary ◽  
Cape Town ◽  
Assistant Professor ◽  
The Us ◽  
Cardiothoracic Surgeon ◽  
University Of Cape Town ◽  
The University

Barnard (Barnard) Christian Nettling South African surgeon, performed the first successful heart transplant man, he was born in 1922 in Beaufort West in South Africa. In 1940 he graduated from school in 1946, the medical faculty of the University of Cape town. In 1953 he received the degree of doctor of medicine at the medical school of the University of Cape town. In 1956, he studied cardiac surgery in the US, where in 1958 he received the degree of doctor of medicine. After returning to South Africa K. Barnard was appointed cardiothoracic surgeon, and soon the head of surgical research, Department of cardiothoracic surgery at the clinic of the University of Cape town. In the October 1959 Christian Bernard is the first in Africa performed a successful kidney transplant. In 1962 he held the post of assistant Professor in the Department of surgery of the University of Cape town. December 3, 1967 K. Barnard and his colleagues have performed the first successful orthotopic transplantation of the human heart. In 1972 he was appointed Professor of surgical Sciences at the University of Cape town. In 1974 K. Barnard produced the world's first heterotopic heart transplant man. In 1981 he developed the patronage system of the heart by conducting hypothermic perfusion. In 1983, K. Barnard, resigned. He is the author of the autobiographical book "One life" (1970), published in co-authorship with Z. Stander anti-racist novel "Undesirable elements" (1974). Christian Barnard died on 2 September 2001, Paphos, Cyprus.

Double Thoughts

2018 ◽  
Author(s):  
Andrew Dean
Keyword(s):  
Literary Criticism ◽  
Jacques Derrida ◽  
Postcolonial Theory ◽  
Cape Town ◽  
Literary Texts ◽  
Paul De Man ◽  
Literature And Philosophy ◽  
De Man ◽  
University Of Cape Town ◽  
The University

Coetzee’s interest in destabilizing the boundaries of literature and philosophy is most evident in later fictions such as Elizabeth Costello. But as Andrew Dean argues in this chapter, this interest in moving across boundaries in fact originates much earlier, in Coetzee’s quarrel with the institutions and procedures of literary criticism. Coetzee used the occasion of his inaugural professorial lecture at the University of Cape Town (Truth and Autobiography) to criticize the assumption that literary criticism can reveal truths about literature to which literary texts are themselves blind. Influenced in part by such figures as Jacques Derrida and Paul de Man, Coetzee posed a series of challenging questions about the desires at stake in the enterprise of literary criticism. Developing these thoughts, Dean explores the way in which Coetzee’s earlier fiction, including such texts as Foe (1986), is energized by its quarrelsome relationship with literary criticism and theory, especially postcolonial theory.

The Many Racial Effigies of Sara Baartman

2017 ◽  
Vol 58 (3) ◽  
pp. 275-299 ◽  
Author(s):  
Kellen Hoxworth
Keyword(s):  
South African ◽  
Cape Town ◽  
Racial Oppression ◽  
Black Paint ◽  
African Students ◽  
The Many ◽  
University Of Cape Town ◽  
The University

Six African students enact a somber, silent dance. They stage a series of striking images at the base of South African artist Willie Bester's sculptureSara Baartman, in the Chancellor Oppenheimer Library at the University of Cape Town (UCT). Their faces and bodies smeared with black paint, the students articulate their protest ofSara Baartmanin explicitly racial terms, aligning their critiques of economic, colonial, and racial oppression under the sign of blackness.

scholarly journals High Altitude Makes for High Energy

2018 ◽  
Vol XII (1) ◽  
pp. 99-101
Author(s):  
Tin Wegel
Keyword(s):  
High Energy ◽  
Indiana University ◽  
Lifelong Learners ◽  
Conference Room ◽  
Northern Colorado ◽  
The Us ◽  
Language Classrooms ◽  
University Of Northern Colorado ◽  
Performative Pedagogy ◽  
The University

On January 19, 2018 about 80 people sat in an unassuming conference room on the campus of the University of Northern Colorado in Greeley, chatting and signing away cheerfully with their seat neighbors in anticipation of the keynote address by Susanne Even from Indiana University in Bloomington, IN. The lively crowd of students and faculty members from across the country was clearly already in a chatty mood before the official introduction by Erin Noelliste, the lead organizer of the 5th Scenario Symposium on Performative Pedagogy, kicked off an engaging and interactive evening and day ahead. The idea behind this particular symposium was to focus on the use of drama to enhance learning in education and foreign languages, as the program stated. It was the second of its kind held in the US and thus aimed at broadening readership and scope of the Scenario Journal, with the goal of inspiring creativity and improvisation in foreign language classrooms. The keynote speaker Susanne Even took the podium and I dare say she could not have hoped for a more involved group of lifelong learners. Her keynote talk, made accessible to all participants by sign language interpreters, was the first presentation in the 2018 ...

van Wyk Louw, Nicolaas Petrus (1906–1970)

2018 ◽  
Author(s):  
Heilna du Plooy
Keyword(s):  
South Africa ◽  
South African ◽  
Cape Town ◽  
Western Cape ◽  
The Family ◽  
South African Literature ◽  
Literature History ◽  
Faculty Of Education ◽  
University Of Cape Town ◽  
The University

N. P. Van Wyk Louw is regarded as the most prominent poet of the group known as the Dertigers, a group of writers who began publishing mainly in the 1930s. These writers had a vision of Afrikaans literature which included an awareness of the need of thematic inclusiveness, a more critical view of history and a greater sense of professionality and technical complexity in their work. Van Wyk Louw is even today considered one of the greatest poets, essayists and thinkers in the Afrikaans language. Nicolaas Petrus van Wyk Louw was born in 1906 in the small town of Sutherland in the Western Cape Province of South Africa. He grew up in an Afrikaans-speaking community but attended an English-medium school in Sutherland as well as in Cape Town, where the family lived later on. He studied at the University of Cape Town (UCT), majoring in German and Philosophy. He became a lecturer at UCT, teaching in the Faculty of Education until 1948. In 1949 he became Professor of South African Literature, History and Culture at the Gemeentelijke Universiteit van Amsterdam. In 1960 he returned to South Africa to become head of the Department of Afrikaans and Dutch at the University of the Witwatersrand in Johanneshurg. He filled this post until his death in 1970.

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